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Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Music Analysis and Psychoanalysis :/
其他題名:	Applying Freudian Primary Processes to Music Analysis.
作者:	Switzer, Andrew.
面頁冊數:	1 online resource (131 pages)
附註:	Source: Masters Abstracts International, Volume: 51-05.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9780494925522

Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
Switzer, Andrew.

Music Analysis and Psychoanalysis :Applying Freudian Primary Processes to Music Analysis. - 1 online resource (131 pages)

Source: Masters Abstracts International, Volume: 51-05.

Thesis (M.A.)--University of Alberta (Canada), 2013.

Includes bibliographical references

This thesis is an exploration of aspects of Sigmund Freud's (1856--1939) theories of psychoanalysis as analytical strategies for understanding works by Franz Liszt (1811--1886) and Clara Schumann (1819--1896). My analysis of Liszt's "Transcendental Etude No. 10" S.139 employs Freud's primary processes of condensation, displacement, and transformation to reveal a through-composed structure and a narrative trajectory that is contrasted with an alternative view of the Etude as a hybrid sonata form. Freud's concept of repression and in particular the correspondence between affect and idea is my focal point for analyzing Clara Schumann's "Ich Stand in Dunklen Traumen" Op. 13 and its original version "Ihr Bildnis", Unpublished. Exploration of repressive strategies in the interaction of voice and accompaniment in both versions orient the analytical discourse towards articulation of hidden affective changes as expressed through absences and omissions in the musical structure.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780494925522Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
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245 1 0 $a Music Analysis and Psychoanalysis : $b Applying Freudian Primary Processes to Music Analysis.
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500 $a Source: Masters Abstracts International, Volume: 51-05.
500 $a Adviser: Maryam Moshaver.
502 $a Thesis (M.A.)--University of Alberta (Canada), 2013.
504 $a Includes bibliographical references
520 $a This thesis is an exploration of aspects of Sigmund Freud's (1856--1939) theories of psychoanalysis as analytical strategies for understanding works by Franz Liszt (1811--1886) and Clara Schumann (1819--1896). My analysis of Liszt's "Transcendental Etude No. 10" S.139 employs Freud's primary processes of condensation, displacement, and transformation to reveal a through-composed structure and a narrative trajectory that is contrasted with an alternative view of the Etude as a hybrid sonata form. Freud's concept of repression and in particular the correspondence between affect and idea is my focal point for analyzing Clara Schumann's "Ich Stand in Dunklen Traumen" Op. 13 and its original version "Ihr Bildnis", Unpublished. Exploration of repressive strategies in the interaction of voice and accompaniment in both versions orient the analytical discourse towards articulation of hidden affective changes as expressed through absences and omissions in the musical structure.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
650 4 $a Psychology. $3 555998
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
690 $a 0621
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of Alberta (Canada). $3 845604
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR92552 $z click for full text (PQDT)