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Transcendent Machine : = An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Transcendent Machine :/
Reminder of title:	An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
Author:	Silliman, Daniel Alexander.
Description:	1 online resource (139 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:	Dissertations Abstracts International84-12A.
Subject:	Musical composition. -
Online resource:	click for full text (PQDT)
ISBN:	9798379718626

Transcendent Machine : = An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
Silliman, Daniel Alexander.

Transcendent Machine :An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music. - 1 online resource (139 pages)

Source: Dissertations Abstracts International, Volume: 84-12, Section: A.

Thesis (Ph.D.)--Princeton University, 2023.

Includes bibliographical references

From 1971 to 2000, the French composer Eliane Radigue (b. 1932) recorded a singular body of work using the ARP 2500 analog modular synthesizer, an exceedingly rare electronic musical instrument. Drawing on interviews, archival research, spectral analysis, and my own expertise with modular synthesis, this dissertation offers an account of Radigue's method of composing and recording the music she made with her ARP 2500. I argue that while Radigue worked mostly alone on these compositions, the working relationship she had with her ARP 2500 takes the form of an essentially collaborative, intersubjective process. Along the way, I locate Radigue's aesthetic thought in a broader context of French and American (post)modernism. I also provide an in-depth discussion of what is perhaps Radigue's best known electronic work, Kyema (1988), a composition for ARP 2500 synthesizer and traditional Tibetan wind instruments, which comprises the first movement of Trilogie de la Mort (1988-1993).

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798379718626Subjects--Topical Terms:

1185732
Musical composition.
Subjects--Index Terms:

ARP 2500Index Terms--Genre/Form:

554714
Electronic books.

Transcendent Machine : = An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
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520 $a From 1971 to 2000, the French composer Eliane Radigue (b. 1932) recorded a singular body of work using the ARP 2500 analog modular synthesizer, an exceedingly rare electronic musical instrument. Drawing on interviews, archival research, spectral analysis, and my own expertise with modular synthesis, this dissertation offers an account of Radigue's method of composing and recording the music she made with her ARP 2500. I argue that while Radigue worked mostly alone on these compositions, the working relationship she had with her ARP 2500 takes the form of an essentially collaborative, intersubjective process. Along the way, I locate Radigue's aesthetic thought in a broader context of French and American (post)modernism. I also provide an in-depth discussion of what is perhaps Radigue's best known electronic work, Kyema (1988), a composition for ARP 2500 synthesizer and traditional Tibetan wind instruments, which comprises the first movement of Trilogie de la Mort (1988-1993).
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