國立虎尾科技大學 |

"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	"In all the Factious Humours You Have Bred" :/
Reminder of title:	Music as Political Propaganda in Seventeenth-Century England.
Author:	Mann, Joseph Arthur.
Description:	1 online resource (378 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9781369824285

"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.
Mann, Joseph Arthur.

"In all the Factious Humours You Have Bred" :Music as Political Propaganda in Seventeenth-Century England. - 1 online resource (378 pages)

Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.

Thesis (Ph.D.)--The Catholic University of America, 2017.

Includes bibliographical references

Music is one of the core elements of human culture. As ubiquitous as language and as fundamentally important, music is not neatly partitioned into one corner of the cultural framework of a society. It is impossible to fully understand a historical period and culture without understanding how music functioned and what music meant to the adherents of that culture. England in the seventeenth century is no exception, and the centrality of seventeenth century English culture in shaping the modern world makes understanding the ideas and historical events of the period important not only for our understanding of that time, but also for our understanding of our own time.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369824285Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.
LDR:03564ntm a2200373K 4500 001 913037
005 20180614071646.5
006 m o u
007 cr mn||||a|a||
008 190606s2017 xx obm 000 0 eng d
020 $a 9781369824285
035 $a (MiAaPQ)AAI10272914
035 $a (MiAaPQ)cua:10807
035 $a AAI10272914
040 $a MiAaPQ $b eng $c MiAaPQ
100 1 $a Mann, Joseph Arthur. $3 1185677
245 1 0 $a "In all the Factious Humours You Have Bred" : $b Music as Political Propaganda in Seventeenth-Century England.
264 0 $c 2017
300 $a 1 online resource (378 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.
500 $a Adviser: Andrew H. Weaver.
502 $a Thesis (Ph.D.)--The Catholic University of America, 2017.
504 $a Includes bibliographical references
520 $a Music is one of the core elements of human culture. As ubiquitous as language and as fundamentally important, music is not neatly partitioned into one corner of the cultural framework of a society. It is impossible to fully understand a historical period and culture without understanding how music functioned and what music meant to the adherents of that culture. England in the seventeenth century is no exception, and the centrality of seventeenth century English culture in shaping the modern world makes understanding the ideas and historical events of the period important not only for our understanding of that time, but also for our understanding of our own time.
520 $a Though many works have documented musical culture over the course of the seventeenth century in England, scholars have yet to consider broadly how music influenced the political climate of the century. Therefore, this dissertation gathers all extant printed sources from early modern England that include, relate to, or discuss music and analyzes them for propagandistic content. In doing so, it proves that music functioned as political propaganda consistently throughout the seventeenth century in England to advance numerous political causes for diverse political groups. Musicians defended their profession and reputations with it. Parliamentarians attacked the Church of England and Royalists with it. Supporters of the Commonwealth used it to defend and establish a Puritan orthodoxy, while Royalists used it to maintain their cultural identity. Music served as public-image propaganda for the Restoration monarchies, and the Church of England used music to market their denomination to a post-Toleration Act marketplace of religious consumers who were no longer legally required to be members of the Anglican congregation.
520 $a By exposing the intimate and consistent connections between music and political activity across the seventeenth century in England, this work offers new insights into the meaning and function of music in early modern England. Music could serve devotion and praise, it could entertain and provide solace, but it could also be used to manipulate readers and listeners, a fact that this dissertation proves was well known and consistently utilized by propagandists in early modern England.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
650 4 $a British & Irish literature. $3 1148425
650 4 $a Political science. $3 558774
650 4 $a European history. $2 bicssc $3 934485
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
690 $a 0593
690 $a 0615
690 $a 0335
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a The Catholic University of America. $b Musicology. $3 1185678
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10272914 $z click for full text (PQDT)