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Wagner domesticated, Wagner democrat...

California State University, Long Beach.

Wagner domesticated, Wagner democratized : = The parlor reception of Musikdrama.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Wagner domesticated, Wagner democratized :/
其他題名:	The parlor reception of Musikdrama.
作者:	Blackmar, Matthew D.
面頁冊數:	1 online resource (176 pages)
附註:	Source: Masters Abstracts International, Volume: 51-03.
Contained By:	Masters Abstracts International51-03(E).
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9781267702524

Wagner domesticated, Wagner democratized : = The parlor reception of Musikdrama.
Blackmar, Matthew D.

Wagner domesticated, Wagner democratized :The parlor reception of Musikdrama. - 1 online resource (176 pages)

Source: Masters Abstracts International, Volume: 51-03.

Thesis (M.A.)--California State University, Long Beach, 2012.

Includes bibliographical references

This thesis examines the reception of Wagner's music dramas through the prism of musical reworkings by arrangers and transcribers during the latter half of the nineteenth century. Published in myriad types of sheet music, these pieces were consumed by a wide range of European and North American audiences---a much larger public than his operas saw on stage. This study contextualizes sheet music arrangements in an effort to shed light on the experiences of domestic Wagner audiences, articulating a history of "domestic reception" distinct from traditional Wagner reception scholarship.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781267702524Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Wagner domesticated, Wagner democratized : = The parlor reception of Musikdrama.
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020 $a 9781267702524
035 $a (MiAaPQ)AAI1520855
035 $a AAI1520855
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100 1 $a Blackmar, Matthew D. $3 1195378
245 1 0 $a Wagner domesticated, Wagner democratized : $b The parlor reception of Musikdrama.
264 0 $c 2012
300 $a 1 online resource (176 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 51-03.
500 $a Adviser: Roger C. Hickman.
502 $a Thesis (M.A.)--California State University, Long Beach, 2012.
504 $a Includes bibliographical references
520 $a This thesis examines the reception of Wagner's music dramas through the prism of musical reworkings by arrangers and transcribers during the latter half of the nineteenth century. Published in myriad types of sheet music, these pieces were consumed by a wide range of European and North American audiences---a much larger public than his operas saw on stage. This study contextualizes sheet music arrangements in an effort to shed light on the experiences of domestic Wagner audiences, articulating a history of "domestic reception" distinct from traditional Wagner reception scholarship.
520 $a By recasting Wagner's music in forms suited for new performance contexts, arrangements subverted the composer's agenda of opera reform, opened access to Wagner's music, and permitted excerpts of his dramas to acquire new meanings and modes of listening independent of dramatic context. Through the process of consumption, Wagner's music was thus domesticated and democratized.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
650 4 $a European history. $2 bicssc $3 934485
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
690 $a 0335
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a California State University, Long Beach. $3 1184465
773 0 $t Masters Abstracts International $g 51-03(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1520855 $z click for full text (PQDT)

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