Music.
概要
| 作品: | 989 作品在 136 項出版品 136 種語言 | |
|---|---|---|
書目資訊
Computational counterpoint worlds = mathematical theory, software, and experiments /
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Mathematics and computation in music = third international conference, MCM 2011, Paris, France, June 15-17, 2011 : proceedings /
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Mathematics and computation in music = first international conference, MCM 2007 Berlin, Germany, May 18-20, 2007 : revised selected papers /
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Exploring music contents = 7th international symposium, CMMR 2010, Malaga, Spain, June 21-24, 2010 : revised papers /
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Language, music, and computing = first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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From sounds to music and emotions = 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012 : revised selected papers /
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Arts and technology = second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
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The Rubato composer music software = component-based implementation of a functorial concept architecture /
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Patterns of intuition = musical creativity in the light of algorithmic composition /
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Listening to China's cultural revolution = music, politics, and cultural continuities /
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Integrative health through music therapy = accompanying the journey from illness to wellness /
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Globalization, music and cultures of distinction = the rise of pop music criticism in Italy /
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Music, mind, and embodiment = 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015 : revised selected papers /
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Performing China on the London stage = Chinese opera and global power, 1759--2008 /
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Cool math for hot music = a first introduction to mathematics for music theorists /
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All about music = the complete ontology: realities, semiotics, communication, and embodiment /
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The Palgrave handbook of sound design and music in screen media = integrated soundtracks /
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Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance.
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Volume I Affect and Feelings : = The Persuasive Power of Film Music. Volume II Quintet for Piano and String Quartet.
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Not just to win auditions : = Playing orchestral percussion excerpts for pedagogy and enrichment.
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Toward a Decolonial Homiletic : = In Search of a Local Preaching Voice for Trinidad and Tobago.
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Learning to Listen : = Musical Hearing and the Construction of Musicality in the Nineteenth Century.
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Orality, Literacy, and the Learning of Instruments : = Professional Instrumentalists and Their Music in Early Modern Italy.
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Speaking the song, spreading the word, lifting the people: = The reimagination of community through vocal music activism.
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Musical Means in Mussorgsky's "Songs and Dances of Death" : = A Singer's Study Guide.
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The world within the world : = The fusion of Western formal structures with Turkmen Dutar form in Turkmen piano music.
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Artist-fan engagement model : = Implications for music consumption and the music industry.
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Intersectional androgyny in cyberspace : = Gender, commercialization, and vocality in female ryouseiruis' music videos.
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Modernizing our methods : = Incorporating technology in undergraduate applied violin lessons.
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El Sistema USA : = An Exploratory Study of the Pedagogical Approaches in Beginning Violin Classes.
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Piano Performance in Musical Symbolism : = Interpretive Freedom through Understanding Symbolist Aesthetics.
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Violin Curriculum Incorporating Visual, Aural and Kinesthetic Perceptual Learning Modalities.
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George Rochberg's Caprice Variations for Unaccompanied Violin : = A Stylistic Study and Performance Guide.
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To See Music in Your Mind's Eye : = The Genesis of Memorization as a Piano Performance Practice.
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Preparation of the Richard Luby Edition of the Adagio and Fuga from J. S. Bach's Sonata in G Minor for Solo Violin.
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"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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Mister Rogers' Musical Neighborhood : = Fred McFeely Rogers' Contributions to Early Childhood Music Education.
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THE QUINTETS FOR PIANO, OBOE, CLARINET, HORN AND BASSOON BY WOLFGANG AMADEUS MOZART AND LUDWIG VAN BEETHOVEN.
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Miroirs d'apres Perlemuter : = A short biography of Vlado Perlemuter with a commentary on his interpretation of Maurice Ravel's "Miroirs".
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A comparative performance study of the wind and string versions of Beethoven's Opus 16.
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The historical influences on the works for violin and orchestra by Ludwig van Beethoven.
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The violin bow : = Its oriental and medieval predecessors, historical development, and famous maker.
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21st century choral performance practice : = Presenting the mash-up with practical applications.
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Factors affecting the programming of undergraduate piano recital repertoire : = A collective case study.
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Humanistic Vocal Pedagogy : = Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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A Comparative Evaluation of Group and Private Piano Instruction on the Musical Achievements of Young Beginners.
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Collective Efficacy Belief, Within-Group Agreement, and Performance Quality Among String Chamber Ensembles : = An Exploratory Study.
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An Exploration of a Beginning Undergraduate Music Student Conducting with Expressivity.
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Johannes Brahms, cello Sonata No. 2, Op. 99 : = A transcription and technical guide for alto saxophone and piano.
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Contemporary strategies for fundamental development : = Utilizing extended techniques to advance foundational trumpet methodology.
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The twenty-first century cellist's bibliography : = A guide to cello research from 2000-2015.
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The effect of attentional focus on singing voice quality : = Towards the interdisciplinary experimental investigation of singing pedagogy.
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Building technical facility in tuba and euphonium players through the tuba-euphonium quartet.
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A pedagogical analysis and performance of selected compositions for piano by Vincent Persichetti.
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A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.
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A Physiological Exploration and Pedagogical Integration of Voice and Brass Tuba Physical Methods to Enhance Tone Timbre or "Play Like You Sing".
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Job Satisfaction of Orchestral Musicians : = The Effects of Non-Performance Organizational Roles.
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The Piccolo in the 21st Century : = History, Construction, and Modern Pedagogical Resources.
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Los Angeles Noisescapes : = Culture and Aesthetics in the Early Twenty-First Century Experimental 'Noise' Scenes.
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Crossover Trumpet Performance : = Jazz Style and Technique for Classical Trumpeters.
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The combined influence of music function and preference on cognitive attention : = A cross cultural comparison.
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The effect of implied performer age, implied performer gender, and performance quality level on music majors' evaluations of solo musical performances.
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A study of the correlation between personality temperament and student instrument choice.
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The Effects of Contingent Lullaby Music on Parent-Infant Interaction and Amount of Infant Crying in the First Six Weeks of Life.
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College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music.
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Claude Debussy's Melodies by Theodore de Banville : = Understanding Debussy's Musical Reflection.
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Jazz and Recording in the Digital Age : = Technology, New Media, and Performance in New York and Online.
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A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943).
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Pedals, Functions, and Form-Functional Overlap in the Instrumental Music of the Viennese Classical Style.
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The historical development of the video music industry : = A political economic analysis.
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The Mask of Eleanor : = A chamber opera in the form of a tenso : Music, libretto and staging.
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A study of divertimento music, its history, form and usefulness in the instrumental music program.
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Time -consciousness and form in nonlinear music, and, "Flux" for large chamber ensemble.
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Community Engagement Or Community Outreach? A Case Study Of The Tallahassee Community Chorus And Its Unity Concert.
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The emotional reactions of music therapy students to simulated auditory hallucinations and music.
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Multicultural music therapy : = A manual on cultural sensitivity in music therapy practice.
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The role of songs in music therapy with adults who have developmental disabilities.
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Survey results for the current state of censorship in adult psychiatric music therapy sessions.
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Developing metacognitive and self-regulated learning skills through Reflective Writing Prompts.
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Songwriting as inquiry and action : = Emotion, narrative identity, and authenticity in folk music culture.
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Music videos as meaningful entertainment? Psychological responses to audio-visual presentations of song narratives.
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Building categories to guide behavior : = How humans build and use auditory category knowledge throughout the lifespan.
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The Integrated Auditory System : = Communication and Cognition through the Lens of Musical Expertise.
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Unity Through Variety : = Exploring the Cyclic Principle in Selected Works for Piano.
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William Bolcom's "Twelve New Etudes" (1988) : = Theoretical and interpretative analysis.
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How undergraduate music schools address music performance anxiety : = A multiple case study.
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The relationship between rap music and the psychological well-being of African American adolescents.
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The performance conversation : = A pragmatic, curricular approach to speaking from the stage.
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Anglican Chant in the Twentieth-Century : = Genesis, Harmonic Development, and Style.
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McNeil Robinson as Choral Musician : = A Survey of His Choral Works for the Christian and Jewish Traditions.
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The Right Kind of Music : = Fundamentalist Christianity as Musical and Cultural Practice.
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Who is More Creative? Assessing the Role that Individual Characteristics Play in Their Relationship with Creativity in Various Domains.
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Musical Gestures between Scores and Acoustics : = A Creative Application to Orchestra.
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Giambattista Velluti in London (1825-1829) : = Literary Constructions of the Last Operatic Castrato.
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Musical regularity and rhythmic patterns : = A quantitative analysis of birdsong structure.
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Experiencing Musical Connection : = Sonic Interventions in Mediterranean Social Memory.
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Music in Haredi Jewish Life : = Liquid Modernity and the Negotiation of Boundaries in Greater New York.
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Exploring Unexploited Compositional Space in Intercultural, Cross-level, and Concurrence Features of Music.
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The Names of Minimalism : = Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
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Objects of Veneration : = Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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A New Approach to the Analysis of Timbre = = Ein neuer Ansatz zur Klangfarbenanalyse.
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Moving in Sacred Time : = Metrical Interactions Between Body and Voice in Jewish and Greek Orthodox Liturgical Chant.
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Monstrous Erotics : = Poetics of Embodiment in Black Diasporic Women's Performance.
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Some Statistical Methods for Brain Gene Expression Data : = Dimension Reduction, Feature Screening, and Causal Inference.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology : = Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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Effects of the Presence of Audio and Type of Game Controller on Learning of Rhythmic Accuracy.
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Embodied, Representational, and Distributed Learning Practices in a Professional String Quartet.
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Looking Forward to the Past : = Baroque Rock's Postmodern Nostalgia and the Politics of Memory.
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An Investigation of Popular Music Placement as a Viewer Engagement Tool in Television Programming.
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Destination Freedom : = Strategies for Immersion in Narrative Soundscape Composition.
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Music-Based Emotion Regulation (MBER) Intervention Manual for Prevention of Depression in Older Persons.
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Music with and without lyrics increases motivation, affect, and arousal during moderate-intensity cycling.
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Older adult's preferences between traditional music therapy techniques versus i-Pad technology assisted music therapy techniques.
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Music therapists' perspectives on the assessment and clinical interpretation of clients' vocal parameters.
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Freud and the problem with music : = A history of listening at the moment of psychoanalysis.
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Modeling sense of place : = Emergence of meaningful places in encountering environments.
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A Multi-Level Model of Music-Evoked Emotions : = Stimulus Features, Personality, Familiarity, and Liking.
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The influence of formal music instruction on the construction of musical identities of conservatory jazz students.
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Musical working memory in musicians and nonmusicians : = Evidence for separate slave systems?
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Using music-based interventions with adolescents coping with family conflict or parental divorce : = A resource manual.
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A Theory of Analogy for Musical Sense-Making and Categorization : = Understanding Musical Jabberwocky.
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Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
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Beyond singer vs. non-singer in singing, health and well-being : = Development and testing of the Singing Experience Scale.
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Exploring the neural entrainment to musical rhythms and meter : = A steady-state evoked potential approach.
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Going Old School : = Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
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The Homeric Answer : = How By-Ear Learning and Improvisation Enhance the Musicianship of Classical Performers.
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Beyond the Concert Hall : = The Creation and Implementation of a Teaching Artist Training Program at the University Level.
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Is It All relative? Relative Pitch and L2 Lexical Tone Perception/Tone Language Comprehension by Adult Tone and Non-tone Language Speakers.
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When the Streets Speak : = Investigating Music, Memory, and Identity in the Lives of Abidjanese Street Children.
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Dancing the archive : = Rhythms of change in post-volcano identities on Montserrat, West Indies.
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Relevant Versus Extraneous Music in Multimedia Instruction : = A Study of the Coherence Principle.
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The Musician-Designer : = Integrating the Projection Medium Into Dramatic Musical Narrative.
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Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance.
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The fan-artist relationship on social networking sites : = A cyberstage pass for the music fan.
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Algorithmic music analysis : = A case study of a prelude from David Cope's "From Darkness, Light".
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Taiwanese Composer Tyzen Hsiao : = Pedagogical Aspects of Selected Piano Solo Works.
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Music piracy or a permanent passive revolution : = An examination of the role of technology in the challenge to a cultural hegemon.
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Confessions in Fiction, Opera, and Memoir : = Subversive Elements of Courtesan Celebrity in Nineteenth-Century Paris.
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Underground Sounds : = Oral Tradition and Recording Culture in American Poetry, 1917-2008.
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The medial caesura in Schubert's sonata forms : = Formal and rhetorical complications.
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Women on FIRE : = Revamped Gender Codes in Alicia Keys' "Girl on Fire" Song & Video.
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Effect of viable treatments on small room acoustics - A case study of control room 212B in Durgin Hall.
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Better Practice : = A Review of Research on Effective Practicing and Suggestions for Chinese Music Teachers.
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The Rise of the Chinese Concerto : = A Look into the Developments of Chinese Traditional Instrument Concerti with Western Orchestra.
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The influence of Chinese instruments on the violin : = A practice guide of three violin techniques.
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Queering the Body : = Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
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Evocations of Nature in the Piano Music of Franz Liszt and the Seeds of Impressionism.
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"I'm not a rapper, I'm an activist who rhymes" : = Native American hip hop, activism, and twenty-first century identities.
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Coloureds Performing Queer, or Queer Coloureds Performing? : = Asserting Belonging through Queer Behavior in Cape Town, South Africa.
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Music as Gestural Narrative : = An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109.
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The Culmination of the Russian Romantic Piano School as Represented By Early and Late Works of Rachmaninoff, Scriabin, and Medtner.
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"Let the Feast of Fools Begin, Batman!" : = The Traditional and Gothic Carnvialesques in the Sound Design of the "Batman : Arkham" Video Games.
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The Influence of Corporate Social Responsibility on The Decision-Making Process of Music Festival-Goers : = Findings from a Survey-Embedded Experiment.
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Pop Cultures : = A Comparative Analysis of the American and South Korean Record Industries.
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Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
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Parents' Observations of Their Young Children's Music Behaviors During Music Classes after Completing the Children's Music Behavior Inventory.
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Collaborative crossover : = Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
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Grooves in the Landscape : = Vanished and Persistent Record Stores in the Postindustrial City.
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The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
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An examination of pre- and post-Vatican II music for the Roman Catholic liturgy : = Ethnic diversity as a vehicle of unity.
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The craft of spontaneous composition : = How jazz saxophonists have approached the instrumental solo in pop music.
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A world of flute music : = A look at the impact of siku and shakuhachi flute traditions on Western classical repertoire.
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Cabaret songs by classical composers during the first half of the twentieth century : = Satie, Schoenberg, Weill, and Britten.
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Mathematics and computation in music = 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017 : proceedings /
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The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
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Historical theory and methods through popular music, 1970-2000 = "Those are the New Saints" /
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Music, youth and international links in post-war British fascism = the transformation of extremism /
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Traditional musics in the modern world = Transmission, Evolution, and Challenges /
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Masculinity, class and music education = boys performing middle-class masculinities through music /
by:
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Music learning and teaching in culturally and socially diverse contexts = implications for classroom practice /
by:
(書目-語言資料,印刷品)
The science of musical sound.. Volume 1,. Stringed instruments, pipe organs, and the human voice
by:
(書目-語言資料,印刷品)
The music business and digital impacts = innovations and disruptions in the music industries /
by:
(書目-語言資料,印刷品)
Performing music history = musicians speak first-hand about music history and performance /
by:
(書目-語言資料,印刷品)
Reggae and hip hop in Southern Italy = politics, languages, and multiple marginalities /
by:
(書目-語言資料,印刷品)
Understanding the Eurovision Song Contest in multicultural Australia = We Got Love /
by:
(書目-語言資料,印刷品)
Hyper-specializing in saxophone using acoustical insight and deep listening skills
by:
(書目-語言資料,印刷品)
Ambisonics = a practical 3D audio theory for recording, studio production, sound reinforcement, and virtual reality /
by:
(書目-語言資料,印刷品)
Towards an ontology of teaching = thing-centred pedagogy, affirmation and love for the world /
by:
(書目-語言資料,印刷品)
Lady Gaga and the sociology of fame = the rise of a pop star in an age of celebrity /
by:
(書目-語言資料,印刷品)
Patterns of Intuition = Musical Creativity in the Light of Algorithmic Composition /
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Mathematics and Computation in Music = 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings /
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Contracts, Patronage and Mediation = The Articulation of Global and Local in the South African Recording Industry /
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Italian Masculinity as Queer Melodrama = Caravaggio, Puccini, Contemporary Cinema /
by:
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The Pop Music Idol and the Spirit of Charisma = Reality Television Talent Shows in the Digital Economy of Hope /
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Computational Counterpoint Worlds = Mathematical Theory, Software, and Experiments /
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Language, Music, and Computing = First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers /
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Integrative Health through Music Therapy = Accompanying the Journey from Illness to Wellness /
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The Economics of the Popular Music Industry = Modelling from Microeconomic Theory and Industrial Organization /
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(書目-語言資料,印刷品)
The Palgrave Handbook of Sound Design and Music in Screen Media = Integrated Soundtracks /
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(書目-語言資料,印刷品)
Listening to China’s Cultural Revolution = Music, Politics, and Cultural Continuities /
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Globalization, Music and Cultures of Distinction = The Rise of Pop Music Criticism in Italy /
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Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
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All About Music = The Complete Ontology: Realities, Semiotics, Communication, and Embodiment /
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Cool Math for Hot Music = A First Introduction to Mathematics for Music Theorists /
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Music, Mind, and Embodiment = 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers /
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Improvisieren = Material, Interaktion, Haltung und Musik aus soziologischer Perspektive /
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Musiktherapie und Autismus = Zur Anwendung ausgewählter Methoden der Leiborientierten Musiktherapie /
by:
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Musikhören im Zeitalter Web 2.0 = Theoretische Grundlagen und empirische Befunde /
by:
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Reggae and Hip Hop in Southern Italy = Politics, Languages, and Multiple Marginalities /
by:
(書目-語言資料,印刷品)
Understanding the Eurovision Song Contest in Multicultural Australia = We Got Love /
by:
(書目-語言資料,印刷品)
The Science of Musical Sound = Volume 1: Stringed Instruments, Pipe Organs, and the Human Voice /
by:
(書目-語言資料,印刷品)
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
by:
(書目-語言資料,印刷品)
Music, Health and Wellbeing = Exploring Music for Health Equity and Social Justice /
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(書目-語言資料,印刷品)
Vom Neandertal in die Philharmonie = Warum der Mensch ohne Musik nicht leben kann /
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Music Learning and Teaching in Culturally and Socially Diverse Contexts = Implications for Classroom Practice /
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Von der Autonomie des Klangs zur Heteronomie der Musik = Musikwissenschaftliche Antworten auf Musikphilosophie /
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The Music Business and Digital Impacts = Innovations and Disruptions in the Music Industries /
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Symphonien aus dem Geiste der Vokalmusik = Zur Finalgestaltung in der Symphonik im 18. und frühen 19. Jahrhundert /
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International Relations, Music and Diplomacy = Sounds and Voices on the International Stage /
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(書目-語言資料,印刷品)
Masculinity, Class and Music Education = Boys Performing Middle-Class Masculinities through Music /
by:
(書目-語言資料,印刷品)
Fundamentals of Piano Pedagogy = Fuelling Authentic Student Musicians from the Beginning /
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(書目-語言資料,印刷品)
Designing Digital Musical Instruments Using Probatio = A Physical Prototyping Toolkit /
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(書目-語言資料,印刷品)
Die Musikkultur im Iran seit der Islamischen Revolution = Überwindung von Verbot und Zensur durch konfrontative Annäherung /
by:
(書目-語言資料,印刷品)
Marketing im Kulturbetrieb = Zur Konzeption des Marketing im Spannungsfeld von kulturellem Wert und ökonomischer Realität /
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(書目-語言資料,印刷品)
Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
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Handbuch Musik und Medien = Interdisziplinärer Überblick über die Mediengeschichte der Musik /
by:
(書目-語言資料,印刷品)
Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017 = Das Populäre in der Musik und das Musikverlagswesen /
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Contemporary Popular Music Studies = Proceedings of the International Association for the Study of Popular Music 2017 /
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(書目-語言資料,印刷品)
Musik und Stadt = Jahrbuch für Musikwirtschafts- und Musikkulturforschung 2/2018 /
by:
(書目-語言資料,印刷品)
Towards an Ontology of Teaching = Thing-centred Pedagogy, Affirmation and Love for the World /
by:
(書目-語言資料,印刷品)
Maternal Representations in Twenty-First Century Broadway Musicals = Stage Mothers /
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(書目-語言資料,印刷品)
Praktiken und Subjektivierung im Musikunterricht = Zur musikpädagogischen Relevanz praktiken- und subjekttheoretischer Ansätze /
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Hyper-specializing in Saxophone Using Acoustical Insight and Deep Listening Skills
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(書目-語言資料,印刷品)
Mathematics and Computation in Music = 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings /
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(書目-語言資料,印刷品)
Proceedings of the 6th Conference on Sound and Music Technology (CSMT) = Revised Selected Papers /
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Music, Management, Marketing, and Law = Interviews Across the Music Business Value Chain /
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(書目-語言資料,印刷品)
French Louisiana Music and Its Patrons = The Popularization and Transformation of a Regional Sound /
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Jakob Stolz (1832-1919) = Leben und Werk des Grazer Komponisten und Musikpädagogen /
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Sound at the Edge of Perception = The Aural Minutiae of Sand and other Worldly Murmurings /
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The Development of Popular Music Function in Film = From the Birth of Rock ‘n’ Roll to the Death of Disco /
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(書目-語言資料,印刷品)
Big Data und Musik = Jahrbuch für Musikwirtschafts- und Musikkulturforschung 1/2018 /
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Ambisonics = A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality /
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(書目-語言資料,印刷品)
Concert Halls by Nagata Acoustics = Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /
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Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Entrepreneurial Music Education = Professional Learning in Schools and the Industry /
by:
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Proceedings of the 7th Conference on Sound and Music Technology (CSMT) = Revised Selected Papers /
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(書目-語言資料,印刷品)
Transnational Flamenco = Exchange and the Individual in British and Spanish Flamenco Culture /
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What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
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Popular Music, Technology, and the Changing Media Ecosystem = From Cassettes to Stream /
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Narratives and Reflections in Music Education = Listening to Voices Seldom Heard /
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Psychoacoustic Music Sound Field Synthesis = Creating Spaciousness for Composition, Performance, Acoustics and Perception /
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Robotic Musicianship = Embodied Artificial Creativity and Mechatronic Musical Expression /
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Authenticity and Belonging in the Northern Soul Scene = The Role of History and Identity in a Multigenerational Music Culture /
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Stimmungen weben = Eine unterrichtswissenschaftliche Studie zur Gestaltung von Atmosphären /
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Handbuch Musik und Medien = Interdisziplinärer Überblick über die Mediengeschichte der Musik /
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Musikalisches Tempoempfinden in audiovisuellen Medien = Empirische Untersuchung zur intermodalen Wahrnehmung mit präsentativen Forschungsmethoden /
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Audio Drama Modernism = The Missing Link between Descriptive Phonograph Sketches and Microphone Plays on the Radio /
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Die Neudeutsche Schule – Phänomen und Geschichte = Quellen und Kommentare zu einer zentralen musikästhetischen Kontroverse des 19. Jahrhunderts /
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Thematisches Verzeichnis der musikalischen Werke Ignaz Franz von Beeckes (1733–1803)
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Rap and Politics = A Case Study of Panther, Gangster, and Hyphy Discourses in Oakland, CA (1965-2010) /
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The Art and Science of Surround and Stereo Recording = Including 3D Audio Techniques /
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Music and Fuzzy Logic = The Dialectics of Idea and Realizations in the Artwork Process /
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China’s Music Industry Unplugged = Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy /
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Handbook of Artificial Intelligence for Music = Foundations, Advanced Approaches, and Developments for Creativity /
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Music in the Making of Modern Japan = Essays on Reception, Transformation and Cultural Flows /
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Proceedings of the 8th Conference on Sound and Music Technology = Selected Papers from CSMT /
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Rooms for the Learned Musician = A 20-Year Retrospective on the Acoustics of Music Education Facilities /
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Instrumentaler Musikunterricht als Teil allgemeiner Schulbildung = Das Pforzheimer Pädagogium und sein innovatives Schulmodell im ausgehenden 18. Jahrhundert /
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Musik und Fuzzy Logic = Die Dialektik von Idee und Realisierungen im Werkprozess /
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Geographically Isolated and Peripheral Music Scenes = Global Insights and Perspectives /
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Cantar es mi mundo - Singen ist meine Welt = Spielräume zur Ermöglichung allgemeiner Bildungserfahrungen im Musikunterricht /
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Music Composition in Contexts of Early Childhood = Creation, Communication and Multi-Modal Experiences through Music /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 3: Afrobeat, Salsa, Reggae & Co. (1975-2000) /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 1: Ragtime, Tango, Rumba & Co. (1855–1945) /
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The Bebop Scene in London's Soho, 1945-1950 = Post-war Britain’s First Youth Subculture /
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Handbuch der deutschen Phonetik für Sängerinnen und Sänger = Mit einem umfangreichen Übungsteil und Hörproben /
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We Piano Teachers and Our Demons = Socio-psychological Obstacles on the Road to Inspired and Secure Performance /
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Kirche, Musik und ästhetische Bildung = Kirchenmusikpädagogik am Beispiel kirchlichen Singens /
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Music Therapy with Autistic Children in Aotearoa, New Zealand = Haumanu ā-Puoro mā ngā Tamariki Takiwātanga i Aotearoa /
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Die Musik der imaginären Türkei = Musik und Musikleben im Kontext der Migration aus der Türkei in Deutschland /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 2: Samba, Mambo, Bossa & Co. (1945–1975) /
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Music Representation and Transformation in Software = Structure and Algorithms in Python /
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A philosophy of ambient sound = materiality, technology, art and the sonic environment /
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音樂影像作品《 Bestie》創作論述 = = Discussion On The Creation of Musical Image Works "Bestie" /
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Neurocognitive music therapy = intersecting music, medicine and technology for health and well-being /
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The uses of the past in contemporary Western popular culture = nostalgia, politics, lifecycles, mediations, and materialities /
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Performing Performances of Culture : = Pong Lang Music, Signification, and Meta-Cultural Performance.
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The Order of Pitches : = Music Theory, Science, and Western Learning in 17th-Century China.
by:
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On Wings of Song : = Exploring the First-Generation Chinese Art Song Composer Ellinor Valesby (1894-1969).
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Analyzing Postcolonial Creativity : = A Novel Theory for East-Asian New Music and Film Soundtracks.
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Interactive Multimedia Devices : = An Exploration Relating to Disability and Performance.
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Robert Schumann and "The Artist's Highest Goal" : = Religion, Romanticism, and Nation in the Late Choral Works.
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Listening to Music Educators in Sonora, Mexico While Challenging My Privilege : = An Autoethnographic Account.
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From Small to Large : = Observations on George Crumb's Eleven Echoes of Autumn for Alto Flute, Clarinet, Violin, and Piano.
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Enlivening Baroque Solo Repertoire : = Thomas Demenga's ECM Recording of J.S. Bach's Fourth Cello Suite.
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Finding Messiaen's Blackbird : = An Investigative Analysis of Birdsong and Other Techniques Used in Le Merle Noir.
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The Romantic heritage : = Dohnanyi's compositional language in his Six Concert Etudes, Op. 28.
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Olivier Messiaen's "Vingt Regards sur l'enfant-Jesus" : = Analytical, religious, and literary considerations.
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Using the organ to teach the fourth suite prelude for violoncello solo by J. S. Bach.
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Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.
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Charles Ives and democracy : = Association, borrowing, and treatment of dissonance in his music.
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Part I. "Blackbirds" and "Argot". Part II. Pushing the Envelope : = Art and Science in the Music of Gerard Grisey.
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Post-Classical Sonata Forms in the Piano Works of Chopin, Schumann, Liszt, and Brahms : = Romanticism Within Classicism.
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The impact of the lied on selected piano works of Franz Schubert, Robert Schumann, and Johannes Brahms.
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A Study of Musical Rhetoric in J. S. Bach's Organ Fugues BWV 546, 552.2, 577, and 582.
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The Baroque Violoncello and the Unaccompanied Cello Suites of J.S. Bach, B.W.V. 1007-1012.
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Twelve tone techniques as they relate to form in selected works of Schoenberg and Webern.
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Euell Porter, profile of a choral musician : = An analysis of his musical philosophies, techniques and leadership style.
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Intersecting Social Justice and the Secondary Choral Classroom : = A Phenomenological Study of Social Justice Teacher Perspectives.
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Music of the "True North" : = A Study of the Interaction of Canadian Music and an Inuit Community.
by:
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The Effectiveness of Music Therapy on Feeding and Weight Gain in Premature Infants in the NICU : = A Systematic Review.
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Questions of Chineseness : = A Study of China Wind Pop Music and the Post-1990s Generation in the PRC, Hong Kong, Taiwan, and the UK.
by:
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Music history pedagogy : = Three approaches to teaching a one-semester music history survey course in accordance with the LEAP Initiative.
by:
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Subjective Experience, Job Satisfaction, and Professional Actions of Music Teachers as a Predictor of Flow State.
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The effect of purposeful distractors placed in an excerpt of Puccini's "La Boheme" to ascertain their influence on the listening experience.
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The application of contemporary double bass left hand techniques applied in the orchestra repertoire.
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The Evolution of the Fantasia and Works in Related Styles in the Seventeenth-Century Instrumental Ensemble Music of France and the Low Countries.
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The Concept of Unity and Uniqueness in the Multi-Movement Works of Beethoven : = An Analysis of the Selected Piano Sonatas - Opus 31, No. 3 and Opus 57.
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Musical Improvisation as a Path toward Freedom of Exploration and Discovery of Self Expression.
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Maurice Ravel's "Tzigane" : = A link between theclassical and the Hungarian-Gypsy traditions.
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Engaging With Musical Theater Practitioners' Vernacular Musical Knowledge as Music-Theoretical Practice.
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Nicholai Kapustin's Eight Concert Etudes, Op. 40 : = Reflections on Analysis, Practice, and Performance.
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An Overview of Bohuslav Martinu's Piano Style with a Guide to Analysis and Interpretation of the "Fantasie et Toccata", H. 281.
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Philippe Gaubert (1879-1941) : = His Life and Contributions as Flutist, Editor, Teacher, Conductor, and Composer (France).
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The Romantic piano fantasia : = An historical survey of the classifications, composers, and repertory, ca. 1800-1850.
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Di san jie quan sheng ke jia min yao bi sai yan jiu = = A Study of the Third Provincial Hakka Folk Song Competition.
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Appalachian Dreams : = Traditional Folk Songs in Concert Literature for Classical Guitar.
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Unconventional Wisdom in Resonating Echoes of the Past : = a Memoir on the Life and Music of Royal Hartigan.
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Basic Psychological Needs Support in the High School Choral Classroom : = Student and Teacher Perspectives.
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A study of Cantonese opera : = Musical source materials, historical development, contemporary social organization, and adaptive strategies.
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A Comprehensive Study of Alexander Tcherepnin's Op. 71, Seven Songs on Chinese Poems With Musical Analysis and Historical Context.
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Middle School Administrator and Instrumental Music Teacher Perceptions of the Danielson Framework for Teaching Observation Tool.
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Sustainable Education Is Online Education : = Designing and Instructing an Engaging and Effective Online Music Course.
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A "Rock To Lean On" : = Young Singers' Experiences in a Community Choir in Louisiana.
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Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide.
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The Big Bang of Music Patronage in the United States : = The National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation.
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Ghost Structures : = Cyclic Temporal Schemes and Their Implications for Notation, Improvisation, and Technology.
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Competencies of Modern Musician Entrepreneurs : = The Role of Digitalization in the Music Industry.
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(書目-語言資料,手稿)
The Cello Exercise Index : = Considering Technique Resources for Cello Teachers and Students.
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Talking Back : = An Exploration of Negative Self-Talk in Undergraduate Voice Majors.
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The Effect of Self-Talk Training on Rhythm-Only Sight-Reading Performance Skills in Wind Instrument Students.
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Cracking the Code : = Teaching Piano Students the Art of Musical Interpretation, with Practical Applications for All Levels.
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Constructing an Architectural Model of Music : = A Comparative Study of Beethoven's Ninth Symphony and Van Alen's Chrysler Building.
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"Trying to Sound Like I Belong" : = A Phenomenological Examination of Music Recording and Production Artists' Experiences in School Music Classes.
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How a Corporation Thinks : = A Musicological Study of the Sony Archives at WikiLeaks.
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Genre in Crisis, Crisis as Genre : = Contemporary Disruptions and Constructions in Bodies of Popular Music.
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The Hi-Fi Man : = Masculinity, Modularity, and Home Audio Technology in the U.S. Midcentury.
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Stories and Significations : = Interpreting the Legacies of Count Basie and His Music.
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(書目-語言資料,手稿)
Abstract Music for an Imaginary Film : = Nos. 1-9 for Two Pianos and Two Percussion, and Composing Memory : Sarah Kirkland Snider's Unremembered.
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Chamber Music in the Dominican Republic : = New Arrangements for Ensemble With Piano.
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Solo and Chamber Pieces for Viola by Female Composers : = Late Nineteenth to Twenty-First Centuries.
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Kaleidoscope : = Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000.
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Postcolonial Music Teaching and Learning : = Children's Engagement With Global Pop in an Elementary School Music Program.
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The Copyright Royalty Board and the Public Interest : = An Examination of Stakeholder Concerns in the Rate Setting Process.
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Active Listeners : = Three Essays on the Antecedents and Consequences of Consumers' Active Engagement With Music in Marketing Contexts.
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Development of a Measure of Musicians' Self-Efficacy for Error Identification and Remediation in Music Practice.
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Relational Music : = A Participatory Approach Towards Live Experimental Electronic Music.
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"Let the Music Win!" Towards a Reimagined Choral Pedagogy : = A Phenomenological Case Study of Chorister Experience at the Toronto Children's Chorus.
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A Pedagogical Analysis of Zhao Zhang's Pi Huang : = Representing Peking Opera on the Piano.
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Sounds on Recordings, Notes on Paper : = Transcribing Popular Music in the Rock Era.
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Musical Expression in German Neo-Baroque Organ Music : = Case Studies of Selected Works by Hugo Distler and Ernst Pepping.
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The Effect of Pilates and Strength Training on Quality of Life and Pain in Musicians.
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Linguistic Influence in Digital Music : = Toward a Critical Theory for Music Software Practices.
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Scoring the Unknown : = Rethinking Fixity and Openness in Western Art Music Notation.
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"New Music Ambassadors to the World" : = A Biography of the California E.A.R. Unit.
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The Perceptions and Cultural Persistence of Graded Music Examinations, and Their Impacts on Instrumental Teaching and Learning in Hong Kong.
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Analytic Frameworks for Music Livestreaming : = Liveness, Joint Attention, and the Dynamics of Participation.
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Effects of Individuals Listening to Preferred Music Genres on Self-Awareness and Stress.
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Decision-Making Processes of Non-Music Major Undergraduate Students to Enroll in String Instrument and Orchestra Lessons.
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The quest for national musical identity : = English opera and the press, 1834-1849.
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A theory of temporal plasticity in tonal music : = An extension of the Schenkerian approach to rhythm with special reference to Beethoven's late music.
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A Survey of Literature on Entrepreneurial Experiences for Classical Musicians : = Implications for Training Pianists.
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Music-Centered Design : = Usability Testing of an Academic Library Web Scale Discovery Tool to Support Music Information Seeking.
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Canadians Redefining R&B : = The Online Marketing of Drake, Justin Bieber, and Jessie Reyez.
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Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue.
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Exploring Imaginary Landscapes : = A Practice of Brushstroke and Soundscape in Compositions.
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Virtuosity and illusion : = Bach's C -major solo violin fugue in the history of violin polyphony.
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Soundings : = A Practice Led Investigation Into Interactive and Immersive Sound Art Installations 2000-2018.
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Chamber Tone Poems at the Turn of the Twentieth Century : = How the Harp Contributed to Their Development.
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Music and letters : = Correspondances of notes and narrative from Berlioz to Proust.
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Derivative Media : = The Financialization of Film, Television, and Popular Music, 2004-2016.
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Elements of shamanic mythology in E. T. A. Hoffmann's romantic conception of music.
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(書目-語言資料,手稿)
The Influence of French Salon Culture on the Complete Piano Works of Lili Boulanger.
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(書目-語言資料,手稿)
Voice Station : = A Portfolio of Four Works Exploring Radio Art and Its Mediated Voices.
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The Effects of Trauma Exposure and Music Listening Intervention on Distress Tolerance.
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(書目-語言資料,手稿)
Mental Health in the Collegiate Music Studio : = Applied Instrumental Faculty Perspectives.
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Paying Attention to Music : = Applying Attention Mechanisms to Automatic Music Transcription.
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Prelude to Music Education : = Investigating Students' Early Life Experiences Before Formal Music Education.
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Sounding Like Refugees : = Intercultural Music-Making and Syrian Refugee Integration in Northern Germany.
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Witold LutosLawski's Piano Sonata and Piano Etudes by Gyorgy Ligeti and Michael Levinas.
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The Increasing Expressivities in Slow Movements of Beethoven's Piano Sonatas : = Op. 2 No. 2, Op. 13, Op. 53, Op. 57, Op. 101 and Op. 110.
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Transitioning to the oboe : = Methods and resources to assist in switching to the oboe from other woodwind instruments.
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The Development of the Piano Intermezzo from the Nineteenth to Twenty-First Centuries.
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Building Originality Through Tradition : = MikoLaj Piotr Gorecki's Musical Style in Selected Piano Compositions.
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Celebrating the Voices of Women Composers in the Selected Cello Compositions From the Nineteenth and Early Twentieth Centuries.
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Dicotomia : = Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
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Conquering the Eroica Variations : = A Performer's Guide to Form, Stylistic Performance, and Technique in Beethoven's Op. 35.
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(書目-語言資料,手稿)
The analytical Grundgestalt : = A new model and methodology based on the music of Johannes Brahms.
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(書目-語言資料,手稿)
The Seven Capriccios of Johannes Brahms : = Op. 76, Nos. 1, 2, 5, 8 and Op. 116, Nos. 1, 3, 7.
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The Pittsburgh Overture by Krzysztof Penderecki (and) "Forging the Circle". (Original Composition).
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(書目-語言資料,手稿)
A structural analysis and performance guideline of "Ludus tonalis" by Paul Hindemith.
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(書目-語言資料,手稿)
"The Well-Tempered Clavier" by J. S. Bach and "Ludus Tonalis" by Paul Hindemith : = A comparative study.
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The role of pitch structures in auditory imagery : = Investigating psychological representations of the tonal hierarchy in imagined contexts.
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Sketches of grief : = Genesis, compositional practice, and revision in the operas of John Adams.
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(書目-語言資料,手稿)
Building from Within : = A Harmonic Self-Help Guide for Guitar Chord Voicings, Their Densities, and Applications.
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(書目-語言資料,手稿)
Franz Liszt and his "Trois odes funebres" : = A philosophy of music, art, and literature.
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A Performance Guide of Cecile Chaminade's Early Piano Works : = Piano Sonata Op. 21, Six Etudes de Concert Op. 35, and Concertstuck Op. 40.
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Content Analysis of Guitar Repertoire for Young People : = The Michelson and Suzuki Collections.
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Recontextualizing Diverse Vocal Traditions Using Extended Vocal Technique Notation and Symbology : = A Case Study Using Korean Pansori Singing Style.
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Franz Liszt's "Dante Sonata" : = The origins, the criticism, a selective musical analysis, and commentary.
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Diction and dialect performance practice in the American Negro Spiritual and slave songs.
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(書目-語言資料,手稿)
The use of the glissando in piano solo and concerto compositions from Domenico Scarlatti to George Crumb.
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(書目-語言資料,手稿)
A Performance Guide for Eight Selected Chinese Art Songs Based on Song Ci from the Song Dynasty.
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From East to West : = Exploration of Chinese and Western Musical Traditions in Selected Piano Solo Works by Chen Yi.
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Evolution of "Tenor" and "Baritone" Voice Classification in Musical Theater : = A Tessitura Analysis From Original Productions to Contemporary Revivals.
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Singing While Acting : = A Mixed Methods Study of Classical Singers' Application of the Chekhov and Meisner Acting Methods.
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From Swingin' on the Swingset to Swingin' on the Bandstand : = A Curriculum for Middle School Jazz Rhythm Section.
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From Robotic Singing to Singing Robots : = Analyzing the Voices of Artificial People in Music.
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The operetta empire : = Popular Viennese Music Theater and Austrian identity, 1900-1930.
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Between Lyrics & Lives : = How Lyrical Theologies of Brokenness Impact the Lived Expression of Same Gender Loving Male Gospel Singers.
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Musical Behaviours, Dispositions, and Tendencies : = Exploring Church Music-Making Through a Theory of Practice.
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Un recurso didactico autentico : = La musica en la clase de espanol como L2 = An Authentic Teaching Resource : Music in the Spanish as L2 Class.
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Servant Leader Choral Conductor : = The Effect of Servant Leadership in Community Choirs and Community Partnerships.
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A conductor's analysis of "Les Chansons des Roses" cycle and an overview of the vocal compositions of Morten Lauridsen.
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Listening Through the Firewall : = A Sonic Narrative of Communication Between Taiwan and Mainland China.
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