Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Traveling Tunes : = French Comic Ope...
~
ProQuest Information and Learning Co.
Traveling Tunes : = French Comic Opera and Theater in London, 1714-1745.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Traveling Tunes :/
Reminder of title:
French Comic Opera and Theater in London, 1714-1745.
Author:
Levenson, Erica Pauline.
Description:
1 online resource (271 pages)
Notes:
Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.
Subject:
Music. -
Online resource:
click for full text (PQDT)
ISBN:
9780355281262
Traveling Tunes : = French Comic Opera and Theater in London, 1714-1745.
Levenson, Erica Pauline.
Traveling Tunes :
French Comic Opera and Theater in London, 1714-1745. - 1 online resource (271 pages)
Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.
Thesis (Ph.D.)--Cornell University, 2017.
Includes bibliographical references
Driven from their native theaters in 1718 by heightened censorship, French actors, musicians, and dancers quickly became showstoppers in a London already crowded with international theatrical attractions. These performers brought a unique type of entertainment to England---one steeped in social commentary and subversive humor, communicated in part by the intertextual connotations of French tunes, known as vaudevilles. The French performers commanded the stage for an entire evening's entertainment and performed several times weekly; between 1718 and 1735, they produced over 175 musical comedies from the repertoire of the Theâtres de la foire, the Theâtre Italien, and the Comedie-Francaise.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355281262Subjects--Topical Terms:
649088
Music.
Index Terms--Genre/Form:
554714
Electronic books.
Traveling Tunes : = French Comic Opera and Theater in London, 1714-1745.
LDR
:03504ntm a2200385K 4500
001
913104
005
20180614071648.5
006
m o u
007
cr mn||||a|a||
008
190606s2017 xx obm 000 0 eng d
020
$a
9780355281262
035
$a
(MiAaPQ)AAI10616787
035
$a
(MiAaPQ)cornellgrad:10446
035
$a
AAI10616787
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
100
1
$a
Levenson, Erica Pauline.
$3
1185775
245
1 0
$a
Traveling Tunes :
$b
French Comic Opera and Theater in London, 1714-1745.
264
0
$c
2017
300
$a
1 online resource (271 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.
500
$a
Adviser: Rebecca Harris-Warrick.
502
$a
Thesis (Ph.D.)--Cornell University, 2017.
504
$a
Includes bibliographical references
520
$a
Driven from their native theaters in 1718 by heightened censorship, French actors, musicians, and dancers quickly became showstoppers in a London already crowded with international theatrical attractions. These performers brought a unique type of entertainment to England---one steeped in social commentary and subversive humor, communicated in part by the intertextual connotations of French tunes, known as vaudevilles. The French performers commanded the stage for an entire evening's entertainment and performed several times weekly; between 1718 and 1735, they produced over 175 musical comedies from the repertoire of the Theâtres de la foire, the Theâtre Italien, and the Comedie-Francaise.
520
$a
This dissertation unearths the flourishing circulation of French popular theater in London during the first half of the eighteenth century. Long overshadowed by later Enlightenment internationalism and musical cosmopolitanism, these performances reveal the transnational circuits traveled by French performers and music. To investigate the pathways by which French and English theatrical worlds collided, I compare London publications of French plays to their original versions; trace French tunes disseminated in a diverse range of English sources, including grammar books and music notebooks; and examine English ballad opera adaptations of French sources.
520
$a
In an era when the Treaty of Utrecht of 1713 ended a twenty-five year period of war between France and England, the flow of French performing arts and cultural goods to London increased ten-fold. However, England's political relationship with France remained characterized by general suspicion and faltering alliances. Signs of this ambivalence also surface in the seemingly peaceful interactions between French and English artists, as well as in the texts they produced. I argue that the dual forces of comic theater and song provided an arena for dramatizing contacts between French and English identities that mirrored, but also deflected, these larger political anxieties. When viewed against the shifting political contexts of their time, these foreign theatrical encounters offered a playful space for commentary on Anglo-French relations and emerging notions of national identity.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2018
538
$a
Mode of access: World Wide Web
650
4
$a
Music.
$3
649088
650
4
$a
Theater history.
$3
1185120
650
4
$a
British & Irish literature.
$3
1148425
650
4
$a
Music history.
$3
1179487
650
4
$a
French literature.
$2
fast
$3
1005878
655
7
$a
Electronic books.
$2
local
$3
554714
690
$a
0413
690
$a
0644
690
$a
0593
690
$a
0208
690
$a
0205
710
2
$a
ProQuest Information and Learning Co.
$3
1178819
710
2
$a
Cornell University.
$b
Music.
$3
1185776
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10616787
$z
click for full text (PQDT)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login