語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Sound, Symbol, Sociality = The Aesth...
~
Unger, Matthew.
Sound, Symbol, Sociality = The Aesthetic Experience of Extreme Metal Music /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Sound, Symbol, Sociality/ by Matthew Unger.
其他題名:
The Aesthetic Experience of Extreme Metal Music /
作者:
Unger, Matthew.
面頁冊數:
XIII, 137 p. 5 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Music. -
電子資源:
https://doi.org/10.1057/978-1-137-47835-1
ISBN:
9781137478351
Sound, Symbol, Sociality = The Aesthetic Experience of Extreme Metal Music /
Unger, Matthew.
Sound, Symbol, Sociality
The Aesthetic Experience of Extreme Metal Music /[electronic resource] :by Matthew Unger. - 1st ed. 2016. - XIII, 137 p. 5 illus. in color.online resource.
1.Introduction -- 2.A Genre of Paradox and Dichotomies -- 3.Defilement and Social Theory -- 4.Post-Secular Aesthetics and the Symbolic Constitution of Extreme Metal Music -- 5.The Modalities of Defilement within Extreme Metal -- 6.The Symbolic Experience of Christian Extreme Metal .
Based on ethnographic research within the extreme metal community, Unger offers a thought-provoking look at how symbols of authenticity and defilement fashion social experience in surprising ways. Exploring the many themes and ciphers that comprise this musical community, this book interprets aesthetic resonances as a way to understand contemporary identity, politics, and social relations. In the end, this book develops a unique argument: the internal composition of the community’s music and sound moulds symbols that shape, reflect, and constrain social patterns of identity, difference, and transgression. This book contributes to the sociology of sound and music, the study of religion in popular culture, and the role of aesthetics in everyday life. It will be of interest to upper level students, post-graduate students and scholars of religion, popular culture, and philosophy. Matthew P. Unger is Assistant Professor of Sociology and Anthropology at Concordia University in Montreal. He is co-editor (with George Pavlich) of Accusation: Creating Criminals and Entryways and Criminalization. His work encompasses social theoretical and archival approaches to socio-legal ethics, religion, and sound.
ISBN: 9781137478351
Standard No.: 10.1057/978-1-137-47835-1doiSubjects--Topical Terms:
649088
Music.
LC Class. No.: M1-960
Dewey Class. No.: 780
Sound, Symbol, Sociality = The Aesthetic Experience of Extreme Metal Music /
LDR
:02878nam a22003975i 4500
001
975734
003
DE-He213
005
20200703232559.0
007
cr nn 008mamaa
008
201211s2016 xxk| s |||| 0|eng d
020
$a
9781137478351
$9
978-1-137-47835-1
024
7
$a
10.1057/978-1-137-47835-1
$2
doi
035
$a
978-1-137-47835-1
050
4
$a
M1-960
072
7
$a
AV
$2
bicssc
072
7
$a
MUS000000
$2
bisacsh
072
7
$a
AV
$2
thema
082
0 4
$a
780
$2
23
100
1
$a
Unger, Matthew.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1270132
245
1 0
$a
Sound, Symbol, Sociality
$h
[electronic resource] :
$b
The Aesthetic Experience of Extreme Metal Music /
$c
by Matthew Unger.
250
$a
1st ed. 2016.
264
1
$a
London :
$b
Palgrave Macmillan UK :
$b
Imprint: Palgrave Pivot,
$c
2016.
300
$a
XIII, 137 p. 5 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
1.Introduction -- 2.A Genre of Paradox and Dichotomies -- 3.Defilement and Social Theory -- 4.Post-Secular Aesthetics and the Symbolic Constitution of Extreme Metal Music -- 5.The Modalities of Defilement within Extreme Metal -- 6.The Symbolic Experience of Christian Extreme Metal .
520
$a
Based on ethnographic research within the extreme metal community, Unger offers a thought-provoking look at how symbols of authenticity and defilement fashion social experience in surprising ways. Exploring the many themes and ciphers that comprise this musical community, this book interprets aesthetic resonances as a way to understand contemporary identity, politics, and social relations. In the end, this book develops a unique argument: the internal composition of the community’s music and sound moulds symbols that shape, reflect, and constrain social patterns of identity, difference, and transgression. This book contributes to the sociology of sound and music, the study of religion in popular culture, and the role of aesthetics in everyday life. It will be of interest to upper level students, post-graduate students and scholars of religion, popular culture, and philosophy. Matthew P. Unger is Assistant Professor of Sociology and Anthropology at Concordia University in Montreal. He is co-editor (with George Pavlich) of Accusation: Creating Criminals and Entryways and Criminalization. His work encompasses social theoretical and archival approaches to socio-legal ethics, religion, and sound.
650
0
$a
Music.
$3
649088
650
0
$a
Culture—Study and teaching.
$3
1253505
650
0
$a
Religion and sociology.
$3
578047
650
0
$a
Hermeneutics.
$3
573806
650
0
$a
Aesthetics.
$3
555008
650
0
$a
Feminist anthropology.
$3
884141
650
2 4
$a
Cultural Theory.
$3
1108078
650
2 4
$a
Sociology of Religion.
$3
1105149
650
2 4
$a
Feminist Anthropology.
$3
1109680
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9781137478344
776
0 8
$i
Printed edition:
$z
9781349693436
776
0 8
$i
Printed edition:
$z
9781349693429
856
4 0
$u
https://doi.org/10.1057/978-1-137-47835-1
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入