Musical composition.

Post-Classical Sonata Forms in the Piano Works of Chopin, Schumann, Liszt, and Brahms : = Romanticism Within Classicism. by: (書目-語言資料,手稿)

Using ChatGPT to Aid in Concert Band Music Selection : = A Pilot Study. by: (書目-語言資料,手稿)

Playing With Shadows : = Tools for Interactive DMX Design in Max/MSP for Musical Composition. by: (書目-語言資料,手稿)

An Investigation of the Musical Characteristics of Two Brass Quintets From the 1990s by Robert Suderburg and an Assessment of Their Validity for Inclusion in Musical Performance. by: (書目-語言資料,手稿)

Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide. by: (書目-語言資料,手稿)

Graphic Score on Trial : = The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar. by: (書目-語言資料,手稿)

Ghost Structures : = Cyclic Temporal Schemes and Their Implications for Notation, Improvisation, and Technology. by: (書目-語言資料,手稿)

Licha Shitelaosi "Da ti qin zou ming qu zuo pin 6" zhi yue qu fen xi yu yan zou quan shi = = Music Analysis and Performance Interpretation of Richard Strauss' Cello Sonata in F Major, Op. 6. by: (書目-語言資料,手稿)

Opera Chunhyangjeon [ˈɔpera tɕʰuncanʥʌn]- An Introduction to South Korea's First Changjak Opera, Opera Chunhyangjeon (1949), Including a Korean Lyric Diction Guide with a Complete IPA Transcription of the Libretto for Non- Korean Speakers. by: (書目-語言資料,手稿)

Musical Collaborations During Covid-19 - How the Remote Music-Making Process Affected Jazz Musicians' Communication, Social Dynamics, and Musical Decisions. by: (書目-語言資料,手稿)

Things That Drift Ashore : = Concerto for Piano and Ensemble. by: (書目-語言資料,手稿)

The 18th Century Viola Sonata. by: (書目-語言資料,手稿)

ASMR as Music Performance. by: (書目-語言資料,手稿)

Abstract Music for an Imaginary Film : = Nos. 1-9 for Two Pianos and Two Percussion, and Composing Memory : Sarah Kirkland Snider's Unremembered. by: (書目-語言資料,手稿)

Transcendent Machine : = An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music. by: (書目-語言資料,手稿)

Solo and Chamber Pieces for Viola by Female Composers : = Late Nineteenth to Twenty-First Centuries. by: (書目-語言資料,手稿)

Kaleidoscope : = Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000. by: (書目-語言資料,手稿)

Aurora : = Embodied Sound and Multimodal Composition. by: (書目-語言資料,手稿)

Poetics of Memory : = Transmodern Echoes in Works of Gamaliel Churata, Olly Wilson, and Mathew Rosenblum, and El Triptico Del Laykha [Original Composition]. by: (書目-語言資料,手稿)

Relational Music : = A Participatory Approach Towards Live Experimental Electronic Music. by: (書目-語言資料,手稿)

Metaphor and Mimesis in an Animal Soundscape. by: (書目-語言資料,手稿)

Sounds on Recordings, Notes on Paper : = Transcribing Popular Music in the Rock Era. by: (書目-語言資料,手稿)

The Relationship Between Musical Fluency, Reading Fluency, and Visual Search Patterns. by: (書目-語言資料,手稿)

Scoring the Unknown : = Rethinking Fixity and Openness in Western Art Music Notation. by: (書目-語言資料,手稿)

Academic Program Notes. by: (書目-語言資料,手稿)

Genre Experience Maps and Their Role in the Analysis of Post-2000s Popular Music. by: (書目-語言資料,手稿)

A Performance Guide to Josh Oxford's Luminous Mysteries Rosary Sonata : = Situating a Commission Within Historical, Musical, Narrative, and Technical Contexts, With Violin Part in Semi-Tablature Notation. by: (書目-語言資料,手稿)

The Maker - A Multi-Media Opera in Two Acts. by: (書目-語言資料,手稿)

Exploring Imaginary Landscapes : = A Practice of Brushstroke and Soundscape in Compositions. by: (書目-語言資料,手稿)

Community Co-Creation and Virtual Reality in Opera : = Composing Out of the Ordinary/As an nGnach. by: (書目-語言資料,手稿)

Creating, Capturing and Conveying Spatial Music : = An Open-Source Approach. by: (書目-語言資料,手稿)

A Practical Guide to Modern Horn Techniques for Composers. by: (書目-語言資料,手稿)

Chamber Tone Poems at the Turn of the Twentieth Century : = How the Harp Contributed to Their Development. by: (書目-語言資料,手稿)

Taking Play Seriously. by: (書目-語言資料,手稿)

Resonant Simulacra : = Building Artificially Intelligent Instruments, a Portfolio of Musical Compositions, and a Self-Analysis of a Cybernetic Workstream. by: (書目-語言資料,手稿)

Reading between the Lines : = Narrativity in Beethoven's Piano Sonatas. by: (書目-語言資料,手稿)

Voice Station : = A Portfolio of Four Works Exploring Radio Art and Its Mediated Voices. by: (書目-語言資料,手稿)

Sad Songs : = Volume I for Mezzo-soprano, Flute, Clarinet, and Cello. by: (書目-語言資料,手稿)

The Increasing Expressivities in Slow Movements of Beethoven's Piano Sonatas : = Op. 2 No. 2, Op. 13, Op. 53, Op. 57, Op. 101 and Op. 110. by: (書目-語言資料,手稿)

The Oratorical and Operatic Oboe : = An Exploration of the Oboe's Roots in Vocal Traditions and an Expansion of Chamber Music Repertoire for the Oboe and the Voice. by: (書目-語言資料,手稿)

Building Originality Through Tradition : = MikoLaj Piotr Gorecki's Musical Style in Selected Piano Compositions. by: (書目-語言資料,手稿)

Celebrating the Voices of Women Composers in the Selected Cello Compositions From the Nineteenth and Early Twentieth Centuries. by: (書目-語言資料,手稿)

The Creative Process of George Crumb's Black Angels. by: (書目-語言資料,手稿)

Listening to the Arts. by: (書目-語言資料,手稿)

Recontextualizing Diverse Vocal Traditions Using Extended Vocal Technique Notation and Symbology : = A Case Study Using Korean Pansori Singing Style. by: (書目-語言資料,手稿)

Selected Chinese Art Songs of Tzu Huang : = A Performance Guide. by: (書目-語言資料,手稿)

The Sound of Morals : = Figures of Grammar and Music in Dante. by: (書目-語言資料,手稿)