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Tracing the Traditions and Incongruities : = A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Tracing the Traditions and Incongruities :/
Reminder of title:	A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35.
Author:	Chen, Vikki.
Description:	1 online resource (123 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-04, Section: A.
Contained By:	Dissertations Abstracts International85-04A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9798380588966

Tracing the Traditions and Incongruities : = A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35.
Chen, Vikki.

Tracing the Traditions and Incongruities :A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35. - 1 online resource (123 pages)

Source: Dissertations Abstracts International, Volume: 85-04, Section: A.

Thesis (D.M.A.)--University of Cincinnati, 2023.

Includes bibliographical references

Dmitri Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35 (1933) is a brilliant, lively work written during a politically unstable and increasingly repressive time in Russia. Shostakovich quotes Haydn and Beethoven, uses a variety of topics and styles in the manner of Mozart's opera buffa, and creates a sonata-concerto form that is simultaneously traditional yet ambiguous in its delineations. The myriad of styles, alterations of form, and tonal language present difficulties in analyzing and conceptualizing the work using only one current theory of analysis. Thus, in this document, I will present a two-point theoretical analysis of the concerto using Hepokoski and Darcy's Sonata Theory and aspects of Topic Theory to show how the piece builds from traditions of form and style. Then, I will present the incongruities of styles, topics, and form to elucidate multiple interpretations through the perspective of humor, irony, satire, and parody. This document synthesizes current theoretical knowledge to present individual, research-based, interpretative options for performers of the work.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798380588966Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

Shostakovich, DmitriIndex Terms--Genre/Form:

554714
Electronic books.

Tracing the Traditions and Incongruities : = A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35.
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520 $a Dmitri Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35 (1933) is a brilliant, lively work written during a politically unstable and increasingly repressive time in Russia. Shostakovich quotes Haydn and Beethoven, uses a variety of topics and styles in the manner of Mozart's opera buffa, and creates a sonata-concerto form that is simultaneously traditional yet ambiguous in its delineations. The myriad of styles, alterations of form, and tonal language present difficulties in analyzing and conceptualizing the work using only one current theory of analysis. Thus, in this document, I will present a two-point theoretical analysis of the concerto using Hepokoski and Darcy's Sonata Theory and aspects of Topic Theory to show how the piece builds from traditions of form and style. Then, I will present the incongruities of styles, topics, and form to elucidate multiple interpretations through the perspective of humor, irony, satire, and parody. This document synthesizes current theoretical knowledge to present individual, research-based, interpretative options for performers of the work.
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