Musical composition.

Voice Station : = A Portfolio of Four Works Exploring Radio Art and Its Mediated Voices. by: (書目-語言資料,手稿)

Reading between the Lines : = Narrativity in Beethoven's Piano Sonatas. by: (書目-語言資料,手稿)

Resonant Simulacra : = Building Artificially Intelligent Instruments, a Portfolio of Musical Compositions, and a Self-Analysis of a Cybernetic Workstream. by: (書目-語言資料,手稿)

Taking Play Seriously. by: (書目-語言資料,手稿)

Chamber Tone Poems at the Turn of the Twentieth Century : = How the Harp Contributed to Their Development. by: (書目-語言資料,手稿)

A Practical Guide to Modern Horn Techniques for Composers. by: (書目-語言資料,手稿)

Creating, Capturing and Conveying Spatial Music : = An Open-Source Approach. by: (書目-語言資料,手稿)

Community Co-Creation and Virtual Reality in Opera : = Composing Out of the Ordinary/As an nGnach. by: (書目-語言資料,手稿)

Exploring Imaginary Landscapes : = A Practice of Brushstroke and Soundscape in Compositions. by: (書目-語言資料,手稿)

The Maker - A Multi-Media Opera in Two Acts. by: (書目-語言資料,手稿)

A Performance Guide to Josh Oxford's Luminous Mysteries Rosary Sonata : = Situating a Commission Within Historical, Musical, Narrative, and Technical Contexts, With Violin Part in Semi-Tablature Notation. by: (書目-語言資料,手稿)

Genre Experience Maps and Their Role in the Analysis of Post-2000s Popular Music. by: (書目-語言資料,手稿)

Academic Program Notes. by: (書目-語言資料,手稿)

Scoring the Unknown : = Rethinking Fixity and Openness in Western Art Music Notation. by: (書目-語言資料,手稿)

The Relationship Between Musical Fluency, Reading Fluency, and Visual Search Patterns. by: (書目-語言資料,手稿)

Sounds on Recordings, Notes on Paper : = Transcribing Popular Music in the Rock Era. by: (書目-語言資料,手稿)

Metaphor and Mimesis in an Animal Soundscape. by: (書目-語言資料,手稿)

Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide. by: (書目-語言資料,手稿)

Relational Music : = A Participatory Approach Towards Live Experimental Electronic Music. by: (書目-語言資料,手稿)

Poetics of Memory : = Transmodern Echoes in Works of Gamaliel Churata, Olly Wilson, and Mathew Rosenblum, and El Triptico Del Laykha [Original Composition]. by: (書目-語言資料,手稿)

Aurora : = Embodied Sound and Multimodal Composition. by: (書目-語言資料,手稿)

Kaleidoscope : = Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000. by: (書目-語言資料,手稿)

Solo and Chamber Pieces for Viola by Female Composers : = Late Nineteenth to Twenty-First Centuries. by: (書目-語言資料,手稿)

Transcendent Machine : = An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music. by: (書目-語言資料,手稿)

Abstract Music for an Imaginary Film : = Nos. 1-9 for Two Pianos and Two Percussion, and Composing Memory : Sarah Kirkland Snider's Unremembered. by: (書目-語言資料,手稿)

ASMR as Music Performance. by: (書目-語言資料,手稿)

The 18th Century Viola Sonata. by: (書目-語言資料,手稿)

Things That Drift Ashore : = Concerto for Piano and Ensemble. by: (書目-語言資料,手稿)

Graphic Score on Trial : = The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar. by: (書目-語言資料,手稿)

Musical Collaborations During Covid-19 - How the Remote Music-Making Process Affected Jazz Musicians' Communication, Social Dynamics, and Musical Decisions. by: (書目-語言資料,手稿)

Opera Chunhyangjeon [ˈɔpera tɕʰuncanʥʌn]- An Introduction to South Korea's First Changjak Opera, Opera Chunhyangjeon (1949), Including a Korean Lyric Diction Guide with a Complete IPA Transcription of the Libretto for Non- Korean Speakers. by: (書目-語言資料,手稿)

Licha Shitelaosi "Da ti qin zou ming qu zuo pin 6" zhi yue qu fen xi yu yan zou quan shi = = Music Analysis and Performance Interpretation of Richard Strauss' Cello Sonata in F Major, Op. 6. by: (書目-語言資料,手稿)

Ghost Structures : = Cyclic Temporal Schemes and Their Implications for Notation, Improvisation, and Technology. by: (書目-語言資料,手稿)

An Investigation of the Musical Characteristics of Two Brass Quintets From the 1990s by Robert Suderburg and an Assessment of Their Validity for Inclusion in Musical Performance. by: (書目-語言資料,手稿)

Playing With Shadows : = Tools for Interactive DMX Design in Max/MSP for Musical Composition. by: (書目-語言資料,手稿)

Using ChatGPT to Aid in Concert Band Music Selection : = A Pilot Study. by: (書目-語言資料,手稿)

Post-Classical Sonata Forms in the Piano Works of Chopin, Schumann, Liszt, and Brahms : = Romanticism Within Classicism. by: (書目-語言資料,手稿)

Ways of Silence and Other Absences in the Music of George Crumb. by: (書目-語言資料,手稿)

Two Lecture Recitals : = 1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus. by: (書目-語言資料,手稿)

From Small to Large : = Observations on George Crumb's Eleven Echoes of Autumn for Alto Flute, Clarinet, Violin, and Piano. by: (書目-語言資料,手稿)

Robert Schumann and "The Artist's Highest Goal" : = Religion, Romanticism, and Nation in the Late Choral Works. by: (書目-語言資料,手稿)

The Nordic Romantic : = A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano. by: (書目-語言資料,手稿)

The Shape of Sound from Opto-Acoustic Inscription to an Immersive Sonic Art. by: (書目-語言資料,手稿)

Scenes, for Two-Channel Fixed Media. by: (書目-語言資料,手稿)

Constructing Symbolic Soundworlds Using Field Recordings and Sound Synthesis. by: (書目-語言資料,手稿)

Writing Music and Its Role in a Conductor's Training as a Performer. by: (書目-語言資料,手稿)