Musical composition.
Overview
| Works: | 56 works in 0 publications in 0 languages | |
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Titles
The Shape of Sound from Opto-Acoustic Inscription to an Immersive Sonic Art.
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Constructing Symbolic Soundworlds Using Field Recordings and Sound Synthesis.
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Writing Music and Its Role in a Conductor's Training as a Performer.
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The Nordic Romantic : = A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
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Robert Schumann and "The Artist's Highest Goal" : = Religion, Romanticism, and Nation in the Late Choral Works.
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From Small to Large : = Observations on George Crumb's Eleven Echoes of Autumn for Alto Flute, Clarinet, Violin, and Piano.
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Two Lecture Recitals : = 1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.
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Ways of Silence and Other Absences in the Music of George Crumb.
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Post-Classical Sonata Forms in the Piano Works of Chopin, Schumann, Liszt, and Brahms : = Romanticism Within Classicism.
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Using ChatGPT to Aid in Concert Band Music Selection : = A Pilot Study.
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Playing With Shadows : = Tools for Interactive DMX Design in Max/MSP for Musical Composition.
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An Investigation of the Musical Characteristics of Two Brass Quintets From the 1990s by Robert Suderburg and an Assessment of Their Validity for Inclusion in Musical Performance.
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Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide.
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Graphic Score on Trial : = The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar.
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Ghost Structures : = Cyclic Temporal Schemes and Their Implications for Notation, Improvisation, and Technology.
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Licha Shitelaosi "Da ti qin zou ming qu zuo pin 6" zhi yue qu fen xi yu yan zou quan shi = = Music Analysis and Performance Interpretation of Richard Strauss' Cello Sonata in F Major, Op. 6.
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Opera Chunhyangjeon [ˈɔpera tɕʰuncanʥʌn]- An Introduction to South Korea's First Changjak Opera, Opera Chunhyangjeon (1949), Including a Korean Lyric Diction Guide with a Complete IPA Transcription of the Libretto for Non- Korean Speakers.
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Musical Collaborations During Covid-19 - How the Remote Music-Making Process Affected Jazz Musicians' Communication, Social Dynamics, and Musical Decisions.
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Abstract Music for an Imaginary Film : = Nos. 1-9 for Two Pianos and Two Percussion, and Composing Memory : Sarah Kirkland Snider's Unremembered.
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Transcendent Machine : = An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
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Solo and Chamber Pieces for Viola by Female Composers : = Late Nineteenth to Twenty-First Centuries.
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Kaleidoscope : = Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000.
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Poetics of Memory : = Transmodern Echoes in Works of Gamaliel Churata, Olly Wilson, and Mathew Rosenblum, and El Triptico Del Laykha [Original Composition].
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Relational Music : = A Participatory Approach Towards Live Experimental Electronic Music.
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Sounds on Recordings, Notes on Paper : = Transcribing Popular Music in the Rock Era.
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The Relationship Between Musical Fluency, Reading Fluency, and Visual Search Patterns.
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Scoring the Unknown : = Rethinking Fixity and Openness in Western Art Music Notation.
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Genre Experience Maps and Their Role in the Analysis of Post-2000s Popular Music.
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A Performance Guide to Josh Oxford's Luminous Mysteries Rosary Sonata : = Situating a Commission Within Historical, Musical, Narrative, and Technical Contexts, With Violin Part in Semi-Tablature Notation.
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Exploring Imaginary Landscapes : = A Practice of Brushstroke and Soundscape in Compositions.
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Community Co-Creation and Virtual Reality in Opera : = Composing Out of the Ordinary/As an nGnach.
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Creating, Capturing and Conveying Spatial Music : = An Open-Source Approach.
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Chamber Tone Poems at the Turn of the Twentieth Century : = How the Harp Contributed to Their Development.
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Resonant Simulacra : = Building Artificially Intelligent Instruments, a Portfolio of Musical Compositions, and a Self-Analysis of a Cybernetic Workstream.
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Reading between the Lines : = Narrativity in Beethoven's Piano Sonatas.
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Voice Station : = A Portfolio of Four Works Exploring Radio Art and Its Mediated Voices.
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Sad Songs : = Volume I for Mezzo-soprano, Flute, Clarinet, and Cello.
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The Increasing Expressivities in Slow Movements of Beethoven's Piano Sonatas : = Op. 2 No. 2, Op. 13, Op. 53, Op. 57, Op. 101 and Op. 110.
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The Oratorical and Operatic Oboe : = An Exploration of the Oboe's Roots in Vocal Traditions and an Expansion of Chamber Music Repertoire for the Oboe and the Voice.
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Building Originality Through Tradition : = MikoLaj Piotr Gorecki's Musical Style in Selected Piano Compositions.
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Celebrating the Voices of Women Composers in the Selected Cello Compositions From the Nineteenth and Early Twentieth Centuries.
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Recontextualizing Diverse Vocal Traditions Using Extended Vocal Technique Notation and Symbology : = A Case Study Using Korean Pansori Singing Style.
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Selected Chinese Art Songs of Tzu Huang : = A Performance Guide.
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