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Aural Abjections and Dancing Dystopi...

University of Oregon.

Aural Abjections and Dancing Dystopias : = Sonic Signifiers in Video Game Horror.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Aural Abjections and Dancing Dystopias :/
其他題名:	Sonic Signifiers in Video Game Horror.
作者:	Merriner, Ashley.
面頁冊數:	1 online resource (89 pages)
附註:	Source: Masters Abstracts International, Volume: 56-06.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9780355144321

Aural Abjections and Dancing Dystopias : = Sonic Signifiers in Video Game Horror.
Merriner, Ashley.

Aural Abjections and Dancing Dystopias :Sonic Signifiers in Video Game Horror. - 1 online resource (89 pages)

Source: Masters Abstracts International, Volume: 56-06.

Thesis (M.A.)--University of Oregon, 2017.

Includes bibliographical references

For centuries, the horror genre has ensnared audiences across generations and genre lines: ballet, opera, literature, poetry, film, and, most recently, video games have all utilized the power of terror to shock, horrify, and, perhaps most disturbingly, attract. But what does fear sound like? This thesis will focus on that question as it explores both the twin worlds of Konami's survival-horror title Silent Hill and the underwater-nightmare city of Rapture in 2KGames' 2007 hit Bioshock. Offering a deeper understanding of the agency video game sound employs, this thesis will engage critical gender, race, and feminist theory, confront issues of social and cultural fears evoked through sound, and offer an in-depth analysis of each game's soundscape in order to discuss the ways video game soundtracks can serve as vehicles for both signifying and unpacking complicated social and political topics that prevail in modern society.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355144321Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Aural Abjections and Dancing Dystopias : = Sonic Signifiers in Video Game Horror.
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035 $a AAI10599432
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245 1 0 $a Aural Abjections and Dancing Dystopias : $b Sonic Signifiers in Video Game Horror.
264 0 $c 2017
300 $a 1 online resource (89 pages)
336 $a text $b txt $2 rdacontent
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338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 56-06.
500 $a Adviser: Marian Smith.
502 $a Thesis (M.A.)--University of Oregon, 2017.
504 $a Includes bibliographical references
520 $a For centuries, the horror genre has ensnared audiences across generations and genre lines: ballet, opera, literature, poetry, film, and, most recently, video games have all utilized the power of terror to shock, horrify, and, perhaps most disturbingly, attract. But what does fear sound like? This thesis will focus on that question as it explores both the twin worlds of Konami's survival-horror title Silent Hill and the underwater-nightmare city of Rapture in 2KGames' 2007 hit Bioshock. Offering a deeper understanding of the agency video game sound employs, this thesis will engage critical gender, race, and feminist theory, confront issues of social and cultural fears evoked through sound, and offer an in-depth analysis of each game's soundscape in order to discuss the ways video game soundtracks can serve as vehicles for both signifying and unpacking complicated social and political topics that prevail in modern society.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
650 4 $a Multimedia communications. $3 655342
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
690 $a 0558
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of Oregon. $b Music and Dance. $3 1185158
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10599432 $z click for full text (PQDT)

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