Music.
概要
| 作品: | 709 作品在 127 項出版品 127 種語言 | |
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書目資訊
Neurocognitive music therapy = intersecting music, medicine and technology for health and well-being /
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音樂影像作品《 Bestie》創作論述 = = Discussion On The Creation of Musical Image Works "Bestie" /
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A philosophy of ambient sound = materiality, technology, art and the sonic environment /
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Music Representation and Transformation in Software = Structure and Algorithms in Python /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 2: Samba, Mambo, Bossa & Co. (1945–1975) /
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Die Musik der imaginären Türkei = Musik und Musikleben im Kontext der Migration aus der Türkei in Deutschland /
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Music Therapy with Autistic Children in Aotearoa, New Zealand = Haumanu ā-Puoro mā ngā Tamariki Takiwātanga i Aotearoa /
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Kirche, Musik und ästhetische Bildung = Kirchenmusikpädagogik am Beispiel kirchlichen Singens /
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We Piano Teachers and Our Demons = Socio-psychological Obstacles on the Road to Inspired and Secure Performance /
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Handbuch der deutschen Phonetik für Sängerinnen und Sänger = Mit einem umfangreichen Übungsteil und Hörproben /
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The Bebop Scene in London's Soho, 1945-1950 = Post-war Britain’s First Youth Subculture /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 1: Ragtime, Tango, Rumba & Co. (1855–1945) /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 3: Afrobeat, Salsa, Reggae & Co. (1975-2000) /
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Music Composition in Contexts of Early Childhood = Creation, Communication and Multi-Modal Experiences through Music /
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Cantar es mi mundo - Singen ist meine Welt = Spielräume zur Ermöglichung allgemeiner Bildungserfahrungen im Musikunterricht /
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Geographically Isolated and Peripheral Music Scenes = Global Insights and Perspectives /
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Musik und Fuzzy Logic = Die Dialektik von Idee und Realisierungen im Werkprozess /
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Instrumentaler Musikunterricht als Teil allgemeiner Schulbildung = Das Pforzheimer Pädagogium und sein innovatives Schulmodell im ausgehenden 18. Jahrhundert /
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Rooms for the Learned Musician = A 20-Year Retrospective on the Acoustics of Music Education Facilities /
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Proceedings of the 8th Conference on Sound and Music Technology = Selected Papers from CSMT /
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Music in the Making of Modern Japan = Essays on Reception, Transformation and Cultural Flows /
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Die Neudeutsche Schule – Phänomen und Geschichte = Quellen und Kommentare zu einer zentralen musikästhetischen Kontroverse des 19. Jahrhunderts /
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Audio Drama Modernism = The Missing Link between Descriptive Phonograph Sketches and Microphone Plays on the Radio /
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Musikalisches Tempoempfinden in audiovisuellen Medien = Empirische Untersuchung zur intermodalen Wahrnehmung mit präsentativen Forschungsmethoden /
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Handbuch Musik und Medien = Interdisziplinärer Überblick über die Mediengeschichte der Musik /
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Stimmungen weben = Eine unterrichtswissenschaftliche Studie zur Gestaltung von Atmosphären /
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Authenticity and Belonging in the Northern Soul Scene = The Role of History and Identity in a Multigenerational Music Culture /
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Robotic Musicianship = Embodied Artificial Creativity and Mechatronic Musical Expression /
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Psychoacoustic Music Sound Field Synthesis = Creating Spaciousness for Composition, Performance, Acoustics and Perception /
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Narratives and Reflections in Music Education = Listening to Voices Seldom Heard /
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Popular Music, Technology, and the Changing Media Ecosystem = From Cassettes to Stream /
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What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
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Transnational Flamenco = Exchange and the Individual in British and Spanish Flamenco Culture /
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Proceedings of the 7th Conference on Sound and Music Technology (CSMT) = Revised Selected Papers /
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Entrepreneurial Music Education = Professional Learning in Schools and the Industry /
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Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Concert Halls by Nagata Acoustics = Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /
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Computational counterpoint worlds = mathematical theory, software, and experiments /
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Mathematics and computation in music = third international conference, MCM 2011, Paris, France, June 15-17, 2011 : proceedings /
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Mathematics and computation in music = first international conference, MCM 2007 Berlin, Germany, May 18-20, 2007 : revised selected papers /
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Exploring music contents = 7th international symposium, CMMR 2010, Malaga, Spain, June 21-24, 2010 : revised papers /
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Language, music, and computing = first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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From sounds to music and emotions = 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012 : revised selected papers /
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Arts and technology = second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
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The Rubato composer music software = component-based implementation of a functorial concept architecture /
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Patterns of intuition = musical creativity in the light of algorithmic composition /
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Listening to China's cultural revolution = music, politics, and cultural continuities /
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Integrative health through music therapy = accompanying the journey from illness to wellness /
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Globalization, music and cultures of distinction = the rise of pop music criticism in Italy /
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Music, mind, and embodiment = 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015 : revised selected papers /
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Performing China on the London stage = Chinese opera and global power, 1759--2008 /
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Cool math for hot music = a first introduction to mathematics for music theorists /
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All about music = the complete ontology: realities, semiotics, communication, and embodiment /
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The Palgrave handbook of sound design and music in screen media = integrated soundtracks /
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Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance.
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Volume I Affect and Feelings : = The Persuasive Power of Film Music. Volume II Quintet for Piano and String Quartet.
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Not just to win auditions : = Playing orchestral percussion excerpts for pedagogy and enrichment.
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Toward a Decolonial Homiletic : = In Search of a Local Preaching Voice for Trinidad and Tobago.
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Learning to Listen : = Musical Hearing and the Construction of Musicality in the Nineteenth Century.
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Orality, Literacy, and the Learning of Instruments : = Professional Instrumentalists and Their Music in Early Modern Italy.
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Speaking the song, spreading the word, lifting the people: = The reimagination of community through vocal music activism.
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Musical Means in Mussorgsky's "Songs and Dances of Death" : = A Singer's Study Guide.
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The world within the world : = The fusion of Western formal structures with Turkmen Dutar form in Turkmen piano music.
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Artist-fan engagement model : = Implications for music consumption and the music industry.
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Intersectional androgyny in cyberspace : = Gender, commercialization, and vocality in female ryouseiruis' music videos.
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Modernizing our methods : = Incorporating technology in undergraduate applied violin lessons.
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El Sistema USA : = An Exploratory Study of the Pedagogical Approaches in Beginning Violin Classes.
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Piano Performance in Musical Symbolism : = Interpretive Freedom through Understanding Symbolist Aesthetics.
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Violin Curriculum Incorporating Visual, Aural and Kinesthetic Perceptual Learning Modalities.
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George Rochberg's Caprice Variations for Unaccompanied Violin : = A Stylistic Study and Performance Guide.
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To See Music in Your Mind's Eye : = The Genesis of Memorization as a Piano Performance Practice.
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Preparation of the Richard Luby Edition of the Adagio and Fuga from J. S. Bach's Sonata in G Minor for Solo Violin.
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"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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Mister Rogers' Musical Neighborhood : = Fred McFeely Rogers' Contributions to Early Childhood Music Education.
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THE QUINTETS FOR PIANO, OBOE, CLARINET, HORN AND BASSOON BY WOLFGANG AMADEUS MOZART AND LUDWIG VAN BEETHOVEN.
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Miroirs d'apres Perlemuter : = A short biography of Vlado Perlemuter with a commentary on his interpretation of Maurice Ravel's "Miroirs".
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A comparative performance study of the wind and string versions of Beethoven's Opus 16.
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The historical influences on the works for violin and orchestra by Ludwig van Beethoven.
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The violin bow : = Its oriental and medieval predecessors, historical development, and famous maker.
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21st century choral performance practice : = Presenting the mash-up with practical applications.
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Factors affecting the programming of undergraduate piano recital repertoire : = A collective case study.
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Humanistic Vocal Pedagogy : = Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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A Comparative Evaluation of Group and Private Piano Instruction on the Musical Achievements of Young Beginners.
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Collective Efficacy Belief, Within-Group Agreement, and Performance Quality Among String Chamber Ensembles : = An Exploratory Study.
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An Exploration of a Beginning Undergraduate Music Student Conducting with Expressivity.
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Johannes Brahms, cello Sonata No. 2, Op. 99 : = A transcription and technical guide for alto saxophone and piano.
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Contemporary strategies for fundamental development : = Utilizing extended techniques to advance foundational trumpet methodology.
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The twenty-first century cellist's bibliography : = A guide to cello research from 2000-2015.
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The effect of attentional focus on singing voice quality : = Towards the interdisciplinary experimental investigation of singing pedagogy.
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Building technical facility in tuba and euphonium players through the tuba-euphonium quartet.
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A pedagogical analysis and performance of selected compositions for piano by Vincent Persichetti.
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A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.
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A Physiological Exploration and Pedagogical Integration of Voice and Brass Tuba Physical Methods to Enhance Tone Timbre or "Play Like You Sing".
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Job Satisfaction of Orchestral Musicians : = The Effects of Non-Performance Organizational Roles.
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The Piccolo in the 21st Century : = History, Construction, and Modern Pedagogical Resources.
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Los Angeles Noisescapes : = Culture and Aesthetics in the Early Twenty-First Century Experimental 'Noise' Scenes.
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Crossover Trumpet Performance : = Jazz Style and Technique for Classical Trumpeters.
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The combined influence of music function and preference on cognitive attention : = A cross cultural comparison.
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The effect of implied performer age, implied performer gender, and performance quality level on music majors' evaluations of solo musical performances.
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A study of the correlation between personality temperament and student instrument choice.
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The Effects of Contingent Lullaby Music on Parent-Infant Interaction and Amount of Infant Crying in the First Six Weeks of Life.
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College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music.
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Claude Debussy's Melodies by Theodore de Banville : = Understanding Debussy's Musical Reflection.
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Jazz and Recording in the Digital Age : = Technology, New Media, and Performance in New York and Online.
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A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943).
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Pedals, Functions, and Form-Functional Overlap in the Instrumental Music of the Viennese Classical Style.
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The historical development of the video music industry : = A political economic analysis.
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The Mask of Eleanor : = A chamber opera in the form of a tenso : Music, libretto and staging.
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A study of divertimento music, its history, form and usefulness in the instrumental music program.
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Time -consciousness and form in nonlinear music, and, "Flux" for large chamber ensemble.
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Community Engagement Or Community Outreach? A Case Study Of The Tallahassee Community Chorus And Its Unity Concert.
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The emotional reactions of music therapy students to simulated auditory hallucinations and music.
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Multicultural music therapy : = A manual on cultural sensitivity in music therapy practice.
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The role of songs in music therapy with adults who have developmental disabilities.
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Survey results for the current state of censorship in adult psychiatric music therapy sessions.
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Developing metacognitive and self-regulated learning skills through Reflective Writing Prompts.
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Songwriting as inquiry and action : = Emotion, narrative identity, and authenticity in folk music culture.
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Music videos as meaningful entertainment? Psychological responses to audio-visual presentations of song narratives.
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Building categories to guide behavior : = How humans build and use auditory category knowledge throughout the lifespan.
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The Integrated Auditory System : = Communication and Cognition through the Lens of Musical Expertise.
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Unity Through Variety : = Exploring the Cyclic Principle in Selected Works for Piano.
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William Bolcom's "Twelve New Etudes" (1988) : = Theoretical and interpretative analysis.
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How undergraduate music schools address music performance anxiety : = A multiple case study.
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The relationship between rap music and the psychological well-being of African American adolescents.
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The performance conversation : = A pragmatic, curricular approach to speaking from the stage.
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Anglican Chant in the Twentieth-Century : = Genesis, Harmonic Development, and Style.
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McNeil Robinson as Choral Musician : = A Survey of His Choral Works for the Christian and Jewish Traditions.
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The Right Kind of Music : = Fundamentalist Christianity as Musical and Cultural Practice.
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Who is More Creative? Assessing the Role that Individual Characteristics Play in Their Relationship with Creativity in Various Domains.
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Musical Gestures between Scores and Acoustics : = A Creative Application to Orchestra.
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Giambattista Velluti in London (1825-1829) : = Literary Constructions of the Last Operatic Castrato.
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Musical regularity and rhythmic patterns : = A quantitative analysis of birdsong structure.
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Experiencing Musical Connection : = Sonic Interventions in Mediterranean Social Memory.
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Music in Haredi Jewish Life : = Liquid Modernity and the Negotiation of Boundaries in Greater New York.
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Exploring Unexploited Compositional Space in Intercultural, Cross-level, and Concurrence Features of Music.
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The Names of Minimalism : = Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
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Objects of Veneration : = Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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A New Approach to the Analysis of Timbre = = Ein neuer Ansatz zur Klangfarbenanalyse.
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Moving in Sacred Time : = Metrical Interactions Between Body and Voice in Jewish and Greek Orthodox Liturgical Chant.
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Monstrous Erotics : = Poetics of Embodiment in Black Diasporic Women's Performance.
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Some Statistical Methods for Brain Gene Expression Data : = Dimension Reduction, Feature Screening, and Causal Inference.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology : = Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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Effects of the Presence of Audio and Type of Game Controller on Learning of Rhythmic Accuracy.
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Embodied, Representational, and Distributed Learning Practices in a Professional String Quartet.
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Looking Forward to the Past : = Baroque Rock's Postmodern Nostalgia and the Politics of Memory.
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An Investigation of Popular Music Placement as a Viewer Engagement Tool in Television Programming.
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Destination Freedom : = Strategies for Immersion in Narrative Soundscape Composition.
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Music-Based Emotion Regulation (MBER) Intervention Manual for Prevention of Depression in Older Persons.
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Music with and without lyrics increases motivation, affect, and arousal during moderate-intensity cycling.
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Older adult's preferences between traditional music therapy techniques versus i-Pad technology assisted music therapy techniques.
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Music therapists' perspectives on the assessment and clinical interpretation of clients' vocal parameters.
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Freud and the problem with music : = A history of listening at the moment of psychoanalysis.
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Modeling sense of place : = Emergence of meaningful places in encountering environments.
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A Multi-Level Model of Music-Evoked Emotions : = Stimulus Features, Personality, Familiarity, and Liking.
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The influence of formal music instruction on the construction of musical identities of conservatory jazz students.
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Musical working memory in musicians and nonmusicians : = Evidence for separate slave systems?
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Using music-based interventions with adolescents coping with family conflict or parental divorce : = A resource manual.
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A Theory of Analogy for Musical Sense-Making and Categorization : = Understanding Musical Jabberwocky.
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Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
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Beyond singer vs. non-singer in singing, health and well-being : = Development and testing of the Singing Experience Scale.
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Exploring the neural entrainment to musical rhythms and meter : = A steady-state evoked potential approach.
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Going Old School : = Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
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The Homeric Answer : = How By-Ear Learning and Improvisation Enhance the Musicianship of Classical Performers.
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Beyond the Concert Hall : = The Creation and Implementation of a Teaching Artist Training Program at the University Level.
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Is It All relative? Relative Pitch and L2 Lexical Tone Perception/Tone Language Comprehension by Adult Tone and Non-tone Language Speakers.
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When the Streets Speak : = Investigating Music, Memory, and Identity in the Lives of Abidjanese Street Children.
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Dancing the archive : = Rhythms of change in post-volcano identities on Montserrat, West Indies.
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Relevant Versus Extraneous Music in Multimedia Instruction : = A Study of the Coherence Principle.
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The Musician-Designer : = Integrating the Projection Medium Into Dramatic Musical Narrative.
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Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance.
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The fan-artist relationship on social networking sites : = A cyberstage pass for the music fan.
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Algorithmic music analysis : = A case study of a prelude from David Cope's "From Darkness, Light".
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Taiwanese Composer Tyzen Hsiao : = Pedagogical Aspects of Selected Piano Solo Works.
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Music piracy or a permanent passive revolution : = An examination of the role of technology in the challenge to a cultural hegemon.
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Confessions in Fiction, Opera, and Memoir : = Subversive Elements of Courtesan Celebrity in Nineteenth-Century Paris.
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Underground Sounds : = Oral Tradition and Recording Culture in American Poetry, 1917-2008.
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The medial caesura in Schubert's sonata forms : = Formal and rhetorical complications.
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Women on FIRE : = Revamped Gender Codes in Alicia Keys' "Girl on Fire" Song & Video.
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Effect of viable treatments on small room acoustics - A case study of control room 212B in Durgin Hall.
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Better Practice : = A Review of Research on Effective Practicing and Suggestions for Chinese Music Teachers.
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The Rise of the Chinese Concerto : = A Look into the Developments of Chinese Traditional Instrument Concerti with Western Orchestra.
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The influence of Chinese instruments on the violin : = A practice guide of three violin techniques.
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Queering the Body : = Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
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Evocations of Nature in the Piano Music of Franz Liszt and the Seeds of Impressionism.
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"I'm not a rapper, I'm an activist who rhymes" : = Native American hip hop, activism, and twenty-first century identities.
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Coloureds Performing Queer, or Queer Coloureds Performing? : = Asserting Belonging through Queer Behavior in Cape Town, South Africa.
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Music as Gestural Narrative : = An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109.
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The Culmination of the Russian Romantic Piano School as Represented By Early and Late Works of Rachmaninoff, Scriabin, and Medtner.
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"Let the Feast of Fools Begin, Batman!" : = The Traditional and Gothic Carnvialesques in the Sound Design of the "Batman : Arkham" Video Games.
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The Influence of Corporate Social Responsibility on The Decision-Making Process of Music Festival-Goers : = Findings from a Survey-Embedded Experiment.
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Pop Cultures : = A Comparative Analysis of the American and South Korean Record Industries.
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Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
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Parents' Observations of Their Young Children's Music Behaviors During Music Classes after Completing the Children's Music Behavior Inventory.
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Collaborative crossover : = Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
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Grooves in the Landscape : = Vanished and Persistent Record Stores in the Postindustrial City.
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The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
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An examination of pre- and post-Vatican II music for the Roman Catholic liturgy : = Ethnic diversity as a vehicle of unity.
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The craft of spontaneous composition : = How jazz saxophonists have approached the instrumental solo in pop music.
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A world of flute music : = A look at the impact of siku and shakuhachi flute traditions on Western classical repertoire.
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Cabaret songs by classical composers during the first half of the twentieth century : = Satie, Schoenberg, Weill, and Britten.
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Mathematics and computation in music = 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017 : proceedings /
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The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
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Historical theory and methods through popular music, 1970-2000 = "Those are the New Saints" /
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Music, youth and international links in post-war British fascism = the transformation of extremism /
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Traditional musics in the modern world = Transmission, Evolution, and Challenges /
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Masculinity, class and music education = boys performing middle-class masculinities through music /
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Music learning and teaching in culturally and socially diverse contexts = implications for classroom practice /
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(書目-語言資料,印刷品)
The science of musical sound.. Volume 1,. Stringed instruments, pipe organs, and the human voice
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The music business and digital impacts = innovations and disruptions in the music industries /
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Performing music history = musicians speak first-hand about music history and performance /
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Handbook of Artificial Intelligence for Music = Foundations, Advanced Approaches, and Developments for Creativity /
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China’s Music Industry Unplugged = Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy /
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Music and Fuzzy Logic = The Dialectics of Idea and Realizations in the Artwork Process /
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The Art and Science of Surround and Stereo Recording = Including 3D Audio Techniques /
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Rap and Politics = A Case Study of Panther, Gangster, and Hyphy Discourses in Oakland, CA (1965-2010) /
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Thematisches Verzeichnis der musikalischen Werke Ignaz Franz von Beeckes (1733–1803)
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Reggae and hip hop in Southern Italy = politics, languages, and multiple marginalities /
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Understanding the Eurovision Song Contest in multicultural Australia = We Got Love /
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Hyper-specializing in saxophone using acoustical insight and deep listening skills
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Ambisonics = a practical 3D audio theory for recording, studio production, sound reinforcement, and virtual reality /
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Towards an ontology of teaching = thing-centred pedagogy, affirmation and love for the world /
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Lady Gaga and the sociology of fame = the rise of a pop star in an age of celebrity /
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Patterns of Intuition = Musical Creativity in the Light of Algorithmic Composition /
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Mathematics and Computation in Music = 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings /
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Contracts, Patronage and Mediation = The Articulation of Global and Local in the South African Recording Industry /
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Italian Masculinity as Queer Melodrama = Caravaggio, Puccini, Contemporary Cinema /
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The Pop Music Idol and the Spirit of Charisma = Reality Television Talent Shows in the Digital Economy of Hope /
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Computational Counterpoint Worlds = Mathematical Theory, Software, and Experiments /
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Language, Music, and Computing = First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers /
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Integrative Health through Music Therapy = Accompanying the Journey from Illness to Wellness /
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The Economics of the Popular Music Industry = Modelling from Microeconomic Theory and Industrial Organization /
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The Palgrave Handbook of Sound Design and Music in Screen Media = Integrated Soundtracks /
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Listening to China’s Cultural Revolution = Music, Politics, and Cultural Continuities /
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Globalization, Music and Cultures of Distinction = The Rise of Pop Music Criticism in Italy /
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Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
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All About Music = The Complete Ontology: Realities, Semiotics, Communication, and Embodiment /
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Cool Math for Hot Music = A First Introduction to Mathematics for Music Theorists /
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Music, Mind, and Embodiment = 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers /
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Improvisieren = Material, Interaktion, Haltung und Musik aus soziologischer Perspektive /
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Musiktherapie und Autismus = Zur Anwendung ausgewählter Methoden der Leiborientierten Musiktherapie /
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Musikhören im Zeitalter Web 2.0 = Theoretische Grundlagen und empirische Befunde /
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Reggae and Hip Hop in Southern Italy = Politics, Languages, and Multiple Marginalities /
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(書目-語言資料,印刷品)
Understanding the Eurovision Song Contest in Multicultural Australia = We Got Love /
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(書目-語言資料,印刷品)
The Science of Musical Sound = Volume 1: Stringed Instruments, Pipe Organs, and the Human Voice /
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(書目-語言資料,印刷品)
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
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(書目-語言資料,印刷品)
Music, Health and Wellbeing = Exploring Music for Health Equity and Social Justice /
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Vom Neandertal in die Philharmonie = Warum der Mensch ohne Musik nicht leben kann /
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Music Learning and Teaching in Culturally and Socially Diverse Contexts = Implications for Classroom Practice /
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Von der Autonomie des Klangs zur Heteronomie der Musik = Musikwissenschaftliche Antworten auf Musikphilosophie /
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The Music Business and Digital Impacts = Innovations and Disruptions in the Music Industries /
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Symphonien aus dem Geiste der Vokalmusik = Zur Finalgestaltung in der Symphonik im 18. und frühen 19. Jahrhundert /
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International Relations, Music and Diplomacy = Sounds and Voices on the International Stage /
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Masculinity, Class and Music Education = Boys Performing Middle-Class Masculinities through Music /
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(書目-語言資料,印刷品)
Fundamentals of Piano Pedagogy = Fuelling Authentic Student Musicians from the Beginning /
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Designing Digital Musical Instruments Using Probatio = A Physical Prototyping Toolkit /
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Die Musikkultur im Iran seit der Islamischen Revolution = Überwindung von Verbot und Zensur durch konfrontative Annäherung /
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Marketing im Kulturbetrieb = Zur Konzeption des Marketing im Spannungsfeld von kulturellem Wert und ökonomischer Realität /
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Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
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Handbuch Musik und Medien = Interdisziplinärer Überblick über die Mediengeschichte der Musik /
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Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017 = Das Populäre in der Musik und das Musikverlagswesen /
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Contemporary Popular Music Studies = Proceedings of the International Association for the Study of Popular Music 2017 /
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Musik und Stadt = Jahrbuch für Musikwirtschafts- und Musikkulturforschung 2/2018 /
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(書目-語言資料,印刷品)
Towards an Ontology of Teaching = Thing-centred Pedagogy, Affirmation and Love for the World /
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(書目-語言資料,印刷品)
Maternal Representations in Twenty-First Century Broadway Musicals = Stage Mothers /
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Praktiken und Subjektivierung im Musikunterricht = Zur musikpädagogischen Relevanz praktiken- und subjekttheoretischer Ansätze /
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Hyper-specializing in Saxophone Using Acoustical Insight and Deep Listening Skills
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(書目-語言資料,印刷品)
Mathematics and Computation in Music = 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings /
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Proceedings of the 6th Conference on Sound and Music Technology (CSMT) = Revised Selected Papers /
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Music, Management, Marketing, and Law = Interviews Across the Music Business Value Chain /
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French Louisiana Music and Its Patrons = The Popularization and Transformation of a Regional Sound /
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Jakob Stolz (1832-1919) = Leben und Werk des Grazer Komponisten und Musikpädagogen /
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Sound at the Edge of Perception = The Aural Minutiae of Sand and other Worldly Murmurings /
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The Development of Popular Music Function in Film = From the Birth of Rock ‘n’ Roll to the Death of Disco /
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(書目-語言資料,印刷品)
Big Data und Musik = Jahrbuch für Musikwirtschafts- und Musikkulturforschung 1/2018 /
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