語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Performing China on the London Stage...
~
Thorpe, Ashley.
Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Performing China on the London Stage/ by Ashley Thorpe.
其他題名:
Chinese Opera and Global Power, 1759–2008 /
作者:
Thorpe, Ashley.
面頁冊數:
XVIII, 263 p. 9 illus., 4 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Theater. -
電子資源:
https://doi.org/10.1057/978-1-137-59786-1
ISBN:
9781137597861
Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
Thorpe, Ashley.
Performing China on the London Stage
Chinese Opera and Global Power, 1759–2008 /[electronic resource] :by Ashley Thorpe. - 1st ed. 2016. - XVIII, 263 p. 9 illus., 4 illus. in color.online resource.
Introduction -- Chapter 1. Chinese drama in the European Imagination before 1736 -- Chapter 2. ‘Confucius’ morals to Britannia’s ears' -- Chapter 3. From page to stage -- Chapter 4. Fashion, chinoiserie and modernity in The Circle of Chalk, 1929 -- Chapter 5. Seeking subalterneity in S.I. Hsiung’s Lady Precious Stream, 1934 -- Chapter 6. 'A traditional play in the traditional manner' -- Chapter 7. Chinese opera in the diaspora from 1949 -- Chapter 8. Opening the stage door -- Chapter 9. Postmodern politics -- Conclusion.
This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.
ISBN: 9781137597861
Standard No.: 10.1057/978-1-137-59786-1doiSubjects--Topical Terms:
836732
Theater.
LC Class. No.: PN2000-3307
Dewey Class. No.: 792
Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
LDR
:02787nam a22003975i 4500
001
976369
003
DE-He213
005
20200703061410.0
007
cr nn 008mamaa
008
201211s2016 xxk| s |||| 0|eng d
020
$a
9781137597861
$9
978-1-137-59786-1
024
7
$a
10.1057/978-1-137-59786-1
$2
doi
035
$a
978-1-137-59786-1
050
4
$a
PN2000-3307
072
7
$a
AN
$2
bicssc
072
7
$a
PER011000
$2
bisacsh
072
7
$a
ATD
$2
thema
082
0 4
$a
792
$2
23
100
1
$a
Thorpe, Ashley.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1113824
245
1 0
$a
Performing China on the London Stage
$h
[electronic resource] :
$b
Chinese Opera and Global Power, 1759–2008 /
$c
by Ashley Thorpe.
250
$a
1st ed. 2016.
264
1
$a
London :
$b
Palgrave Macmillan UK :
$b
Imprint: Palgrave Macmillan,
$c
2016.
300
$a
XVIII, 263 p. 9 illus., 4 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
Introduction -- Chapter 1. Chinese drama in the European Imagination before 1736 -- Chapter 2. ‘Confucius’ morals to Britannia’s ears' -- Chapter 3. From page to stage -- Chapter 4. Fashion, chinoiserie and modernity in The Circle of Chalk, 1929 -- Chapter 5. Seeking subalterneity in S.I. Hsiung’s Lady Precious Stream, 1934 -- Chapter 6. 'A traditional play in the traditional manner' -- Chapter 7. Chinese opera in the diaspora from 1949 -- Chapter 8. Opening the stage door -- Chapter 9. Postmodern politics -- Conclusion.
520
$a
This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.
650
0
$a
Theater.
$2
swd
$3
836732
650
0
$a
Music.
$3
649088
650
0
$a
Civilization—History.
$3
1254101
650
0
$a
Ethnology—Asia.
$3
1254172
650
1 4
$a
Theatre and Performance Studies.
$3
1104911
650
2 4
$a
Cultural History.
$3
1106960
650
2 4
$a
Asian Culture.
$3
1107945
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9781137597854
776
0 8
$i
Printed edition:
$z
9781349997169
776
0 8
$i
Printed edition:
$z
9781349955817
856
4 0
$u
https://doi.org/10.1057/978-1-137-59786-1
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入