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"Sonata for Solo Violoncello" by George Crumb : = A performance history.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	"Sonata for Solo Violoncello" by George Crumb :/
其他題名:	A performance history.
作者:	Mehm, Claire.
面頁冊數:	1 online resource (42 pages)
附註:	Source: Masters Abstracts International, Volume: 73-05.
Contained By:	Masters Abstracts International73-05.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9781124550114

"Sonata for Solo Violoncello" by George Crumb : = A performance history.
Mehm, Claire.

"Sonata for Solo Violoncello" by George Crumb :A performance history. - 1 online resource (42 pages)

Source: Masters Abstracts International, Volume: 73-05.

Thesis (M.M.)--California State University, Long Beach, 2010.

Includes bibliographical references

The American composer George Crumb wrote his Sonata for Solo Violoncello while studying in Germany in 1955. He dedicated the piece to his mother. Compared with his later works, this piece employs limited timbral effects. Notable performers of this work include Yo-Yo Ma, Evelyn Elsing, Gordon Epperson, Suren Bagratuni, Colin Carr, and Matt Haimovitz. Their performances and recordings have generated numerous reviews in newspapers such as The New York Times and The Washington Post. Many of these evaluate not only the overall quality of the performance, but also the performer's handling of technical issues. This paper will investigate various performances and recordings to determine whether there is an ideal manner of performing the sonata. There may also be more than one acceptable method of interpreting the piece and, if this is so, each of those performance methods will be explored.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9781124550114Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

"Sonata for Solo Violoncello" by George Crumb : = A performance history.
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520 $a The American composer George Crumb wrote his Sonata for Solo Violoncello while studying in Germany in 1955. He dedicated the piece to his mother. Compared with his later works, this piece employs limited timbral effects. Notable performers of this work include Yo-Yo Ma, Evelyn Elsing, Gordon Epperson, Suren Bagratuni, Colin Carr, and Matt Haimovitz. Their performances and recordings have generated numerous reviews in newspapers such as The New York Times and The Washington Post. Many of these evaluate not only the overall quality of the performance, but also the performer's handling of technical issues. This paper will investigate various performances and recordings to determine whether there is an ideal manner of performing the sonata. There may also be more than one acceptable method of interpreting the piece and, if this is so, each of those performance methods will be explored.
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