語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Proceedings of the Worldwide Music C...
~
SpringerLink (Online service)
Proceedings of the Worldwide Music Conference 2021 = Volume 1 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Proceedings of the Worldwide Music Conference 2021/ edited by Ildar D. Khannanov, Roman Ruditsa.
其他題名:
Volume 1 /
其他作者:
Ruditsa, Roman.
面頁冊數:
VIII, 175 p. 50 illus., 14 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Mathematics in Music. -
電子資源:
https://doi.org/10.1007/978-3-030-74039-9
ISBN:
9783030740399
Proceedings of the Worldwide Music Conference 2021 = Volume 1 /
Proceedings of the Worldwide Music Conference 2021
Volume 1 /[electronic resource] :edited by Ildar D. Khannanov, Roman Ruditsa. - 1st ed. 2021. - VIII, 175 p. 50 illus., 14 illus. in color.online resource. - Current Research in Systematic Musicology,82196-6974 ;. - Current Research in Systematic Musicology,5.
This book presents sixteen chapters in Volume 1. This Volume I of the Proceedings of the Worldwide Music Conference 2021 offers a smorgasbord of scientific approaches to music. The congress is one of a kind; it is dedicated not to a specific field but to the interdisciplinary developments and the interaction with the representatives from actual scientific disciplines. The languages of mathematics, computer science, semiotics, palaeography, and medicine are in the mix; geography of the studies is also impressive—Greece, Mexico, China, Russia, India, Poland, and USA, to name just a few. The purpose of such juxtaposition is to see how the terminology, categorical apparatus, and interpretations of music vary from science to science and how this can enrich the terminology of music theory. They cover a wide range of topics that the editors divided into four subfields: music in interdisciplinary contexts, music and current technology, musical instruments and voice, and music pedagogy and medicine. The opening section of the Proceedings is thus dedicated to the idea of interdisciplinarity, relationship of creator of theory of harmony Rameau to sciences of his time, the idea of number in music, co-creation, and the category of musical network. Three more chapters here deal with Russian palaeography, Indian musical genre, and the idea of musical semiotics. It is a kind of opening statement from music theorists. Part two, music and current technology, united three chapters, on “zero gravity” concept in modern music, discussion of scales as mathematical networks, and the innovation in digital music making, transforming it from stationary to mobile applications. The third part, musical instruments and voice, is of special interest because it is in the study of the instruments, the design, acoustic characteristics, and tuning, and sciences have cooperated with music theory for centuries. In addition to instruments, one chapter here is dedicated to voice. The last part, musical pedagogy and medicine, takes the reader even further into the interdisciplinary domain. The Proceedings is written in standard English language, prepared for the pleasure of reading of wide circles of professionals in different fields. The purpose of the editors is to bring this rather diverse set of texts into the context of a fruitful dialogue.
ISBN: 9783030740399
Standard No.: 10.1007/978-3-030-74039-9doiSubjects--Topical Terms:
885668
Mathematics in Music.
LC Class. No.: M1-960
Dewey Class. No.: 780
Proceedings of the Worldwide Music Conference 2021 = Volume 1 /
LDR
:03775nam a22003855i 4500
001
1051121
003
DE-He213
005
20210909073512.0
007
cr nn 008mamaa
008
220103s2021 sz | s |||| 0|eng d
020
$a
9783030740399
$9
978-3-030-74039-9
024
7
$a
10.1007/978-3-030-74039-9
$2
doi
035
$a
978-3-030-74039-9
050
4
$a
M1-960
072
7
$a
AV
$2
bicssc
072
7
$a
MUS000000
$2
bisacsh
072
7
$a
AV
$2
thema
082
0 4
$a
780
$2
23
245
1 0
$a
Proceedings of the Worldwide Music Conference 2021
$h
[electronic resource] :
$b
Volume 1 /
$c
edited by Ildar D. Khannanov, Roman Ruditsa.
250
$a
1st ed. 2021.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Springer,
$c
2021.
300
$a
VIII, 175 p. 50 illus., 14 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Current Research in Systematic Musicology,
$x
2196-6974 ;
$v
8
520
$a
This book presents sixteen chapters in Volume 1. This Volume I of the Proceedings of the Worldwide Music Conference 2021 offers a smorgasbord of scientific approaches to music. The congress is one of a kind; it is dedicated not to a specific field but to the interdisciplinary developments and the interaction with the representatives from actual scientific disciplines. The languages of mathematics, computer science, semiotics, palaeography, and medicine are in the mix; geography of the studies is also impressive—Greece, Mexico, China, Russia, India, Poland, and USA, to name just a few. The purpose of such juxtaposition is to see how the terminology, categorical apparatus, and interpretations of music vary from science to science and how this can enrich the terminology of music theory. They cover a wide range of topics that the editors divided into four subfields: music in interdisciplinary contexts, music and current technology, musical instruments and voice, and music pedagogy and medicine. The opening section of the Proceedings is thus dedicated to the idea of interdisciplinarity, relationship of creator of theory of harmony Rameau to sciences of his time, the idea of number in music, co-creation, and the category of musical network. Three more chapters here deal with Russian palaeography, Indian musical genre, and the idea of musical semiotics. It is a kind of opening statement from music theorists. Part two, music and current technology, united three chapters, on “zero gravity” concept in modern music, discussion of scales as mathematical networks, and the innovation in digital music making, transforming it from stationary to mobile applications. The third part, musical instruments and voice, is of special interest because it is in the study of the instruments, the design, acoustic characteristics, and tuning, and sciences have cooperated with music theory for centuries. In addition to instruments, one chapter here is dedicated to voice. The last part, musical pedagogy and medicine, takes the reader even further into the interdisciplinary domain. The Proceedings is written in standard English language, prepared for the pleasure of reading of wide circles of professionals in different fields. The purpose of the editors is to bring this rather diverse set of texts into the context of a fruitful dialogue.
650
2 4
$a
Mathematics in Music.
$3
885668
650
2 4
$a
Engineering Acoustics.
$3
785331
650
0
$a
Mathematics.
$3
527692
650
0
$a
Acoustical engineering.
$3
563185
650
0
$a
Music.
$3
649088
700
1
$a
Ruditsa, Roman.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1352367
700
1
$a
Khannanov, Ildar D.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1352366
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030740382
776
0 8
$i
Printed edition:
$z
9783030740405
830
0
$a
Current Research in Systematic Musicology,
$x
2196-6966 ;
$v
5
$3
1300342
856
4 0
$u
https://doi.org/10.1007/978-3-030-74039-9
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入