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Contemplating a Brahms Intermezzo : = Toward a Comprehensive Analytical Method for the Explication and Interpretation of "Prescriptive Musical Structures". (Author's Original Composition), "Three Rossetti Songs for Soprano and Chamber Orchestra" Is Not a Part of the Film Copy.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Contemplating a Brahms Intermezzo :/
其他題名:	Toward a Comprehensive Analytical Method for the Explication and Interpretation of "Prescriptive Musical Structures". (Author's Original Composition), "Three Rossetti Songs for Soprano and Chamber Orchestra" Is Not a Part of the Film Copy.
作者:	Pelusi, Mario Joseph.
面頁冊數:	1 online resource (149 pages)
附註:	Source: Dissertations Abstracts International, Volume: 43-07, Section: A.
Contained By:	Dissertations Abstracts International43-07A.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9798661695871

Contemplating a Brahms Intermezzo : = Toward a Comprehensive Analytical Method for the Explication and Interpretation of "Prescriptive Musical Structures". (Author's Original Composition), "Three Rossetti Songs for Soprano and Chamber Orchestra" Is Not a Part of the Film Copy.
Pelusi, Mario Joseph.

Contemplating a Brahms Intermezzo :Toward a Comprehensive Analytical Method for the Explication and Interpretation of "Prescriptive Musical Structures". (Author's Original Composition), "Three Rossetti Songs for Soprano and Chamber Orchestra" Is Not a Part of the Film Copy. - 1 online resource (149 pages)

Source: Dissertations Abstracts International, Volume: 43-07, Section: A.

Thesis (Ph.D.)--Princeton University, 1982.

Includes bibliographical references

In this essay, the author presents and explains his method for analyzing tonal music, entitled A Comprehensive Analytical Method (henceforth referred to as {CAM}). {CAM}, unlike existing methods for musical analysis, does not confine its scope of investigation to a single musical event; rather, it places emphasis on all events in a work of music. In addition to explaining {CAM}, the author develops the thesis that tonal compositions are generated from "prescriptive" musical gestures, which contain compositionally suggestive source materials, and which the author terms "Structural Prescripts." The single musical composition to which the author refers, duringthe explication of {CAM}, is Johannes Brahms's Intermezzo Op. 76,No. 7. All of the musical events in the Structural Prescript for thiswork are examined thoroughly. From these events, the author hasselected harmonic vocabulary and syntax as the subjects for extensive analysis in the final step of {CAM}. *This essay and the composition, Three Rossetti Songs for Soprano and Chamber Orchestra, together constitute the dissertation but are otherwise unrelated. {Only the essay portion has been filmed. The author's original composition is available for consultation at Princeton University Library}. UMI.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798661695871Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Contemplating a Brahms Intermezzo : = Toward a Comprehensive Analytical Method for the Explication and Interpretation of "Prescriptive Musical Structures". (Author's Original Composition), "Three Rossetti Songs for Soprano and Chamber Orchestra" Is Not a Part of the Film Copy.
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500 $a Source: Dissertations Abstracts International, Volume: 43-07, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
502 $a Thesis (Ph.D.)--Princeton University, 1982.
504 $a Includes bibliographical references
520 $a In this essay, the author presents and explains his method for analyzing tonal music, entitled A Comprehensive Analytical Method (henceforth referred to as {CAM}). {CAM}, unlike existing methods for musical analysis, does not confine its scope of investigation to a single musical event; rather, it places emphasis on all events in a work of music. In addition to explaining {CAM}, the author develops the thesis that tonal compositions are generated from "prescriptive" musical gestures, which contain compositionally suggestive source materials, and which the author terms "Structural Prescripts." The single musical composition to which the author refers, duringthe explication of {CAM}, is Johannes Brahms's Intermezzo Op. 76,No. 7. All of the musical events in the Structural Prescript for thiswork are examined thoroughly. From these events, the author hasselected harmonic vocabulary and syntax as the subjects for extensive analysis in the final step of {CAM}. *This essay and the composition, Three Rossetti Songs for Soprano and Chamber Orchestra, together constitute the dissertation but are otherwise unrelated. {Only the essay portion has been filmed. The author's original composition is available for consultation at Princeton University Library}. UMI.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
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