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Theorizing Music Videos of the Late 2010s = A Prosumer’s Study of a Medium /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Theorizing Music Videos of the Late 2010s/ by Leo Feisthauer.
Reminder of title:
A Prosumer’s Study of a Medium /
Author:
Feisthauer, Leo.
Description:
VIII, 181 p. 50 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Music. -
Online resource:
https://doi.org/10.1007/978-3-662-65049-3
ISBN:
9783662650493
Theorizing Music Videos of the Late 2010s = A Prosumer’s Study of a Medium /
Feisthauer, Leo.
Theorizing Music Videos of the Late 2010s
A Prosumer’s Study of a Medium /[electronic resource] :by Leo Feisthauer. - 1st ed. 2022. - VIII, 181 p. 50 illus.online resource. - Zeitgenössische Musikwissenschaft,2662-9097. - Zeitgenössische Musikwissenschaft,.
Introduction -- Summarizing the research status -- Reconsidering contemporary music videos -- Prosuming a music video in the late 2010s -- What is music videos’ cultural impact? -- Conclusion.
The work formulates a status quo of the music video medium in the late 2010s and shows which trends, aesthetics and (new) standards have established themselves. Particularly the role of the prosumer amidst evolved technical conditions is highlighted in this context, which strongly influences the evolution of music video in this period. Moreover, the author understands music videos as socio-political actors and examines the resulting questions of their interaction with culture. About the author Leo Feisthauer is a musician, filmmaker, researcher and teacher based in Kassel, Germany. His work in both art and academia focuses on audiovisual studies and new media.
ISBN: 9783662650493
Standard No.: 10.1007/978-3-662-65049-3doiSubjects--Topical Terms:
649088
Music.
LC Class. No.: M1-5000
Dewey Class. No.: 780
Theorizing Music Videos of the Late 2010s = A Prosumer’s Study of a Medium /
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Introduction -- Summarizing the research status -- Reconsidering contemporary music videos -- Prosuming a music video in the late 2010s -- What is music videos’ cultural impact? -- Conclusion.
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The work formulates a status quo of the music video medium in the late 2010s and shows which trends, aesthetics and (new) standards have established themselves. Particularly the role of the prosumer amidst evolved technical conditions is highlighted in this context, which strongly influences the evolution of music video in this period. Moreover, the author understands music videos as socio-political actors and examines the resulting questions of their interaction with culture. About the author Leo Feisthauer is a musician, filmmaker, researcher and teacher based in Kassel, Germany. His work in both art and academia focuses on audiovisual studies and new media.
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