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Two Lecture Recitals : = 1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Two Lecture Recitals :/
Reminder of title:	1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.
Author:	Anderson, Vivian Joy.
Description:	1 online resource (54 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
Contained By:	Dissertations Abstracts International84-02A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9798841774181

Two Lecture Recitals : = 1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.
Anderson, Vivian Joy.

Two Lecture Recitals :1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus. - 1 online resource (54 pages)

Source: Dissertations Abstracts International, Volume: 84-02, Section: A.

Thesis (D.M.)--The Florida State University, 2022.

Includes bibliographical references

This treatise, which is in two parts, is based on two lecture recitals given on November 15, 2020 and November 21, 2021. The first lecture discussed the influence of past composers on two recent works by Cheryl Frances-Hoad and Caroline Shaw. The second lecture discussed the relationship between musical techniques and religious symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.Part 1 explores two works that reference past composers: Cheryl Frances-Hoad's Homages, Book I, and Caroline Shaw's Gustave Le Gray. The homage to a past composer is not a particularly new concept, but these types of pieces have certainly become more popular in recent years. The two composers discussed in Part One have different approaches to the concept, however, which leads to a different overall affect in each piece. Frances-Hoad chooses to write a series of smaller pieces that take small melodic or motivic elements from specific works to build upon. Shaw, on the other hand, quotes the entire referenced work and composes a frame around it. I will analyze each work to illuminate how these two composers reference the chosen composers and/or works, as well as point out some elements that bring a fresh perspective on those past composers.Part 2 explores how Messiaen expresses his religious beliefs in Vingt Regards sur l'Enfant-Jesus through musical symbols. Messiaen's devout faith informs nearly every piece that he wrote, and his complex musical techniques often directly reflect his theological beliefs. This paper will discuss some of those techniques, including the so-called "Charm of Impossibilities," and how they relate to his fascination with concepts such as time and eternity and with visual elements of color and stained glass. Discussion of five selections from Vingt Regards will show how religious ideas and metaphorical concepts are expressed through musical symbols.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798841774181Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

Frances-Hoad, CherylIndex Terms--Genre/Form:

554714
Electronic books.

Two Lecture Recitals : = 1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.
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