Music history.
概要
| 作品: | 70 作品在 0 項出版品 0 種語言 | |
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書目資訊
Orality, Literacy, and the Learning of Instruments : = Professional Instrumentalists and Their Music in Early Modern Italy.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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The Life and Music of Roland Marvin Carter : = American Composer, Arranger, Conductor, Educator.
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The Piccolo in the 21st Century : = History, Construction, and Modern Pedagogical Resources.
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Giambattista Velluti in London (1825-1829) : = Literary Constructions of the Last Operatic Castrato.
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The Names of Minimalism : = Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
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Objects of Veneration : = Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology : = Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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Going Old School : = Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
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Integrating the Postmodern Avant-Garde : = Art Music(s) at the Intersection of Improvisation.
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Jazz in a Transatlantic World : = Legitimizing American Jazz in Germany, 1920-1957.
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Counted, Earning, and Behaving as Europeans : = Western Art Music and Social Capital in Late 19th Century Batavia.
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Arts, Leisure, and the Construction of "Gentlemanly" (Shi 士) Identities in 7th-14th Century China.
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The Order of Pitches : = Music Theory, Science, and Western Learning in 17th-Century China.
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The Nordic Romantic : = A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
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Robert Schumann and "The Artist's Highest Goal" : = Religion, Romanticism, and Nation in the Late Choral Works.
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Messiaen's "Traite de rythme, de couleur, et d'ornithologie" : = A commentary and re-presentation.
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Enlivening Baroque Solo Repertoire : = Thomas Demenga's ECM Recording of J.S. Bach's Fourth Cello Suite.
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The Big Bang of Music Patronage in the United States : = The National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation.
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"All The Evil Music Has:" Musical Representations of the Vamp in Interwar American Popular Media.
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How a Corporation Thinks : = A Musicological Study of the Sony Archives at WikiLeaks.
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The Hi-Fi Man : = Masculinity, Modularity, and Home Audio Technology in the U.S. Midcentury.
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Stories and Significations : = Interpreting the Legacies of Count Basie and His Music.
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Transcendent Machine : = An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
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Solo and Chamber Pieces for Viola by Female Composers : = Late Nineteenth to Twenty-First Centuries.
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Kaleidoscope : = Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000.
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The Copyright Royalty Board and the Public Interest : = An Examination of Stakeholder Concerns in the Rate Setting Process.
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Transnational Historiography and Twentieth-Century Modernity : = Rachmaninoff Beyond Russia.
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Richard Wagner's Visual Worlds : = The Gesamtkunstwerk and the Spectacle of Empire.
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Sounds on Recordings, Notes on Paper : = Transcribing Popular Music in the Rock Era.
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Musical Expression in German Neo-Baroque Organ Music : = Case Studies of Selected Works by Hugo Distler and Ernst Pepping.
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Urban Space, Plebe Musicians, and Buon Governo in Spanish Naples From the Mid-Sixteenth to the Early Seventeenth Century.
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Avenue Breakdown : = Black Music and the Recording Industry in Shreveport 1948-1988.
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Chamber Tone Poems at the Turn of the Twentieth Century : = How the Harp Contributed to Their Development.
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The Influence of French Salon Culture on the Complete Piano Works of Lili Boulanger.
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The Development of the Piano Intermezzo from the Nineteenth to Twenty-First Centuries.
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Conquering the Eroica Variations : = A Performer's Guide to Form, Stylistic Performance, and Technique in Beethoven's Op. 35.
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