國立虎尾科技大學 |

Graphic Score on Trial : = The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Graphic Score on Trial :/
Reminder of title:	The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar.
remainder title:	Partitura grafica a prueba :
Author:	Fogel, Corey Marc.
Description:	1 online resource (275 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:	Dissertations Abstracts International85-02A.
Subject:	Musical composition. -
Online resource:	click for full text (PQDT)
ISBN:	9798380110914

Graphic Score on Trial : = The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar.
Fogel, Corey Marc.

Graphic Score on Trial :The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar.Partitura grafica a prueba :la utilidad y emergencia de una linguistica transdisciplinar. - 1 online resource (275 pages)

Source: Dissertations Abstracts International, Volume: 85-02, Section: A.

Thesis (Ph.D.)--University of California, Irvine, 2023.

Includes bibliographical references

This dissertation extends the investigation of the utility and function of abstract graphic music notation, through scholarly and creative practical research. Graphic notation is often situated in an ephemeral current of aleatoric music- a gig; a momentary and impulsive transaction between composer and performer, with a focus on spontaneous interpretation. Analysis of graphic notation generally comprises artists' statements, historicization, and intrigue for this novel and relatively obscure genre of composing. As graphic notation continues to emerge within myriad subcategories of creative music, as well as contemporary art contexts, pedagogical, and neurological research, it is important to survey its modern provisions, affordances, and socio-cultural outcomes.In this project, I first examine existing research into graphic notation, and briefly trace its emergence in contemporary music since the mid-20th century, to demonstrate how it has and continues to address the creative and technical needs of composerperformers. I touch upon other scientific domains, specifically music education. Examples of graphically notated works are then cited and analyzed for their musical performance and/or art exhibition. From a semiotic perspective, I measure the interpretation and meaning-making of abstracted notational symbols. As a visual language, I look closely at the space surrounding its ever-evolving vocabulary. I theorize about both qualitative and quantitative valuation of interstices in the syntax of graphic notation passages. From the dynamic positioning to the contrasts in color, texture, shape, and size between abstract characters, transformational relationships are equally important for interpretation by improvising musicians. Citing successful exhibitions in the art world, I investigate the appearance of graphic notation in galleries and museums by composers and conceptual artists alike, particularly the subsequent impact on music's ontological status and cultural reach among an expanding audience.This scholarly framework sets the tone for the autoethnographic account of my practical research experiments during my doctoral tenure. The creative activity for this dissertation comprised multiple ways of using graphic notation in practice, ranging from semi-permanent art exhibitions, which doubled as performance environments, to a largescale concert of ensemble scores which were spontaneously generated by manipulating commercial software and graphic design techniques as an improvisational and interactive form of composition and conducting.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798380110914Subjects--Topical Terms:

1185732
Musical composition.
Subjects--Index Terms:

Avant-gardeIndex Terms--Genre/Form:

554714
Electronic books.

Graphic Score on Trial : = The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar.
LDR:07060ntm a22004337 4500 001 1146929
005 20240819061900.5
006 m o d
007 cr bn ---uuuuu
008 250605s2023 xx obm 000 0 eng d
020 $a 9798380110914
035 $a (MiAaPQ)AAI30313211
035 $a AAI30313211
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Fogel, Corey Marc. $3 1472482
245 1 0 $a Graphic Score on Trial : $b The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar.
246 3 1 $a Partitura grafica a prueba : $b la utilidad y emergencia de una linguistica transdisciplinar.
264 0 $c 2023
300 $a 1 online resource (275 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
500 $a Advisor: Dessen, Michael.
502 $a Thesis (Ph.D.)--University of California, Irvine, 2023.
504 $a Includes bibliographical references
520 $a This dissertation extends the investigation of the utility and function of abstract graphic music notation, through scholarly and creative practical research. Graphic notation is often situated in an ephemeral current of aleatoric music- a gig; a momentary and impulsive transaction between composer and performer, with a focus on spontaneous interpretation. Analysis of graphic notation generally comprises artists' statements, historicization, and intrigue for this novel and relatively obscure genre of composing. As graphic notation continues to emerge within myriad subcategories of creative music, as well as contemporary art contexts, pedagogical, and neurological research, it is important to survey its modern provisions, affordances, and socio-cultural outcomes.In this project, I first examine existing research into graphic notation, and briefly trace its emergence in contemporary music since the mid-20th century, to demonstrate how it has and continues to address the creative and technical needs of composerperformers. I touch upon other scientific domains, specifically music education. Examples of graphically notated works are then cited and analyzed for their musical performance and/or art exhibition. From a semiotic perspective, I measure the interpretation and meaning-making of abstracted notational symbols. As a visual language, I look closely at the space surrounding its ever-evolving vocabulary. I theorize about both qualitative and quantitative valuation of interstices in the syntax of graphic notation passages. From the dynamic positioning to the contrasts in color, texture, shape, and size between abstract characters, transformational relationships are equally important for interpretation by improvising musicians. Citing successful exhibitions in the art world, I investigate the appearance of graphic notation in galleries and museums by composers and conceptual artists alike, particularly the subsequent impact on music's ontological status and cultural reach among an expanding audience.This scholarly framework sets the tone for the autoethnographic account of my practical research experiments during my doctoral tenure. The creative activity for this dissertation comprised multiple ways of using graphic notation in practice, ranging from semi-permanent art exhibitions, which doubled as performance environments, to a largescale concert of ensemble scores which were spontaneously generated by manipulating commercial software and graphic design techniques as an improvisational and interactive form of composition and conducting.
520 $a Esta disertacion amplia la investigacion de la utilidad y funcion de la notacion musical grafica abstracta, a traves de la investigacion practica academica y creativa. La notacion grafica suele situarse en una corriente efimera de la musica aleatoria: un concierto; una transaccion momentanea e impulsiva entre el compositor y el interprete, con un enfoque en la interpretacion espontanea. El analisis de la notacion grafica generalmente comprende declaraciones de artistas, historizacion e intriga para este genero de composicion novedoso y relativamente oscuro. A medida que la notacion grafica continua emergiendo dentro de una miriada de subcategorias de la musica creativa, asi como en los contextos del arte contemporaneo, la investigacion pedagogica y neurologica, es importante examinar sus disposiciones modernas, posibilidades y resultados socioculturales.En este proyecto, primero examino la investigacion existente sobre la notacion grafica y analizo brevemente su surgimiento en la musica contemporanea desde mediados del siglo XX, para demostrar como ha abordado y continua abordando las necesidades creativas y tecnicas de los compositores-interpretes. Toco otros dominios cientificos, especificamente la educacion musical.viiiLuego se citan y analizan ejemplos de obras anotadas graficamente para su interpretacion musical y/o exhibicion de arte. Desde una perspectiva semiotica, mido la interpretacion y la creacion de significado de los simbolos notacionales abstractos. Como lenguaje visual, miro de cerca el espacio que rodea su vocabulario en constante evolucion. Teorizo sobre la valoracion tanto cualitativa como cuantitativa de los intersticios en la sintaxis de los pasajes de notacion grafica. Desde el posicionamiento dinamico hasta los contrastes de color, textura, forma y tamano entre personajes abstractos, las relaciones de transformacion son igualmente importantes para la interpretacion de los musicos improvisadores. Citando exhibiciones exitosas en el mundo del arte, investigo la aparicion de la notacion grafica en galerias y museos por parte de compositores y artistas conceptuales por igual, particularmente el impacto posterior en el estatus ontologico de la musica y el alcance cultural entre una audiencia en expansion.Este marco academico establece el tono para el relato autoetnografico de mis experimentos de investigacion practica durante mi mandato doctoral. La actividad creativa de esta disertacion comprendia multiples formas de usar la notacion grafica en la practica, desde exhibiciones de arte semipermanentes, que tambien funcionaban como entornos de actuacion, hasta un concierto a gran escala de partituras grupales que se generaron espontaneamente mediante la manipulacion de software comercial y diseno grafico. tecnicas como una forma improvisada e interactiva de composicion y direccion.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Musical composition. $3 1185732
650 4 $a Music. $3 649088
650 4 $a Fine arts. $3 1112523
650 4 $a Linguistics. $3 557829
653 $a Avant-garde
653 $a Graphic notation
653 $a Graphic score
653 $a Improvisation
653 $a Interdisciplinary practice
655 7 $a Electronic books. $2 local $3 554714
690 $a 0214
690 $a 0413
690 $a 0357
690 $a 0290
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, Irvine. $b Music. $3 1472463
773 0 $t Dissertations Abstracts International $g 85-02A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30313211 $z click for full text (PQDT)