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Franz Liszt and his "Trois odes funebres" : = A philosophy of music, art, and literature.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Franz Liszt and his "Trois odes funebres" :/
Reminder of title:	A philosophy of music, art, and literature.
Author:	Hund-King, Jennifer L.
Description:	1 online resource (95 pages)
Notes:	Source: Masters Abstracts International, Volume: 60-10.
Contained By:	Masters Abstracts International60-10.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9780599136748

Franz Liszt and his "Trois odes funebres" : = A philosophy of music, art, and literature.
Hund-King, Jennifer L.

Franz Liszt and his "Trois odes funebres" :A philosophy of music, art, and literature. - 1 online resource (95 pages)

Source: Masters Abstracts International, Volume: 60-10.

Thesis (M.M.)--The Florida State University, 1998.

Includes bibliographical references

This thesis provides a critical analysis of Franz Liszt's Trois odes funebres in light of the composer's philosophy of programmatic music. Liszt utilized Lamennais's poem in the score of Les morts and composed music that embodied the preacher persona and reflected a movement from fear to confidence by means of shifting musical elements. In La notte Liszt employed the thinker persona of his piano solo, Il penseroso. By utilizing a quotation from Virgil's Aeneid with a Magyar cadence, Liszt created a fictitious past for himself, thus identifying his fictitious self as the persona. Liszt attached a passage from Serassi's biography of Torquato Tasso to the third ode, Le Triomphe funebre du Tasse. Liszt disregarded the traditional roles of functional tonality to prolong the listener's realization that tonic is not what one first thinks it is, an experience much like those realizing Tasso's greatness only after his death.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9780599136748Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

HungaryIndex Terms--Genre/Form:

554714
Electronic books.

Franz Liszt and his "Trois odes funebres" : = A philosophy of music, art, and literature.
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502 $a Thesis (M.M.)--The Florida State University, 1998.
504 $a Includes bibliographical references
520 $a This thesis provides a critical analysis of Franz Liszt's Trois odes funebres in light of the composer's philosophy of programmatic music. Liszt utilized Lamennais's poem in the score of Les morts and composed music that embodied the preacher persona and reflected a movement from fear to confidence by means of shifting musical elements. In La notte Liszt employed the thinker persona of his piano solo, Il penseroso. By utilizing a quotation from Virgil's Aeneid with a Magyar cadence, Liszt created a fictitious past for himself, thus identifying his fictitious self as the persona. Liszt attached a passage from Serassi's biography of Torquato Tasso to the third ode, Le Triomphe funebre du Tasse. Liszt disregarded the traditional roles of functional tonality to prolong the listener's realization that tonic is not what one first thinks it is, an experience much like those realizing Tasso's greatness only after his death.
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650 4 $a Philosophy. $3 559771
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