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"Melinda and Her Sisters" : = Recons...
~
Winter, Kendall H.
"Melinda and Her Sisters" : = Reconsidering a Suffrage Operetta as Pageantry.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
"Melinda and Her Sisters" :/
其他題名:
Reconsidering a Suffrage Operetta as Pageantry.
作者:
Winter, Kendall H.
面頁冊數:
1 online resource (102 pages)
附註:
Source: Masters Abstracts International, Volume: 57-05.
標題:
Music. -
電子資源:
click for full text (PQDT)
ISBN:
9780355791655
"Melinda and Her Sisters" : = Reconsidering a Suffrage Operetta as Pageantry.
Winter, Kendall H.
"Melinda and Her Sisters" :
Reconsidering a Suffrage Operetta as Pageantry. - 1 online resource (102 pages)
Source: Masters Abstracts International, Volume: 57-05.
Thesis (M.A.)--Tufts University, 2018.
Includes bibliographical references
This thesis claims that the sui generis classification of Belmont and Maxwell's Melinda and Her Sisters as a suffrage operetta is to blame for the lack of extant scholarship on the work. In its place, I offer the analytical framework of pageantry. Relying on contemporaneous press and practical guides and recent histories of each genre, I reconstruct the commercial and critical atmosphere in the year the work was created, 1916. I also draw on suffrage propaganda, government documents, and court cases to convey the sociopolitical tension of the historical moment. By placing the two genres in dialogue, I reveal a chiasmus of gender and class coding attendant to each. I conclude that it was the relatively high cultural capital of "suffrage operetta," and not its aptness of description, that ultimately led the creators to market their work as such. As a genre case study, this thesis comments on the impact that ontology has on reception.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355791655Subjects--Topical Terms:
649088
Music.
Index Terms--Genre/Form:
554714
Electronic books.
"Melinda and Her Sisters" : = Reconsidering a Suffrage Operetta as Pageantry.
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This thesis claims that the sui generis classification of Belmont and Maxwell's Melinda and Her Sisters as a suffrage operetta is to blame for the lack of extant scholarship on the work. In its place, I offer the analytical framework of pageantry. Relying on contemporaneous press and practical guides and recent histories of each genre, I reconstruct the commercial and critical atmosphere in the year the work was created, 1916. I also draw on suffrage propaganda, government documents, and court cases to convey the sociopolitical tension of the historical moment. By placing the two genres in dialogue, I reveal a chiasmus of gender and class coding attendant to each. I conclude that it was the relatively high cultural capital of "suffrage operetta," and not its aptness of description, that ultimately led the creators to market their work as such. As a genre case study, this thesis comments on the impact that ontology has on reception.
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Mode of access: World Wide Web
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click for full text (PQDT)
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