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Wagner domesticated, Wagner democrat...
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California State University, Long Beach.
Wagner domesticated, Wagner democratized : = The parlor reception of Musikdrama.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Wagner domesticated, Wagner democratized :/
Reminder of title:
The parlor reception of Musikdrama.
Author:
Blackmar, Matthew D.
Description:
1 online resource (176 pages)
Notes:
Source: Masters Abstracts International, Volume: 51-03.
Contained By:
Masters Abstracts International51-03(E).
Subject:
Music. -
Online resource:
click for full text (PQDT)
ISBN:
9781267702524
Wagner domesticated, Wagner democratized : = The parlor reception of Musikdrama.
Blackmar, Matthew D.
Wagner domesticated, Wagner democratized :
The parlor reception of Musikdrama. - 1 online resource (176 pages)
Source: Masters Abstracts International, Volume: 51-03.
Thesis (M.A.)--California State University, Long Beach, 2012.
Includes bibliographical references
This thesis examines the reception of Wagner's music dramas through the prism of musical reworkings by arrangers and transcribers during the latter half of the nineteenth century. Published in myriad types of sheet music, these pieces were consumed by a wide range of European and North American audiences---a much larger public than his operas saw on stage. This study contextualizes sheet music arrangements in an effort to shed light on the experiences of domestic Wagner audiences, articulating a history of "domestic reception" distinct from traditional Wagner reception scholarship.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9781267702524Subjects--Topical Terms:
649088
Music.
Index Terms--Genre/Form:
554714
Electronic books.
Wagner domesticated, Wagner democratized : = The parlor reception of Musikdrama.
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Wagner domesticated, Wagner democratized :
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The parlor reception of Musikdrama.
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1 online resource (176 pages)
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Source: Masters Abstracts International, Volume: 51-03.
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Adviser: Roger C. Hickman.
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Thesis (M.A.)--California State University, Long Beach, 2012.
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Includes bibliographical references
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This thesis examines the reception of Wagner's music dramas through the prism of musical reworkings by arrangers and transcribers during the latter half of the nineteenth century. Published in myriad types of sheet music, these pieces were consumed by a wide range of European and North American audiences---a much larger public than his operas saw on stage. This study contextualizes sheet music arrangements in an effort to shed light on the experiences of domestic Wagner audiences, articulating a history of "domestic reception" distinct from traditional Wagner reception scholarship.
520
$a
By recasting Wagner's music in forms suited for new performance contexts, arrangements subverted the composer's agenda of opera reform, opened access to Wagner's music, and permitted excerpts of his dramas to acquire new meanings and modes of listening independent of dramatic context. Through the process of consumption, Wagner's music was thus domesticated and democratized.
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Electronic reproduction.
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Ann Arbor, Mich. :
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ProQuest,
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2018
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Mode of access: World Wide Web
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Music.
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649088
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European history.
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ProQuest Information and Learning Co.
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California State University, Long Beach.
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Masters Abstracts International
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51-03(E).
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1520855
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click for full text (PQDT)
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