Music.
Overview
| Works: | 709 works in 127 publications in 127 languages | |
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Titles
Neurocognitive music therapy = intersecting music, medicine and technology for health and well-being /
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Moving between cultures through arts-based inquiry = re-membering identity /
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音樂影像作品《 Bestie》創作論述 = = Discussion On The Creation of Musical Image Works "Bestie" /
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A philosophy of ambient sound = materiality, technology, art and the sonic environment /
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Computer assisted music and dramatics = possibilities and challenges /
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Music Representation and Transformation in Software = Structure and Algorithms in Python /
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Theorizing Music Videos of the Late 2010s = A Prosumer’s Study of a Medium /
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Global Dance Cultures in the 1970s and 1980s = Disco Heterotopias /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 2: Samba, Mambo, Bossa & Co. (1945–1975) /
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Sound Practices in the Global South = Co-listening to Resounding Plurilogues /
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Die Musik der imaginären Türkei = Musik und Musikleben im Kontext der Migration aus der Türkei in Deutschland /
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Music Therapy with Autistic Children in Aotearoa, New Zealand = Haumanu ā-Puoro mā ngā Tamariki Takiwātanga i Aotearoa /
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Kirche, Musik und ästhetische Bildung = Kirchenmusikpädagogik am Beispiel kirchlichen Singens /
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We Piano Teachers and Our Demons = Socio-psychological Obstacles on the Road to Inspired and Secure Performance /
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Handbuch der deutschen Phonetik für Sängerinnen und Sänger = Mit einem umfangreichen Übungsteil und Hörproben /
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Die vertonte Rede = Prinzipien der Liedkomposition Franz Schuberts /
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The Bebop Scene in London's Soho, 1945-1950 = Post-war Britain’s First Youth Subculture /
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Rethinking the Music Business = Music Contexts, Rights, Data, and COVID-19 /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 1: Ragtime, Tango, Rumba & Co. (1855–1945) /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 3: Afrobeat, Salsa, Reggae & Co. (1975-2000) /
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Die multiethnischen Einflüsse Brasiliens im Schaffen des Komponisten Hekel Tavares (1896–1969) = Ausführliche Erläuterungen am Beispiel seines „Concerto para Piano e Orquestra em Formas Brasileiras" op. 105 Nr. 2 /
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Jenseits der Vernunft = Form und Bedeutung in Wagners Musikdramen /
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Multiple Epochisierungen = Literatur und Bildende Kunst 1500–1800 /
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Music Composition in Contexts of Early Childhood = Creation, Communication and Multi-Modal Experiences through Music /
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MUSIC and CAPITALISM = Melody, Harmony and Rhythm in the Modern World /
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Figuren der Resonanz = Das 18. Jahrhundert und seine musikalische Anthropologie /
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Explosions in the Mind = Composing Psychedelic Sounds and Visualisations /
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Cantar es mi mundo - Singen ist meine Welt = Spielräume zur Ermöglichung allgemeiner Bildungserfahrungen im Musikunterricht /
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Geographically Isolated and Peripheral Music Scenes = Global Insights and Perspectives /
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Heavy Metal Music, Texts, and Nationhood = (Re)sounding Whiteness /
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Das verdächtig Populäre in der Musik = Warum wir mögen, wofür wir uns schämen /
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Musik und Fuzzy Logic = Die Dialektik von Idee und Realisierungen im Werkprozess /
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Klang – Ton – Wort: akustische Dimensionen im Schaffen Marcel Beyers
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MUSIC and CAPITALISM = Melody, Harmony and Rhythm in the Modern World /
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Instrumentaler Musikunterricht als Teil allgemeiner Schulbildung = Das Pforzheimer Pädagogium und sein innovatives Schulmodell im ausgehenden 18. Jahrhundert /
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Rooms for the Learned Musician = A 20-Year Retrospective on the Acoustics of Music Education Facilities /
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Jeliya at the Crossroads = Learning African Wisdom through an Embodied Practice /
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Perspectives on Music, Sound and Musicology = Research, Education and Practice /
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Narratives from Beyond the UK Reggae Bassline = The System is Sound /
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Italian Jewish Musicians and Composers under Fascism = Let Our Music Be Played /
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Paul McCartney and His Creative Practice = The Beatles and Beyond /
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Yves Montand in the USSR = Cultural Diplomacy and Mixed Messages /
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Proceedings of the 8th Conference on Sound and Music Technology = Selected Papers from CSMT /
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Doktor Faustus (ver-)stimmen = Kompositionen zu Thomas Manns Roman /
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»Bald sind wir aber Gesang« = Essays zu Oper, Musik und Literatur /
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Fundamentals of Music Processing = Using Python and Jupyter Notebooks /
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Audio Technology, Music, and Media = From Sound Wave to Reproduction /
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Music in the Making of Modern Japan = Essays on Reception, Transformation and Cultural Flows /
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Songs from Sweden = Shaping Pop Culture in a Globalized Music Industry /
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Designing the Music Business = Design Culture, Music Video and Virtual Reality /
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Music and Sound in the Life and Literature of James Joyce = Joyces Noyces /
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Die Neudeutsche Schule – Phänomen und Geschichte = Quellen und Kommentare zu einer zentralen musikästhetischen Kontroverse des 19. Jahrhunderts /
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Audio Drama Modernism = The Missing Link between Descriptive Phonograph Sketches and Microphone Plays on the Radio /
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Entering the Battlefield = Eine ethnographische Annäherung an eine Musikszene /
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Handbuch Funktionale Musik = Psychologie – Technik – Anwendungsgebiete /
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Musikalisches Tempoempfinden in audiovisuellen Medien = Empirische Untersuchung zur intermodalen Wahrnehmung mit präsentativen Forschungsmethoden /
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Handbuch Musik und Medien = Interdisziplinärer Überblick über die Mediengeschichte der Musik /
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Stimmungen weben = Eine unterrichtswissenschaftliche Studie zur Gestaltung von Atmosphären /
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Authenticity and Belonging in the Northern Soul Scene = The Role of History and Identity in a Multigenerational Music Culture /
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Robotic Musicianship = Embodied Artificial Creativity and Mechatronic Musical Expression /
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British Film Music = Musical Traditions in British Cinema, 1930s–1950s /
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Psychoacoustic Music Sound Field Synthesis = Creating Spaciousness for Composition, Performance, Acoustics and Perception /
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Wiederholung als zentrales universelles Gestaltungsmittel der Musik
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Narratives and Reflections in Music Education = Listening to Voices Seldom Heard /
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Popular Music, Technology, and the Changing Media Ecosystem = From Cassettes to Stream /
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What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
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Das Mächtige Häuflein = Nationale Musik des 19. Jahrhunderts in Russland /
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Transnational Flamenco = Exchange and the Individual in British and Spanish Flamenco Culture /
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Proceedings of the 7th Conference on Sound and Music Technology (CSMT) = Revised Selected Papers /
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Entrepreneurial Music Education = Professional Learning in Schools and the Industry /
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Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Concert Halls by Nagata Acoustics = Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /
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Liberation, (De)Coloniality, and Liturgical Practices = Flipping the Song Bird /
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The Future of Music = Towards a Computational Musical Theory of Everything /
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Computational counterpoint worlds = mathematical theory, software, and experiments /
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Fundamentals of music processing = audio, analysis, algorithms, applications /
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Mathematics and computation in music = third international conference, MCM 2011, Paris, France, June 15-17, 2011 : proceedings /
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Sound FX = unlocking the creative potential of recording studio effects /
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Music and conflict transformation = harmonies and dissonances in geopolitics /
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Algorithmic composition = paradigms of automated music generation /
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Mathematics and computation in music = first international conference, MCM 2007 Berlin, Germany, May 18-20, 2007 : revised selected papers /
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Musical creativity = strategies and tools in composition and improvisation /
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Exploring music contents = 7th international symposium, CMMR 2010, Malaga, Spain, June 21-24, 2010 : revised papers /
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Language, music, and computing = first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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Music business and the experience economy = the Australasian case /
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From sounds to music and emotions = 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012 : revised selected papers /
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Arts and technology = second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
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Speech, sound and music processing: Embracing research in India = 8th International Symposium, CMMR 2011, 20th International Symposium, FRSM 2011, Bhubaneswar, India, March 9-12, 2011 : revised selected papers /
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Creative arts in education and culture = perspectives from greater China /
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Flow, gesture, and spaces in free jazz = towards a theory of collaboration /
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Music-inspired harmony search algorithm = theory and applications /
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The Rubato composer music software = component-based implementation of a functorial concept architecture /
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The strange music of social life = a dialogue on dialogic sociology /
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Mathematical and computational modeling of tonality = theory and applications /
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Patterns of intuition = musical creativity in the light of algorithmic composition /
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Listening to China's cultural revolution = music, politics, and cultural continuities /
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Consuming music in the digital age = technologies, roles and everyday life /
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Integrative health through music therapy = accompanying the journey from illness to wellness /
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Sound, symbol, sociality = the aesthetic experience of extreme metal music /
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Globalization, music and cultures of distinction = the rise of pop music criticism in Italy /
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Music, mind, and embodiment = 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015 : revised selected papers /
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Networked music cultures = contemporary approaches,emerging issues /
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Performing China on the London stage = Chinese opera and global power, 1759--2008 /
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Cool math for hot music = a first introduction to mathematics for music theorists /
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Music through Fourier space = discrete Fourier transform in music theory /
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All about music = the complete ontology: realities, semiotics, communication, and embodiment /
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Hugo Chavez, Ali Primera and Venezuela = the politics of music in Latin America /
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Gender, metal and the media = women fans and the gendered experience of music /
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The Palgrave handbook of sound design and music in screen media = integrated soundtracks /
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Popular music in Eastern Europe = breaking the Cold War paradigm /
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The value of popular music = an approach from post-Kantian aesthetics /
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Performing Nashville = music tourism and country music's main street /
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Contemporary film music = investigating cinema narratives and composition /
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Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance.
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Digital connectivity and music culture = artists and accomplices /
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Volume I Affect and Feelings : = The Persuasive Power of Film Music. Volume II Quintet for Piano and String Quartet.
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Not just to win auditions : = Playing orchestral percussion excerpts for pedagogy and enrichment.
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Toward a Decolonial Homiletic : = In Search of a Local Preaching Voice for Trinidad and Tobago.
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Learning to Listen : = Musical Hearing and the Construction of Musicality in the Nineteenth Century.
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Creating an Unbroken Line of Becoming in Live Music Performance.
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Orality, Literacy, and the Learning of Instruments : = Professional Instrumentalists and Their Music in Early Modern Italy.
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Speaking the song, spreading the word, lifting the people: = The reimagination of community through vocal music activism.
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Essays on the Industrial Organization of the Modern Music Industry.
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Cultural Influences upon Soviet-Era Programmatic Piano Music for Children.
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Musical Means in Mussorgsky's "Songs and Dances of Death" : = A Singer's Study Guide.
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The world within the world : = The fusion of Western formal structures with Turkmen Dutar form in Turkmen piano music.
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Artist-fan engagement model : = Implications for music consumption and the music industry.
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Intersectional androgyny in cyberspace : = Gender, commercialization, and vocality in female ryouseiruis' music videos.
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Modernizing our methods : = Incorporating technology in undergraduate applied violin lessons.
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El Sistema USA : = An Exploratory Study of the Pedagogical Approaches in Beginning Violin Classes.
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Piano Performance in Musical Symbolism : = Interpretive Freedom through Understanding Symbolist Aesthetics.
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Violin Curriculum Incorporating Visual, Aural and Kinesthetic Perceptual Learning Modalities.
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George Rochberg's Caprice Variations for Unaccompanied Violin : = A Stylistic Study and Performance Guide.
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To See Music in Your Mind's Eye : = The Genesis of Memorization as a Piano Performance Practice.
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Preparation of the Richard Luby Edition of the Adagio and Fuga from J. S. Bach's Sonata in G Minor for Solo Violin.
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"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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Mister Rogers' Musical Neighborhood : = Fred McFeely Rogers' Contributions to Early Childhood Music Education.
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THE QUINTETS FOR PIANO, OBOE, CLARINET, HORN AND BASSOON BY WOLFGANG AMADEUS MOZART AND LUDWIG VAN BEETHOVEN.
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CONTEMPORANEOUS CRITICISM OF BEETHOVEN : = A CASE STUDY IN MUSICAL AESTHETICS.
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Miroirs d'apres Perlemuter : = A short biography of Vlado Perlemuter with a commentary on his interpretation of Maurice Ravel's "Miroirs".
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A comparative performance study of the wind and string versions of Beethoven's Opus 16.
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The historical influences on the works for violin and orchestra by Ludwig van Beethoven.
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The violin bow : = Its oriental and medieval predecessors, historical development, and famous maker.
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Exploration of modeling strategies in applied piano studios in Korea.
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21st century choral performance practice : = Presenting the mash-up with practical applications.
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Factors affecting the programming of undergraduate piano recital repertoire : = A collective case study.
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Humanistic Vocal Pedagogy : = Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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Conducting, Teaching, Curating : = Re-channelings of a Percussive Education.
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A Comparative Evaluation of Group and Private Piano Instruction on the Musical Achievements of Young Beginners.
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Collective Efficacy Belief, Within-Group Agreement, and Performance Quality Among String Chamber Ensembles : = An Exploratory Study.
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Positionality in the Lives of Elementary General Music Teachers.
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An Exploration of a Beginning Undergraduate Music Student Conducting with Expressivity.
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Johannes Brahms, cello Sonata No. 2, Op. 99 : = A transcription and technical guide for alto saxophone and piano.
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An Annotated Guide to Published Horn Warm-Up Routines, 1940-2015.
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Contemporary strategies for fundamental development : = Utilizing extended techniques to advance foundational trumpet methodology.
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The twenty-first century cellist's bibliography : = A guide to cello research from 2000-2015.
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The effect of attentional focus on singing voice quality : = Towards the interdisciplinary experimental investigation of singing pedagogy.
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Building technical facility in tuba and euphonium players through the tuba-euphonium quartet.
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A pedagogical analysis and performance of selected compositions for piano by Vincent Persichetti.
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Pedagogical transcriptions for teaching two advanced works for cello : = Beethoven's Sonata for Cello and Piano No. 3 in A major, Op. 69 and Haydn's :Cello Concerto No. 1 in C Major, Hob.VIIb.1.
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Andre Jolivet's fusion : = Magical music, conventional lyricism, and Japanese influences network to create "Concerto pour flute et piano" and "Sonate pour flute et piano".
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Case Based Instructional Design for Developing Pedagogical Content Knowledge in Instrumental Music Teacher Education Courses : = Problem Solving in Ensembles.
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A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.
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The Score Study Procedures of Three Collegiate Wind Band Conductors.
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A Physiological Exploration and Pedagogical Integration of Voice and Brass Tuba Physical Methods to Enhance Tone Timbre or "Play Like You Sing".
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Job Satisfaction of Orchestral Musicians : = The Effects of Non-Performance Organizational Roles.
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The Effects of Performance Anxiety on Sight-Singing Achievement.
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The Piccolo in the 21st Century : = History, Construction, and Modern Pedagogical Resources.
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Volume I. Synchretic Analysis and Storyboard Scores : The Musical Rhythm of Filmic Elements; = Volume II. "The Nightingale" : Piece for Orchestra and Narrator, "The Twins" : Score to the Film by Daniela Hoyos, "April" : Score to the Film by Ann Tmangraksat /
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Etudes for the Bassoon : = An Annotated Bibliography and Pedagogical Guide.
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Los Angeles Noisescapes : = Culture and Aesthetics in the Early Twenty-First Century Experimental 'Noise' Scenes.
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A Review of Research on the Meaning of "Support" in Brass Pedagogy.
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Form, Style, and Influence in the Chamber Music of Antonin Dvorak.
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Crossover Trumpet Performance : = Jazz Style and Technique for Classical Trumpeters.
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Finding the Shakespeare in Ambroise Thomas's "Hamlet" : = A Comparison of Plot and Character in the Seventeenth-Century English Play and the Nineteenth-Century French Opera.
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Getting Out of a Jam : = Collective Improvisation in Popular Music.
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The combined influence of music function and preference on cognitive attention : = A cross cultural comparison.
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The effect of implied performer age, implied performer gender, and performance quality level on music majors' evaluations of solo musical performances.
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A study of the correlation between personality temperament and student instrument choice.
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The Effects of Contingent Lullaby Music on Parent-Infant Interaction and Amount of Infant Crying in the First Six Weeks of Life.
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An open-source internet-capable collaborative music production software toolkit.
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College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music.
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Claude Debussy's Melodies by Theodore de Banville : = Understanding Debussy's Musical Reflection.
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The Development and Continued Evolution of the American Style of Oboe Playing.
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Metric Experiments in Benjamin Britten's Vocal Music : = 1943-1945.
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Jazz and Recording in the Digital Age : = Technology, New Media, and Performance in New York and Online.
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A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943).
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Pedals, Functions, and Form-Functional Overlap in the Instrumental Music of the Viennese Classical Style.
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The historical development of the video music industry : = A political economic analysis.
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The Mask of Eleanor : = A chamber opera in the form of a tenso : Music, libretto and staging.
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The significance of the sonata-allegro form in twentieth century music.
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A study of divertimento music, its history, form and usefulness in the instrumental music program.
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Time -consciousness and form in nonlinear music, and, "Flux" for large chamber ensemble.
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Community Engagement Or Community Outreach? A Case Study Of The Tallahassee Community Chorus And Its Unity Concert.
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Music, emotion, and personality typing : = A look into coexisting relationships.
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The emotional reactions of music therapy students to simulated auditory hallucinations and music.
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Multicultural music therapy : = A manual on cultural sensitivity in music therapy practice.
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The role of songs in music therapy with adults who have developmental disabilities.
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Survey results for the current state of censorship in adult psychiatric music therapy sessions.
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Developing metacognitive and self-regulated learning skills through Reflective Writing Prompts.
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Songwriting as inquiry and action : = Emotion, narrative identity, and authenticity in folk music culture.
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Music videos as meaningful entertainment? Psychological responses to audio-visual presentations of song narratives.
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Building categories to guide behavior : = How humans build and use auditory category knowledge throughout the lifespan.
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The Neuroanatomical and Evolutionary Basis of Human Musical Experience.
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The effects and comparisons of receptive live music listening and expressive music making on mood with elderly adults in a congregate residential setting.
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The Integrated Auditory System : = Communication and Cognition through the Lens of Musical Expertise.
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Unity Through Variety : = Exploring the Cyclic Principle in Selected Works for Piano.
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William Bolcom's "Twelve New Etudes" (1988) : = Theoretical and interpretative analysis.
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How undergraduate music schools address music performance anxiety : = A multiple case study.
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The relationship between rap music and the psychological well-being of African American adolescents.
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The performance conversation : = A pragmatic, curricular approach to speaking from the stage.
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Technique and expression in Carl Czerny's teaching : = A critical study of Czerny's Piano-Forte School, Opus 500, demonstrating the direct relation between mechanical teaching and expression in performance.
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Anglican Chant in the Twentieth-Century : = Genesis, Harmonic Development, and Style.
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McNeil Robinson as Choral Musician : = A Survey of His Choral Works for the Christian and Jewish Traditions.
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The Right Kind of Music : = Fundamentalist Christianity as Musical and Cultural Practice.
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Understanding Inner Music : = A Dimensional Approach to Musical Imagery.
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Who is More Creative? Assessing the Role that Individual Characteristics Play in Their Relationship with Creativity in Various Domains.
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Musical Gestures between Scores and Acoustics : = A Creative Application to Orchestra.
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Giambattista Velluti in London (1825-1829) : = Literary Constructions of the Last Operatic Castrato.
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Musical regularity and rhythmic patterns : = A quantitative analysis of birdsong structure.
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"Words of Wisdom" : = An Expectancy-Value Examination of Relationships among Hip-Hop Racial Socialization and Racial Identity of African-American College Students.
by:
(Language materials, manuscript)
Experiencing Musical Connection : = Sonic Interventions in Mediterranean Social Memory.
by:
(Language materials, manuscript)
Phenomenon and Abstraction : = Coordinating Concepts in Music Theory and Analysis.
by:
(Language materials, manuscript)
Music in Haredi Jewish Life : = Liquid Modernity and the Negotiation of Boundaries in Greater New York.
by:
(Language materials, manuscript)
Exploring Unexploited Compositional Space in Intercultural, Cross-level, and Concurrence Features of Music.
by:
(Language materials, manuscript)
Listening to a Liberated Paris : = Pierre Schaeffer Experiments with Radio.
by:
(Language materials, manuscript)
The Names of Minimalism : = Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
by:
(Language materials, manuscript)
Objects of Veneration : = Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
by:
(Language materials, manuscript)
A New Approach to the Analysis of Timbre = = Ein neuer Ansatz zur Klangfarbenanalyse.
by:
(Language materials, manuscript)
An Experience-Oriented Approach to Analyzing Stravinsky's Neoclassicism.
by:
(Language materials, manuscript)
Music Therapy for Eating Disorders : = A Manual for the Use of Music Therapy as an Integrative Therapy for the Treatment off Individuals with Eating Disorders.
by:
(Language materials, manuscript)
Visualizing Temporality in Music : = Music Perception - Feature Extraction.
by:
(Language materials, manuscript)
Moving in Sacred Time : = Metrical Interactions Between Body and Voice in Jewish and Greek Orthodox Liturgical Chant.
by:
(Language materials, manuscript)
Sound Business : = Great Women of Gospel Music and the Transmission of Tradition.
by:
(Language materials, manuscript)
Traveling Tunes : = French Comic Opera and Theater in London, 1714-1745.
by:
(Language materials, manuscript)
Monstrous Erotics : = Poetics of Embodiment in Black Diasporic Women's Performance.
by:
(Language materials, manuscript)
What it Do? : = Houston Hip Hop, Ciphers, Migration, and Borderlands.
by:
(Language materials, manuscript)
Harmony and Statistical Temporality : = Toward Jazz Syntax from Corpus Analytics.
by:
(Language materials, manuscript)
Some Statistical Methods for Brain Gene Expression Data : = Dimension Reduction, Feature Screening, and Causal Inference.
by:
(Language materials, manuscript)
Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
by:
(Language materials, manuscript)
Deep Representation of Lyrical Style and Semantics for Music Recommendation.
by:
(Language materials, manuscript)
Joining Forces in Technology : = Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
by:
(Language materials, manuscript)
Effects of the Presence of Audio and Type of Game Controller on Learning of Rhythmic Accuracy.
by:
(Language materials, manuscript)
Embodied, Representational, and Distributed Learning Practices in a Professional String Quartet.
by:
(Language materials, manuscript)
Looking Forward to the Past : = Baroque Rock's Postmodern Nostalgia and the Politics of Memory.
by:
(Language materials, manuscript)
An Investigation of Popular Music Placement as a Viewer Engagement Tool in Television Programming.
by:
(Language materials, manuscript)
A Qualitative Study of Short-Term Music Groups in the Performing Arts.
by:
(Language materials, manuscript)
Destination Freedom : = Strategies for Immersion in Narrative Soundscape Composition.
by:
(Language materials, manuscript)
Music-Based Emotion Regulation (MBER) Intervention Manual for Prevention of Depression in Older Persons.
by:
(Language materials, manuscript)
Singing is a Drag : = Gender, Voice, and Body in Drag Performance.
by:
(Language materials, manuscript)
The Professional Communication of Extra-institutional Musicians.
by:
(Language materials, manuscript)
Music with and without lyrics increases motivation, affect, and arousal during moderate-intensity cycling.
by:
(Language materials, manuscript)
Older adult's preferences between traditional music therapy techniques versus i-Pad technology assisted music therapy techniques.
by:
(Language materials, manuscript)
Music therapists' perspectives on the assessment and clinical interpretation of clients' vocal parameters.
by:
(Language materials, manuscript)
Freud and the problem with music : = A history of listening at the moment of psychoanalysis.
by:
(Language materials, manuscript)
An exploration of musician resilience in New Orleans following Hurricane Katrina.
by:
(Language materials, manuscript)
Modeling sense of place : = Emergence of meaningful places in encountering environments.
by:
(Language materials, manuscript)
Online Processing of Tonal Melodies : = Effects of Harmonic Expectations.
by:
(Language materials, manuscript)
A Multi-Level Model of Music-Evoked Emotions : = Stimulus Features, Personality, Familiarity, and Liking.
by:
(Language materials, manuscript)
Neural activation on guided imagery and music : = A functional MRI study.
by:
(Language materials, manuscript)
Psychoacoustic entropy theory and its implications for performance practice.
by:
(Language materials, manuscript)
A derivation of the tonal hierarchy from basic perceptual processes.
by:
(Language materials, manuscript)
The influence of formal music instruction on the construction of musical identities of conservatory jazz students.
by:
(Language materials, manuscript)
Musical working memory in musicians and nonmusicians : = Evidence for separate slave systems?
by:
(Language materials, manuscript)
Using music-based interventions with adolescents coping with family conflict or parental divorce : = A resource manual.
by:
(Language materials, manuscript)
A Theory of Analogy for Musical Sense-Making and Categorization : = Understanding Musical Jabberwocky.
by:
(Language materials, manuscript)
Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
by:
(Language materials, manuscript)
Beyond singer vs. non-singer in singing, health and well-being : = Development and testing of the Singing Experience Scale.
by:
(Language materials, manuscript)
Exploring the neural entrainment to musical rhythms and meter : = A steady-state evoked potential approach.
by:
(Language materials, manuscript)
Ready to blow your mind : = Andy Warhol's exploding plastic inevitable.
by:
(Language materials, manuscript)
Going Old School : = Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
by:
(Language materials, manuscript)
The Homeric Answer : = How By-Ear Learning and Improvisation Enhance the Musicianship of Classical Performers.
by:
(Language materials, manuscript)
Beyond the Concert Hall : = The Creation and Implementation of a Teaching Artist Training Program at the University Level.
by:
(Language materials, manuscript)
Is It All relative? Relative Pitch and L2 Lexical Tone Perception/Tone Language Comprehension by Adult Tone and Non-tone Language Speakers.
by:
(Language materials, manuscript)
Aural Abjections and Dancing Dystopias : = Sonic Signifiers in Video Game Horror.
by:
(Language materials, manuscript)
When the Streets Speak : = Investigating Music, Memory, and Identity in the Lives of Abidjanese Street Children.
by:
(Language materials, manuscript)
Dancing the archive : = Rhythms of change in post-volcano identities on Montserrat, West Indies.
by:
(Language materials, manuscript)
Relevant Versus Extraneous Music in Multimedia Instruction : = A Study of the Coherence Principle.
by:
(Language materials, manuscript)
"Melinda and Her Sisters" : = Reconsidering a Suffrage Operetta as Pageantry.
by:
(Language materials, manuscript)
Developing Popular Music Programs in Higher Education : = Exploring Possibilities.
by:
(Language materials, manuscript)
Constructing Symbolic Soundworlds Using Field Recordings and Sound Synthesis.
by:
(Language materials, manuscript)
The Musician-Designer : = Integrating the Projection Medium Into Dramatic Musical Narrative.
by:
(Language materials, manuscript)
Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance.
by:
(Language materials, manuscript)
Archimusic, A New Poiesis : = A Method for Archimusical Synthesis.
by:
(Language materials, manuscript)
The fan-artist relationship on social networking sites : = A cyberstage pass for the music fan.
by:
(Language materials, manuscript)
Algorithmic music analysis : = A case study of a prelude from David Cope's "From Darkness, Light".
by:
(Language materials, manuscript)
Taiwanese Composer Tyzen Hsiao : = Pedagogical Aspects of Selected Piano Solo Works.
by:
(Language materials, manuscript)
The Participatory We-Self : = Ethnicity and Music in Northern Thailand.
by:
(Language materials, manuscript)
The Future of the French Bassoon : = Changing Perception through Innovation.
by:
(Language materials, manuscript)
Music piracy or a permanent passive revolution : = An examination of the role of technology in the challenge to a cultural hegemon.
by:
(Language materials, manuscript)
Confessions in Fiction, Opera, and Memoir : = Subversive Elements of Courtesan Celebrity in Nineteenth-Century Paris.
by:
(Language materials, manuscript)
Underground Sounds : = Oral Tradition and Recording Culture in American Poetry, 1917-2008.
by:
(Language materials, manuscript)
The medial caesura in Schubert's sonata forms : = Formal and rhetorical complications.
by:
(Language materials, manuscript)
Women on FIRE : = Revamped Gender Codes in Alicia Keys' "Girl on Fire" Song & Video.
by:
(Language materials, manuscript)
The Making of the Recording Industry in Colonial Korea, 1910-1945.
by:
(Language materials, manuscript)
Effect of viable treatments on small room acoustics - A case study of control room 212B in Durgin Hall.
by:
(Language materials, manuscript)
Better Practice : = A Review of Research on Effective Practicing and Suggestions for Chinese Music Teachers.
by:
(Language materials, manuscript)
The Rise of the Chinese Concerto : = A Look into the Developments of Chinese Traditional Instrument Concerti with Western Orchestra.
by:
(Language materials, manuscript)
The influence of Chinese instruments on the violin : = A practice guide of three violin techniques.
by:
(Language materials, manuscript)
Experimental Music in Higher Education : = Toward a Pedagogy of Creativity.
by:
(Language materials, manuscript)
Chinese Elements and Influence in Tan Dun's Eight Memories in Watercolor.
by:
(Language materials, manuscript)
Queering the Body : = Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
by:
(Language materials, manuscript)
Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
by:
(Language materials, manuscript)
Evocations of Nature in the Piano Music of Franz Liszt and the Seeds of Impressionism.
by:
(Language materials, manuscript)
"I'm not a rapper, I'm an activist who rhymes" : = Native American hip hop, activism, and twenty-first century identities.
by:
(Language materials, manuscript)
Coloureds Performing Queer, or Queer Coloureds Performing? : = Asserting Belonging through Queer Behavior in Cape Town, South Africa.
by:
(Language materials, manuscript)
Music as Gestural Narrative : = An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109.
by:
(Language materials, manuscript)
The Culmination of the Russian Romantic Piano School as Represented By Early and Late Works of Rachmaninoff, Scriabin, and Medtner.
by:
(Language materials, manuscript)
"Let the Feast of Fools Begin, Batman!" : = The Traditional and Gothic Carnvialesques in the Sound Design of the "Batman : Arkham" Video Games.
by:
(Language materials, manuscript)
The Influence of Corporate Social Responsibility on The Decision-Making Process of Music Festival-Goers : = Findings from a Survey-Embedded Experiment.
by:
(Language materials, manuscript)
Pop Cultures : = A Comparative Analysis of the American and South Korean Record Industries.
by:
(Language materials, manuscript)
Perceptions of Adult Christian Creative Arts Practitioners in Leadership from NY, NJ, and PA about the Practice of Music, Art, and Dance in Cultivating Christian Spiritual Formation.
by:
(Language materials, manuscript)
Writing Music and Its Role in a Conductor's Training as a Performer.
by:
(Language materials, manuscript)
Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
by:
(Language materials, manuscript)
Designing for the Mindbody in Technology-Mediated Music-Making.
by:
(Language materials, manuscript)
Parents' Observations of Their Young Children's Music Behaviors During Music Classes after Completing the Children's Music Behavior Inventory.
by:
(Language materials, manuscript)
Using Mapping Music as a Memorization Method in Private Piano Teaching.
by:
(Language materials, manuscript)
The Perception of Trust Between Athletic Trainers and Musical Performing Artists.
by:
(Language materials, manuscript)
Collaborative crossover : = Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
by:
(Language materials, manuscript)
Grooves in the Landscape : = Vanished and Persistent Record Stores in the Postindustrial City.
by:
(Language materials, manuscript)
The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
by:
(Language materials, manuscript)
An examination of pre- and post-Vatican II music for the Roman Catholic liturgy : = Ethnic diversity as a vehicle of unity.
by:
(Language materials, manuscript)
Wagner domesticated, Wagner democratized : = The parlor reception of Musikdrama.
by:
(Language materials, manuscript)
The craft of spontaneous composition : = How jazz saxophonists have approached the instrumental solo in pop music.
by:
(Language materials, manuscript)
A world of flute music : = A look at the impact of siku and shakuhachi flute traditions on Western classical repertoire.
by:
(Language materials, manuscript)
Cabaret songs by classical composers during the first half of the twentieth century : = Satie, Schoenberg, Weill, and Britten.
by:
(Language materials, manuscript)
Mathematics and computation in music = 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017 : proceedings /
by:
(Language materials, printed)
The topos of music. = musical multiverse ontologies /. III,. Gestures
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(Language materials, printed)
The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
by:
(Language materials, printed)
The topos of music. = theory, software, and case studies /. II,. Performance
by:
(Language materials, printed)
Historical theory and methods through popular music, 1970-2000 = "Those are the New Saints" /
by:
(Language materials, printed)
Computer music instruments = foundations, design, and development /
by:
(Language materials, printed)
Music, youth and international links in post-war British fascism = the transformation of extremism /
by:
(Language materials, printed)
Rock and romanticism = post-punk, goth, and metal as dark romanticisms /
by:
(Language materials, printed)
Traditional musics in the modern world = Transmission, Evolution, and Challenges /
by:
(Language materials, printed)
Masculinity, class and music education = boys performing middle-class masculinities through music /
by:
(Language materials, printed)
I got something to say = gender, race, and social consciousness in rap music /
by:
(Language materials, printed)
Pluralism in American usic education research = essays and narratives /
by:
(Language materials, printed)
Music learning and teaching in culturally and socially diverse contexts = implications for classroom practice /
by:
(Language materials, printed)
The science of musical sound.. Volume 1,. Stringed instruments, pipe organs, and the human voice
by:
(Language materials, printed)
The music business and digital impacts = innovations and disruptions in the music industries /
by:
(Language materials, printed)
Performing music history = musicians speak first-hand about music history and performance /
by:
(Language materials, printed)
21st century perspectives on music, technology, and culture = listening spaces /
by:
(Language materials, printed)
Musical Nationalism in Indonesia = The Rise and Fall of Lagu Seriosa /
by:
(Language materials, printed)
Music and Moral Management in the Nineteenth-Century English Lunatic Asylum
by:
(Language materials, printed)
Der neue Schauder = Über das Phantastische der musikalischen Romantik /
by:
(Language materials, printed)
Handbook of Artificial Intelligence for Music = Foundations, Advanced Approaches, and Developments for Creativity /
by:
(Language materials, printed)
Electronic Cities = Music, Policies and Space in the 21st Century /
by:
(Language materials, printed)
Fractured Scenes = Underground Music-Making in Hong Kong and East Asia /
by:
(Language materials, printed)
China’s Music Industry Unplugged = Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy /
by:
(Language materials, printed)
Music and Fuzzy Logic = The Dialectics of Idea and Realizations in the Artwork Process /
by:
(Language materials, printed)
Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music
by:
(Language materials, printed)
The Art and Science of Surround and Stereo Recording = Including 3D Audio Techniques /
by:
(Language materials, printed)
Rap and Politics = A Case Study of Panther, Gangster, and Hyphy Discourses in Oakland, CA (1965-2010) /
by:
(Language materials, printed)
Thematisches Verzeichnis der musikalischen Werke Ignaz Franz von Beeckes (1733–1803)
by:
(Language materials, printed)
Getting Signed = Record Contracts, Musicians, and Power in Society /
by:
(Language materials, printed)
Ethno-Aesthetics of Surf in Florida = Surfing, Musicking, and Identity Marking /
by:
(Language materials, printed)
Reggae and hip hop in Southern Italy = politics, languages, and multiple marginalities /
by:
(Language materials, printed)
Music and the environment in dystopian narrative = sounding the disaster /
by:
(Language materials, printed)
Understanding the Eurovision Song Contest in multicultural Australia = We Got Love /
by:
(Language materials, printed)
Semionauts of tradition = music, culture and identity in contemporary Singapore /
by:
(Language materials, printed)
Hyper-specializing in saxophone using acoustical insight and deep listening skills
by:
(Language materials, printed)
Ambisonics = a practical 3D audio theory for recording, studio production, sound reinforcement, and virtual reality /
by:
(Language materials, printed)
Eastern European popular music in a transnational context = beyond the borders /
by:
(Language materials, printed)
Towards an ontology of teaching = thing-centred pedagogy, affirmation and love for the world /
by:
(Language materials, printed)
Eurovision and Australia = interdisciplinary perspectives from Down Under /
by:
(Language materials, printed)
Musical instruments in the 21st century = identities, configurations, practices /
by:
(Language materials, printed)
Lady Gaga and the sociology of fame = the rise of a pop star in an age of celebrity /
by:
(Language materials, printed)
Agogic maps = from musical phrasing to enhancement of urban spaces /
by:
(Language materials, printed)
Sounds, societies, significations = numanistic approaches to music /
by:
(Language materials, printed)
Patterns of Intuition = Musical Creativity in the Light of Algorithmic Composition /
by:
(Language materials, printed)
Mathematics and Computation in Music = 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings /
by:
(Language materials, printed)
Contracts, Patronage and Mediation = The Articulation of Global and Local in the South African Recording Industry /
by:
(Language materials, printed)
Therapeutic Songwriting = Developments in Theory, Methods, and Practice /
by:
(Language materials, printed)
Soul, Country, and the USA = Race and Identity in American Music Culture /
by:
(Language materials, printed)
Italian Masculinity as Queer Melodrama = Caravaggio, Puccini, Contemporary Cinema /
by:
(Language materials, printed)
The Political World of Bob Dylan = Freedom and Justice, Power and Sin /
by:
(Language materials, printed)
The Pop Music Idol and the Spirit of Charisma = Reality Television Talent Shows in the Digital Economy of Hope /
by:
(Language materials, printed)
Computational Counterpoint Worlds = Mathematical Theory, Software, and Experiments /
by:
(Language materials, printed)
Fundamentals of Music Processing = Audio, Analysis, Algorithms, Applications /
by:
(Language materials, printed)
Language, Music, and Computing = First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers /
by:
(Language materials, printed)
Musik und Medizin = Chancen für Therapie, Prävention und Bildung /
by:
(Language materials, printed)
Populäre Musikkulturen im Film = Inter- und transdisziplinäre Perspektiven /
by:
(Language materials, printed)
Integrative Health through Music Therapy = Accompanying the Journey from Illness to Wellness /
by:
(Language materials, printed)
The Economics of the Popular Music Industry = Modelling from Microeconomic Theory and Industrial Organization /
by:
(Language materials, printed)
Music Through Fourier Space = Discrete Fourier Transform in Music Theory /
by:
(Language materials, printed)
New Orleans Rhythm and Blues After Katrina = Music, Magic and Myth /
by:
(Language materials, printed)
The Palgrave Handbook of Sound Design and Music in Screen Media = Integrated Soundtracks /
by:
(Language materials, printed)
Listening to China’s Cultural Revolution = Music, Politics, and Cultural Continuities /
by:
(Language materials, printed)
Sound, Symbol, Sociality = The Aesthetic Experience of Extreme Metal Music /
by:
(Language materials, printed)
Consuming Music in the Digital Age = Technologies, Roles and Everyday Life /
by:
(Language materials, printed)
21st Century Perspectives on Music, Technology, and Culture = Listening Spaces /
by:
(Language materials, printed)
Gender, Metal and the Media = Women Fans and the Gendered Experience of Music /
by:
(Language materials, printed)
Globalization, Music and Cultures of Distinction = The Rise of Pop Music Criticism in Italy /
by:
(Language materials, printed)
Hugo Chávez, Alí Primera and Venezuela = The Politics of Music in Latin America /
by:
(Language materials, printed)
Networked Music Cultures = Contemporary Approaches, Emerging Issues /
by:
(Language materials, printed)
Popular Music in Eastern Europe = Breaking the Cold War Paradigm /
by:
(Language materials, printed)
Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
by:
(Language materials, printed)
Tonsetzerinnen = Zur Rezeption von Komponistinnen in Deutschland um 1800 /
by:
(Language materials, printed)
All About Music = The Complete Ontology: Realities, Semiotics, Communication, and Embodiment /
by:
(Language materials, printed)
The Value of Popular Music = An Approach from Post-Kantian Aesthetics /
by:
(Language materials, printed)
Cool Math for Hot Music = A First Introduction to Mathematics for Music Theorists /
by:
(Language materials, printed)
Wie klingt die globale Ordnung = Die Entstehung eines Marktes für World Music /
by:
(Language materials, printed)
Music, Mind, and Embodiment = 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers /
by:
(Language materials, printed)
Improvisieren = Material, Interaktion, Haltung und Musik aus soziologischer Perspektive /
by:
(Language materials, printed)
Die Sprechstimme in der Musik = Komposition, Notation, Transkription /
by:
(Language materials, printed)
Musiktherapie und Autismus = Zur Anwendung ausgewählter Methoden der Leiborientierten Musiktherapie /
by:
(Language materials, printed)
Musikhören im Zeitalter Web 2.0 = Theoretische Grundlagen und empirische Befunde /
by:
(Language materials, printed)
Reggae and Hip Hop in Southern Italy = Politics, Languages, and Multiple Marginalities /
by:
(Language materials, printed)
Semionauts of Tradition = Music, Culture and Identity in Contemporary Singapore /
by:
(Language materials, printed)
Traditional Musics in the Modern World: Transmission, Evolution, and Challenges
by:
(Language materials, printed)
Music and the Environment in Dystopian Narrative = Sounding the Disaster /
by:
(Language materials, printed)
Understanding the Eurovision Song Contest in Multicultural Australia = We Got Love /
by:
(Language materials, printed)
Pluralism in American Music Education Research = Essays and Narratives /
by:
(Language materials, printed)
Echoes of Other Worlds: Sound in Virtual Reality = Past, Present and Future /
by:
(Language materials, printed)
The Science of Musical Sound = Volume 1: Stringed Instruments, Pipe Organs, and the Human Voice /
by:
(Language materials, printed)
Neurowissenschaften und Musikpädagogik = Klärungsversuche und Praxisbezüge /
by:
(Language materials, printed)
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
by:
(Language materials, printed)
Musik in Baden-Württemberg. Jahrbuch 2017/18 = Band 24 - Jubiläumsband.
by:
(Language materials, printed)
Music, Health and Wellbeing = Exploring Music for Health Equity and Social Justice /
by:
(Language materials, printed)
Vom Neandertal in die Philharmonie = Warum der Mensch ohne Musik nicht leben kann /
by:
(Language materials, printed)
Music Learning and Teaching in Culturally and Socially Diverse Contexts = Implications for Classroom Practice /
by:
(Language materials, printed)
Von der Autonomie des Klangs zur Heteronomie der Musik = Musikwissenschaftliche Antworten auf Musikphilosophie /
by:
(Language materials, printed)
The Music Business and Digital Impacts = Innovations and Disruptions in the Music Industries /
by:
(Language materials, printed)
Musikwirtschaftsforschung = Die Grundlagen einer neuen Disziplin /
by:
(Language materials, printed)
Rock and Romanticism = Post-Punk, Goth, and Metal as Dark Romanticisms /
by:
(Language materials, printed)
Symphonien aus dem Geiste der Vokalmusik = Zur Finalgestaltung in der Symphonik im 18. und frühen 19. Jahrhundert /
by:
(Language materials, printed)
Friedrich Schillers musikalische Wirkungsgeschichte = Ein Kompendium /
by:
(Language materials, printed)
Sound and the Aesthetics of Play = A Musical Ontology of Constructed Emotions /
by:
(Language materials, printed)
Afrofuturism and Black Sound Studies = Culture, Technology, and Things to Come /
by:
(Language materials, printed)
From Content-based Music Emotion Recognition to Emotion Maps of Musical Pieces
by:
(Language materials, printed)
International Relations, Music and Diplomacy = Sounds and Voices on the International Stage /
by:
(Language materials, printed)
Masculinity, Class and Music Education = Boys Performing Middle-Class Masculinities through Music /
by:
(Language materials, printed)
I Got Something to Say = Gender, Race, and Social Consciousness in Rap Music /
by:
(Language materials, printed)
Fundamentals of Piano Pedagogy = Fuelling Authentic Student Musicians from the Beginning /
by:
(Language materials, printed)
Designing Digital Musical Instruments Using Probatio = A Physical Prototyping Toolkit /
by:
(Language materials, printed)
Die Musikkultur im Iran seit der Islamischen Revolution = Überwindung von Verbot und Zensur durch konfrontative Annäherung /
by:
(Language materials, printed)
Marketing im Kulturbetrieb = Zur Konzeption des Marketing im Spannungsfeld von kulturellem Wert und ökonomischer Realität /
by:
(Language materials, printed)
Beethoven-Bilder = Was Kunst- und Musikgeschichte (sich) zu erzählen haben /
by:
(Language materials, printed)
Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
by:
(Language materials, printed)
Handbuch Musik und Medien = Interdisziplinärer Überblick über die Mediengeschichte der Musik /
by:
(Language materials, printed)
Eastern European Popular Music in a Transnational Context = Beyond the Borders /
by:
(Language materials, printed)
Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017 = Das Populäre in der Musik und das Musikverlagswesen /
by:
(Language materials, printed)
Computer Music Instruments II = Realtime and Object-Oriented Audio /
by:
(Language materials, printed)
„Sounds like a real man to me“ – Populäre Kultur, Musik und Männlichkeit
by:
(Language materials, printed)
The Values of Independent Hip-Hop in the Post-Golden Era = Hip-Hop’s Rebels /
by:
(Language materials, printed)
Popular Music in the Nostalgia Video Game = The Way It Never Sounded /
by:
(Language materials, printed)
Contemporary Popular Music Studies = Proceedings of the International Association for the Study of Popular Music 2017 /
by:
(Language materials, printed)
Musik und Stadt = Jahrbuch für Musikwirtschafts- und Musikkulturforschung 2/2018 /
by:
(Language materials, printed)
Towards an Ontology of Teaching = Thing-centred Pedagogy, Affirmation and Love for the World /
by:
(Language materials, printed)
Maternal Representations in Twenty-First Century Broadway Musicals = Stage Mothers /
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Praktiken und Subjektivierung im Musikunterricht = Zur musikpädagogischen Relevanz praktiken- und subjekttheoretischer Ansätze /
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Hyper-specializing in Saxophone Using Acoustical Insight and Deep Listening Skills
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Mathematics and Computation in Music = 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings /
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Proceedings of the 6th Conference on Sound and Music Technology (CSMT) = Revised Selected Papers /
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Music, Nostalgia and Memory = Historical and Psychological Perspectives /
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Music, Management, Marketing, and Law = Interviews Across the Music Business Value Chain /
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(Language materials, printed)
Arnold Schönbergs Schülerinnen = Biographisch-musikalische Studien /
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Capitals of Punk = DC, Paris, and Circulation in the Urban Underground /
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French Louisiana Music and Its Patrons = The Popularization and Transformation of a Regional Sound /
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Jakob Stolz (1832-1919) = Leben und Werk des Grazer Komponisten und Musikpädagogen /
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Sound at the Edge of Perception = The Aural Minutiae of Sand and other Worldly Murmurings /
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(Language materials, printed)
The Development of Popular Music Function in Film = From the Birth of Rock ‘n’ Roll to the Death of Disco /
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Eurovision and Australia = Interdisciplinary Perspectives from Down Under /
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(Language materials, printed)
Big Data und Musik = Jahrbuch für Musikwirtschafts- und Musikkulturforschung 1/2018 /
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Ambisonics = A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality /
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Craniomandibular Dysfunction in Violinists = A Literature Review /
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