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ASMR as Music Performance.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
ASMR as Music Performance./
作者:
Roelofsen, Ruud Raymond Ruud.
面頁冊數:
1 online resource (121 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Contained By:
Dissertations Abstracts International84-11A.
標題:
Musical composition. -
電子資源:
click for full text (PQDT)
ISBN:
9798379586577
ASMR as Music Performance.
Roelofsen, Ruud Raymond Ruud.
ASMR as Music Performance.
- 1 online resource (121 pages)
Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Thesis (Ph.D.)--Northwestern University, 2023.
Includes bibliographical references
This essay investigates the question under which conditions ASMR is suitable for the concert space. What can be done to ensure that those sensitive to ASMR experience the desired effect? The text compares the sounds used to induce the physiological response called ASMR to those of "Musique Concrete (Instrumentale)" by firstly categorising the sounds found in Craig Richard's Brain Tingles-a book coming from within the ASMR community-into Helmut Lachenmann's Klangtypen der Neuen Musik (Sound Types of New Music), Pierre Schaeffer's Typology of Musical Objects, and his General Plan for a Reel of Sustained Sounds. It also discusses ASMR in relation to Schaeffer's listening modes as well as to reduced listening.Secondly, it compares the sounds found within actual ASMR videos to those found in music with similarities to ASMR composed by people who were both aware as well as unaware of what ASMR is and potentially does. This comparison is made between a varied set of ASMR videos and a set of recordings and, when applicable, scores of music with the above mentioned similarities to the phenomenon. For all sounds that could not be categorised in the above theories new categories are put forth that could complement Lachenmann's Klangtypen der Neuen Musik in order to allow for the incorporation of ASMR-specific sounds into his model. Lastly, it deals with the implications of ASMR in a performance situation regarding ethics, sound projection, video-use, staging, and lighting.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024
Mode of access: World Wide Web
ISBN: 9798379586577Subjects--Topical Terms:
1185732
Musical composition.
Subjects--Index Terms:
ASMRIndex Terms--Genre/Form:
554714
Electronic books.
ASMR as Music Performance.
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This essay investigates the question under which conditions ASMR is suitable for the concert space. What can be done to ensure that those sensitive to ASMR experience the desired effect? The text compares the sounds used to induce the physiological response called ASMR to those of "Musique Concrete (Instrumentale)" by firstly categorising the sounds found in Craig Richard's Brain Tingles-a book coming from within the ASMR community-into Helmut Lachenmann's Klangtypen der Neuen Musik (Sound Types of New Music), Pierre Schaeffer's Typology of Musical Objects, and his General Plan for a Reel of Sustained Sounds. It also discusses ASMR in relation to Schaeffer's listening modes as well as to reduced listening.Secondly, it compares the sounds found within actual ASMR videos to those found in music with similarities to ASMR composed by people who were both aware as well as unaware of what ASMR is and potentially does. This comparison is made between a varied set of ASMR videos and a set of recordings and, when applicable, scores of music with the above mentioned similarities to the phenomenon. For all sounds that could not be categorised in the above theories new categories are put forth that could complement Lachenmann's Klangtypen der Neuen Musik in order to allow for the incorporation of ASMR-specific sounds into his model. Lastly, it deals with the implications of ASMR in a performance situation regarding ethics, sound projection, video-use, staging, and lighting.
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