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Listening to a Liberated Paris : = Pierre Schaeffer Experiments with Radio.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Listening to a Liberated Paris :/
Reminder of title:	Pierre Schaeffer Experiments with Radio.
Author:	Stalarow, Alexander John.
Description:	1 online resource (212 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9780355151718

Listening to a Liberated Paris : = Pierre Schaeffer Experiments with Radio.
Stalarow, Alexander John.

Listening to a Liberated Paris :Pierre Schaeffer Experiments with Radio. - 1 online resource (212 pages)

Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.

Thesis (Ph.D.)--University of California, Davis, 2017.

Includes bibliographical references

Pierre Schaeffer has greatly influenced postwar sonic art by establishing the tradition of musique concrete and its corresponding theories of sound perception. This dissertation examines the extent to which his multifaceted early career as an author, a sound engineer, a radio artist, and a cultural administrator shaped his music and thought. Drawing on archival print and sound sources that document Schaeffer's writings, plays, radio dramas, training workshops, and the French institutions he founded, I embrace his interdisciplinarity and bring together aspects of his career that have otherwise been chronicled separately. His experiences with radio tie these stories together. For Schaeffer, experimenting with radio meant training new types of production teams, interrogating the specific characteristics of the medium to advance the cause of radiophonic art, and finding new ways to engage and orient listeners.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355151718Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Listening to a Liberated Paris : = Pierre Schaeffer Experiments with Radio.
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245 1 0 $a Listening to a Liberated Paris : $b Pierre Schaeffer Experiments with Radio.
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300 $a 1 online resource (212 pages)
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500 $a Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.
500 $a Adviser: Beth E. Levy.
502 $a Thesis (Ph.D.)--University of California, Davis, 2017.
504 $a Includes bibliographical references
520 $a Pierre Schaeffer has greatly influenced postwar sonic art by establishing the tradition of musique concrete and its corresponding theories of sound perception. This dissertation examines the extent to which his multifaceted early career as an author, a sound engineer, a radio artist, and a cultural administrator shaped his music and thought. Drawing on archival print and sound sources that document Schaeffer's writings, plays, radio dramas, training workshops, and the French institutions he founded, I embrace his interdisciplinarity and bring together aspects of his career that have otherwise been chronicled separately. His experiences with radio tie these stories together. For Schaeffer, experimenting with radio meant training new types of production teams, interrogating the specific characteristics of the medium to advance the cause of radiophonic art, and finding new ways to engage and orient listeners.
520 $a Adapting his work to meet the needs of shifting administrations and audiences, Schaeffer used radio to develop an interdisciplinary pedagogical practice to uplift French youth while serving as a cultural administrator for Vichy. During the Occupation, he experimented with radiophonic art, producing La Coquille a planetes (1943--1944). Drawing on his wartime lessons, Schaeffer marked the soundscape of the Liberation with his radio programs, and he quickly joined an international cultural network, producing such works as Une Heure du monde (1946), which was commissioned by the Paris Peace Conference. Listening to his radio art provides a rich context for understanding Schaeffer's musique concrete and its relationship to pedagogy, radio institutions, and postwar cultural diplomacy. Drawing appropriate attention to his music and ideas, this dissertation relocates Schaeffer, who is often relegated to the pioneering fringes of postwar music histories, in an intellectual network at the heart of institutionalized French culture.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
650 4 $a Mass communication. $3 1179310
650 4 $a Music history. $3 1179487
650 4 $a Biographies. $3 1184344
655 7 $a Electronic books. $2 local $3 554714
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710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, Davis. $b Music. $3 1185724
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10285685 $z click for full text (PQDT)