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Localness and Indigeneity in Hawaiian Reggae.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Localness and Indigeneity in Hawaiian Reggae./
作者:	Kale, Sunaina Keonaona.
面頁冊數:	1 online resource (77 pages)
附註:	Source: Masters Abstracts International, Volume: 57-01.
Contained By:	Masters Abstracts International57-01(E).
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9780355429794

Localness and Indigeneity in Hawaiian Reggae.
Kale, Sunaina Keonaona.

Localness and Indigeneity in Hawaiian Reggae. - 1 online resource (77 pages)

Source: Masters Abstracts International, Volume: 57-01.

Thesis (M.A.)--University of California, Santa Barbara, 2017.

Includes bibliographical references

The musical genre of Hawaiian reggae is typically considered a combination of reggae and Hawaiian music, and has been popular in Hawai'i since the 1980s. Also known as Jawaiian or island music, this genre involves the ever-shifting identity and cultural categories of localness and Hawaiianness. Localness in Hawaiian reggae involves rootedness in and affective connection to place, multicultural inclusion and equalization, and opposition to an "outside" or the global. Musicians and listeners of Hawaiian reggae will reference these characteristics in the music directly or when speaking about it. Localness in Hawaiian reggae also involves the cooption of Hawaiianness. Localness as a general category becomes legitimately connected to Hawaiian land through coopting Hawaiian indigeneity. In Hawaiian reggae, cooption occurs when musicians incorporate elements that sound Hawaiian in order to make the music sound more local. Listeners of the music also recognize sounding Hawaiian as serving this function. Although cooption and other settler colonial processes that legitimize localness make it highly problematic, it is the reality of many people. For this reason, I suggest that localness expresses a different connection to the land than that of indigenous Hawaiians. It is at once legitimate and highly problematic.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355429794Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Localness and Indigeneity in Hawaiian Reggae.
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500 $a Source: Masters Abstracts International, Volume: 57-01.
500 $a Adviser: David Novak.
502 $a Thesis (M.A.)--University of California, Santa Barbara, 2017.
504 $a Includes bibliographical references
520 $a The musical genre of Hawaiian reggae is typically considered a combination of reggae and Hawaiian music, and has been popular in Hawai'i since the 1980s. Also known as Jawaiian or island music, this genre involves the ever-shifting identity and cultural categories of localness and Hawaiianness. Localness in Hawaiian reggae involves rootedness in and affective connection to place, multicultural inclusion and equalization, and opposition to an "outside" or the global. Musicians and listeners of Hawaiian reggae will reference these characteristics in the music directly or when speaking about it. Localness in Hawaiian reggae also involves the cooption of Hawaiianness. Localness as a general category becomes legitimately connected to Hawaiian land through coopting Hawaiian indigeneity. In Hawaiian reggae, cooption occurs when musicians incorporate elements that sound Hawaiian in order to make the music sound more local. Listeners of the music also recognize sounding Hawaiian as serving this function. Although cooption and other settler colonial processes that legitimize localness make it highly problematic, it is the reality of many people. For this reason, I suggest that localness expresses a different connection to the land than that of indigenous Hawaiians. It is at once legitimate and highly problematic.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
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