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The Nordic Romantic : = A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	The Nordic Romantic :/
Reminder of title:	A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
Author:	Bengtson Price, Susan Linnae Ruth.
Description:	1 online resource (111 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-07, Section: A.
Contained By:	Dissertations Abstracts International84-07A.
Subject:	Music history. -
Online resource:	click for full text (PQDT)
ISBN:	9798363517372

The Nordic Romantic : = A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
Bengtson Price, Susan Linnae Ruth.

The Nordic Romantic :A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano. - 1 online resource (111 pages)

Source: Dissertations Abstracts International, Volume: 84-07, Section: A.

Thesis (D.M.A.)--Boston University, 2023.

Includes bibliographical references

The career of violinist, conductor, and composer Niels Wilhelm Gade (1817-1890) encompassed the Romantic period, in which artists were increasingly associated with a national identity. Although he is primarily remembered as a Danish composer, Gade rose to international renown as a conductor and composer based in Leipzig, where he worked closely with Felix Mendelssohn. Inspired by Danish poetry, Gade's first published symphony (Symphony No. 1 in C minor, Op. 5) was considered too German in style by Copenhagen's music society but was warmly received by the Gewandhaus orchestra's audience in Leipzig in 1843. After Gade's return to Copenhagen in 1848, he conducted the Copenhagen Music Society (Musikforeningen) Orchestra and established a conservatory, as Mendelssohn had done in Leipzig, raising the level of musicianship in his hometown, and solidifying his role as a pioneer in Danish music history.In addition to compiling biographical information about Gade, my research delves into his compositional style by analyzing his Sonata No. 2 in D minor for Violin and Piano, Op. 21-a piece dedicated to Robert Schumann that was widely popular during the composer's lifetime. My analysis examines Gade's use of cyclic form and traces motivic development and integration across all three movements of the piece. The sonata was arranged by Heinrich Dessauer (1863-1917), a student of Joseph Joachim, for viola and piano (Op. 21a) during Gade's lifetime. By analyzing the viola arrangement and exploring its place in the Romantic viola repertoire, my aim is to encourage violists to add this piece to their recital repertoire.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798363517372Subjects--Topical Terms:

1179487
Music history.
Subjects--Index Terms:

DanishIndex Terms--Genre/Form:

554714
Electronic books.

The Nordic Romantic : = A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
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520 $a The career of violinist, conductor, and composer Niels Wilhelm Gade (1817-1890) encompassed the Romantic period, in which artists were increasingly associated with a national identity. Although he is primarily remembered as a Danish composer, Gade rose to international renown as a conductor and composer based in Leipzig, where he worked closely with Felix Mendelssohn. Inspired by Danish poetry, Gade's first published symphony (Symphony No. 1 in C minor, Op. 5) was considered too German in style by Copenhagen's music society but was warmly received by the Gewandhaus orchestra's audience in Leipzig in 1843. After Gade's return to Copenhagen in 1848, he conducted the Copenhagen Music Society (Musikforeningen) Orchestra and established a conservatory, as Mendelssohn had done in Leipzig, raising the level of musicianship in his hometown, and solidifying his role as a pioneer in Danish music history.In addition to compiling biographical information about Gade, my research delves into his compositional style by analyzing his Sonata No. 2 in D minor for Violin and Piano, Op. 21-a piece dedicated to Robert Schumann that was widely popular during the composer's lifetime. My analysis examines Gade's use of cyclic form and traces motivic development and integration across all three movements of the piece. The sonata was arranged by Heinrich Dessauer (1863-1917), a student of Joseph Joachim, for viola and piano (Op. 21a) during Gade's lifetime. By analyzing the viola arrangement and exploring its place in the Romantic viola repertoire, my aim is to encourage violists to add this piece to their recital repertoire.
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