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Balzac Reframed = The Classical and Modern Faces of Éric Rohmer and Jacques Rivette /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Balzac Reframed/ by Zahra Tavassoli Zea.
其他題名:	The Classical and Modern Faces of Éric Rohmer and Jacques Rivette /
作者:	Tavassoli Zea, Zahra.
面頁冊數:	XI, 230 p. 1 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Motion pictures. -
電子資源:	https://doi.org/10.1007/978-3-030-30615-1
ISBN:	9783030306151

Balzac Reframed = The Classical and Modern Faces of Éric Rohmer and Jacques Rivette /
Tavassoli Zea, Zahra.

Balzac ReframedThe Classical and Modern Faces of Éric Rohmer and Jacques Rivette /[electronic resource] :by Zahra Tavassoli Zea. - 1st ed. 2019. - XI, 230 p. 1 illus.online resource. - Palgrave Studies in Adaptation and Visual Culture,2634-629X. - Palgrave Studies in Adaptation and Visual Culture,.

1. Introduction: Balzac and the Nouvelle Vague -- 2. Rohmer: Reader and Imitator of Balzac -- 3. Poetry and Reality of the Historical Image -- 4. Balzac and Rivette: Continuity and Deflection -- 5. Modern Mythographer -- 6. Conclusion: Balzac’s Multifaceted Legacy.

This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the “politique des auteurs”), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the “conservative” versus “progressist” rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.

ISBN: 9783030306151

Standard No.: 10.1007/978-3-030-30615-1doiSubjects--Topical Terms:

562481
Motion pictures.

LC Class. No.: PN1993-1999

Dewey Class. No.: 791.4

Balzac Reframed = The Classical and Modern Faces of Éric Rohmer and Jacques Rivette /
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520 $a This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the “politique des auteurs”), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the “conservative” versus “progressist” rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.
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