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Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski :/
Reminder of title:	A Historical Musicology Analysis and Performance Guide.
Author:	Wan, Fujia.
Description:	1 online resource (110 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:	Dissertations Abstracts International85-02A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9798380069892

Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide.
Wan, Fujia.

Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski :A Historical Musicology Analysis and Performance Guide. - 1 online resource (110 pages)

Source: Dissertations Abstracts International, Volume: 85-02, Section: A.

Thesis (D.M.A.)--University of North Texas, 2023.

Includes bibliographical references

This research contributes valuable contextual information to the study of Karol Szymanowski's little-known song cycle Seven Songs to Poems of James Joyce, op. 54 (1926), providing a reliable, comprehensive reference for singers and scholars. In this research, I establish separate historical contexts for James Joyce's Chamber Music and Szymanowski's settings of the poems in op. 54. Using these established historical contexts, I then analyze Joyce's poems and Szymanowski's text settings, focusing on their styles and aesthetics. Szymanowski reorders the seven selected poems, creating a new storyline related to-but different from-the original. Where Chamber Music presents a chronological emotional arc, Seven Songs presents a roller coaster-like storyline, achieved by flashing back and forth between the protagonist's past and present. I demonstrate how Szymanowski's newly-created, complex storyline fits both the surface and deeper meanings of each poem, using specific musical elements to enhance emotional conflicts in the texts. I conclude with a detailed analysis of the relationship between the text and music of this song cycle, serving as a performance guide. I hope that my analysis and complete performance of this cycle will reignite interest in Szymanowski's music outside of Poland, especially in countries where English is the native language.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798380069892Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

Szymanowski, KarolIndex Terms--Genre/Form:

554714
Electronic books.

Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide.
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520 $a This research contributes valuable contextual information to the study of Karol Szymanowski's little-known song cycle Seven Songs to Poems of James Joyce, op. 54 (1926), providing a reliable, comprehensive reference for singers and scholars. In this research, I establish separate historical contexts for James Joyce's Chamber Music and Szymanowski's settings of the poems in op. 54. Using these established historical contexts, I then analyze Joyce's poems and Szymanowski's text settings, focusing on their styles and aesthetics. Szymanowski reorders the seven selected poems, creating a new storyline related to-but different from-the original. Where Chamber Music presents a chronological emotional arc, Seven Songs presents a roller coaster-like storyline, achieved by flashing back and forth between the protagonist's past and present. I demonstrate how Szymanowski's newly-created, complex storyline fits both the surface and deeper meanings of each poem, using specific musical elements to enhance emotional conflicts in the texts. I conclude with a detailed analysis of the relationship between the text and music of this song cycle, serving as a performance guide. I hope that my analysis and complete performance of this cycle will reignite interest in Szymanowski's music outside of Poland, especially in countries where English is the native language.
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