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A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor : = Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor :/
其他題名:	Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
作者:	Kuhny, Anne Marie.
面頁冊數:	1 online resource (167 pages)
附註:	Source: Dissertations Abstracts International, Volume: 80-06, Section: A.
Contained By:	Dissertations Abstracts International80-06A.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9780438729049

A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor : = Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
Kuhny, Anne Marie.

A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor :Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22. - 1 online resource (167 pages)

Source: Dissertations Abstracts International, Volume: 80-06, Section: A.

Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2018.

Includes bibliographical references

This dissertation explores and compares two sets of variations that use Frederic Chopin's Prelude, op. 28, no. 20 as a theme: Sergei Rachmaninoff's Variations on a Theme by Chopin, op. 22 (1902-1903) and Ferruccio Busoni's Ten Variations on a Prelude by Chopin, BV 213a (1922). The first primary goal of this paper is to provide a comparative overview of the two variation sets through their different approaches to the use of the same musical theme, including historical, compositional, and performance considerations as well as recording history. While it is impossible to prove theories about a society's musical tastes, this study will provide a better understanding of culture and history surrounding these works. Through an examination of each composer's approach to variation form and their development of Chopin's Prelude, op. 28, no. 20, combined with a catalog of recordings of each work, the secondary goal is to be able to increase the understanding of the reception of both composers' use of the same work as a theme. This information will allow for greater inferences to be made about the development of musical tastes and history in recent years.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9780438729049Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

Busoni, FerruccioIndex Terms--Genre/Form:

554714
Electronic books.

A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor : = Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
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520 $a This dissertation explores and compares two sets of variations that use Frederic Chopin's Prelude, op. 28, no. 20 as a theme: Sergei Rachmaninoff's Variations on a Theme by Chopin, op. 22 (1902-1903) and Ferruccio Busoni's Ten Variations on a Prelude by Chopin, BV 213a (1922). The first primary goal of this paper is to provide a comparative overview of the two variation sets through their different approaches to the use of the same musical theme, including historical, compositional, and performance considerations as well as recording history. While it is impossible to prove theories about a society's musical tastes, this study will provide a better understanding of culture and history surrounding these works. Through an examination of each composer's approach to variation form and their development of Chopin's Prelude, op. 28, no. 20, combined with a catalog of recordings of each work, the secondary goal is to be able to increase the understanding of the reception of both composers' use of the same work as a theme. This information will allow for greater inferences to be made about the development of musical tastes and history in recent years.
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