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I. Essay : = Transformation and Transfiguration in Gerard Grisey's "Four Songs for Crossing the Threshold" II. Musical Composition : "Everyone Became a Trail" - Song Cycle in Five Movements for Soprano and Chamber Ensemble.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	I. Essay :/
Reminder of title:	Transformation and Transfiguration in Gerard Grisey's "Four Songs for Crossing the Threshold" II. Musical Composition : "Everyone Became a Trail" - Song Cycle in Five Movements for Soprano and Chamber Ensemble.
Author:	Shatil, Assaf.
Description:	1 online resource (67 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 83-10, Section: A.
Contained By:	Dissertations Abstracts International83-10A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9798426810532

I. Essay : = Transformation and Transfiguration in Gerard Grisey's "Four Songs for Crossing the Threshold" II. Musical Composition : "Everyone Became a Trail" - Song Cycle in Five Movements for Soprano and Chamber Ensemble.
Shatil, Assaf.

I. Essay :Transformation and Transfiguration in Gerard Grisey's "Four Songs for Crossing the Threshold" II. Musical Composition : "Everyone Became a Trail" - Song Cycle in Five Movements for Soprano and Chamber Ensemble. - 1 online resource (67 pages)

Source: Dissertations Abstracts International, Volume: 83-10, Section: A.

Thesis (D.M.A.)--University of California, Santa Cruz, 2022.

Includes bibliographical references

My dissertation consists of two parts: 1. an essay presenting an analysis of Gerard Grisey's seminal work Four Chants for Crossing the Threshold (1999) for soprano and ensemble, in regards to concepts of transformation and transfiguration, and 2. a musical composition entitled "Everyone became a Trail" - a five movement song cycle with original texts for soprano and chamber ensemble.Grisey's Chants is an outstanding masterpiece that conceptually explores aspects of 'crossing the threshold' by combining poetry about death with formal approaches that strategically explore the temporal structuring of musical processes. The content and structure of the texts become a propelling source for the formalization of the musical material. In each movement Grisey presents unique musical systems that evolve through methods of transformation that inevitably lead to significant formal points of transfiguration. By globally focusing on this evolution from transformation to transfiguration Grisey presents a musical work as a metaphor for the transition between life and death. It is an experience of how time affects the evolution and decay of musical systems. Each movement in the work presents a distinct method to formalize temporal procedures that gradually transform towards a climactic point of transfiguration which inevitably leads to its concluding decay.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798426810532Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

Music analysisIndex Terms--Genre/Form:

554714
Electronic books.

I. Essay : = Transformation and Transfiguration in Gerard Grisey's "Four Songs for Crossing the Threshold" II. Musical Composition : "Everyone Became a Trail" - Song Cycle in Five Movements for Soprano and Chamber Ensemble.
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520 $a My dissertation consists of two parts: 1. an essay presenting an analysis of Gerard Grisey's seminal work Four Chants for Crossing the Threshold (1999) for soprano and ensemble, in regards to concepts of transformation and transfiguration, and 2. a musical composition entitled "Everyone became a Trail" - a five movement song cycle with original texts for soprano and chamber ensemble.Grisey's Chants is an outstanding masterpiece that conceptually explores aspects of 'crossing the threshold' by combining poetry about death with formal approaches that strategically explore the temporal structuring of musical processes. The content and structure of the texts become a propelling source for the formalization of the musical material. In each movement Grisey presents unique musical systems that evolve through methods of transformation that inevitably lead to significant formal points of transfiguration. By globally focusing on this evolution from transformation to transfiguration Grisey presents a musical work as a metaphor for the transition between life and death. It is an experience of how time affects the evolution and decay of musical systems. Each movement in the work presents a distinct method to formalize temporal procedures that gradually transform towards a climactic point of transfiguration which inevitably leads to its concluding decay.
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