Theater.
Overview
| Works: | 429 works in 4 publications in 4 languages | |
|---|---|---|
Titles
Vowels and Feelings : = Vowel Space Size as a Resource for Affect and Interpersonal Positioning.
by:
(Language materials, manuscript)
Theo-Political Consensus in Antitheatrical Polemic and Metatheatrical Drama.
by:
(Language materials, manuscript)
Performing the Self as Work : = A Mixed Methods Study of Public Intimacy.
by:
(Language materials, manuscript)
The Learning Experiences of Musical Theatre Teaching Artists in a Performing Arts High School.
by:
(Language materials, manuscript)
Singing While Acting : = A Mixed Methods Study of Classical Singers' Application of the Chekhov and Meisner Acting Methods.
by:
(Language materials, manuscript)
Theater of Peace : = Political Performance for a World in Conflict.
by:
(Language materials, manuscript)
From Directing to Accompanying : = Centering Disability Justice in Theater Pedagogy.
by:
(Language materials, manuscript)
Evolution of "Tenor" and "Baritone" Voice Classification in Musical Theater : = A Tessitura Analysis From Original Productions to Contemporary Revivals.
by:
(Language materials, manuscript)
Drama Education in the Lives of Black Girls : = Exploring How Drama Influences the Socioemotional Learning and Leadership Development of Black Adolescent Females.
by:
(Language materials, manuscript)
Alternative Choreographies : = Immersive Performance as a Decolonial Pedagogical and Performance Practice.
by:
(Language materials, manuscript)
Shakespeare for Young Audiences Examining the Overlap in Shakespeare's Plays and Social Emotional Learning Pedagogy.
by:
(Language materials, manuscript)
Cross-Cultural Design : = A Study of Lighting Design in the American Culture = Diseno transcultural : Un estudio del diseno de iluminacion en la cultura estadounidense.
by:
(Language materials, manuscript)
Engaging Secondary Students Through Virtual Theatre Education : = A Case Study in Collaborative Community Interaction.
by:
(Language materials, manuscript)
The Return on Investments of Studying Improvisation in Higher Education.
by:
(Language materials, manuscript)
"Children Will Listen" : = An Exploration on Judaism, Motherhood, and Stereotype in Stephen Sondheim's Into the Woods.
by:
(Language materials, manuscript)
The Public Theater as Grammar School Education in Early Modern England : = An Exploration of Women's Spectatorship and the New Comic Pattern in Renaissance Comedy.
by:
(Language materials, manuscript)
The Applied Theatre Artist and Youth Experiencing Incarceration : = A Look at Youth Agency.
by:
(Language materials, manuscript)
Breathing Empowerment and Belonging Into the Lives of At-Risk Adolescents : = A Narrative Inquiry Into Theatre Education in Hawaiʻi.
by:
(Language materials, manuscript)
Social-Emotional Learning in the Theatre Classroom : = The Empathy Project.
by:
(Language materials, manuscript)
Me, Myself, and Hedda an Analysis of How Personal Growth Opens Doors.
by:
(Language materials, manuscript)
Trauma-Informed Applied Theatre : = Using Performance to Connect With Mental Dysfunction and Development for Children.
by:
(Language materials, manuscript)
Active Dramaturgy in the New Play Development Process, Or, What I Learned From Walter Mercado.
by:
(Language materials, manuscript)
The Games We Play : = Improvisational Negotiation Strategies for the College Classroom.
by:
(Language materials, manuscript)
Affective Facilitation : = Applied Theatre and (De)Humanization = La facilitacion afectiva : el teatro aplicado y la (des)humanizacion.
by:
(Language materials, manuscript)
Learning to Let Go : = Becoming a More Collaborative and Compassionate Director.
by:
(Language materials, manuscript)
Dicotomia : = Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
by:
(Language materials, manuscript)
Emotional attachment to nonprofit theatre organizations : = Identifying emotional attachment antecedents.
by:
(Language materials, manuscript)
Gimmick or Game-Changer? Closed- and Open-Ended Content Analyses Examining Individual Qualities and Personality Traits Associated with Selective Exposure to and Enjoyment of 3D Film.
by:
(Language materials, manuscript)
Racial Tasting : = On the Performance of Sugar and the Alchemy of Sweetness.
by:
(Language materials, manuscript)
Theatrical Role-Play : = A Study on Its Impact on Life Skills of Secondary Education Students.
by:
(Language materials, manuscript)
Resisting Lore in Playwriting Education : = An Investigation Into the Pedagogy of Playwriting.
by:
(Language materials, manuscript)
It's More than Just a Play : = a Case Study on the Process of Rehearsing and Performing a Verbatim Ethnodrama at an Independent Co-Ed School, Sharing the Voices of Historically Underrepresented or Marginalized Communities in Melbourne, Australia.
by:
(Language materials, manuscript)
Meaning and Meaninglessness : = The Global Standup Explosion = Sens et non-sens : l'explosion mondiale du stand-up.
by:
(Language materials, manuscript)
Rehearsing "the South" Sicilian constructs of representation on the stage 1860-1917.
by:
(Language materials, manuscript)
We Have Magic to Do : = Costume Designing Temple University's Pippin.
by:
(Language materials, manuscript)
Authenticating voices : = Performance, black identity, and slam poetry.
by:
(Language materials, manuscript)
Theatre Skills for Conflict Management : = Using Theatre Performance Techniques to Teach College Students Better Conflict Management Abilities.
by:
(Language materials, manuscript)
Rebel Shakespearean Sequels : = Challenging Legacy through Continuity in Selected Modern Plays = Rebellische Shakespeare-Fortsetzungen : Herausforderndes Erbe Durch Kontinuitat in Ausgewahlten Modernen Stucken.
by:
(Language materials, manuscript)
Street Performance in the Making of Global Cultural City Taipei - Licensing, Navigation, Atmosphere.
by:
(Language materials, manuscript)
Avenue Breakdown : = Black Music and the Recording Industry in Shreveport 1948-1988.
by:
(Language materials, manuscript)
Game (Over) Life : = Autoethnographic Performance of Video Games and Play.
by:
(Language materials, manuscript)
Bewitching the Blame : = The Crucible's Legacy of Appropriation and Sexual Shame in Popular Culture.
by:
(Language materials, manuscript)
Standing in Creon's shadow : = Defining the female tragic hero.
by:
(Language materials, manuscript)
Olivier and Beyond : = Film Adaptations of Shakespeare's Hamlet.
by:
(Language materials, manuscript)
Emerging Authorities in Restoration Theatre : = Women's Entry Into Self-Representation.
by:
(Language materials, manuscript)
Engaging With Musical Theater Practitioners' Vernacular Musical Knowledge as Music-Theoretical Practice.
by:
(Language materials, manuscript)
They Kiss : = How Intimacy Directors Translate Intimate Stage Directions.
by:
(Language materials, manuscript)
Pushing theatre of the oppressed toward a Theatre of Solidarity.
by:
(Language materials, manuscript)
Structural implications of stylistic plurality in Puccini's "Turandot".
by:
(Language materials, manuscript)
Acting Political : = How Do Performers Utilize Their Acting Background in Politics From Reagan to Trump.
by:
(Language materials, manuscript)
The Feminine on Display : = Puccini's Othering of the Lower-Class Woman.
by:
(Language materials, manuscript)
Act4Change : = Theatre of the Oppressed as Community Engagement Pedagogy.
by:
(Language materials, manuscript)
Bringing Politics to the People : = Verbatim Theatre as Democratic Participation.
by:
(Language materials, manuscript)
The Spaces Between : = A History of American Alternative Media and Performance.
by:
(Language materials, manuscript)
Off-Location Film-Related Tourism and Representations of a Tourism Destination's Place Images, Identities and History : = The Case of Hengdian.
by:
(Language materials, manuscript)
A Theatre Curriculum Approach on Asian Ethnic Studies for Secondary Students.
by:
(Language materials, manuscript)
Alternative Resources for Theatre : = 3D Printing, Woolen Felt and Gelatin Adapted to Produce the Kiss of Blood : Developing Alternate Techniques to Implement Renewable, Biodegradable, and Local Resources to Decrease the Carbon Footprint.
by:
(Language materials, manuscript)
The Solitary Living and Social Interactions in the Urban Community.
by:
(Language materials, manuscript)
Revolutionary Times : = Temporalities of Mobilization and Narrative in China's Revolution.
by:
(Language materials, manuscript)
A Study of the Relationships between Tang Xianzu's Eight-Legged Essay and Chuanqi Drama.
by:
(Language materials, manuscript)
The Photographic Imperative : = Picture-Taking, Camerawork, and the Lives of Philippine Images.
by:
(Language materials, manuscript)
"Killers Who Preach" : = Horror and the "Victorian" Culture Text in the Modern American Musical.
by:
(Language materials, manuscript)
Practical Insights for Integrating Social Dimensions in Fisheries Management.
by:
(Language materials, manuscript)
Michael Chekhov technique in the twenty-first century = new pathways /
by:
(Language materials, printed)
Onscreen Allusions to Shakespeare = International Films, Television, and Theatre /
by:
(Language materials, printed)
Dancing Across the Lifespan = Negotiating Age, Place, and Purpose /
by:
(Language materials, printed)
Restoring the Human Context to Literary and Performance Studies = Voices in Everything /
by:
(Language materials, printed)
Marjorie Barstow and the Alexander Technique = Critical Thinking in Performing Arts Pedagogy /
by:
(Language materials, printed)
Language and Metadrama in Major Barbara and Pygmalion = Shavian Sisters /
by:
(Language materials, printed)
Uday Shankar and His Transcultural Experimentations = Dancing Modernity /
by:
(Language materials, printed)
Carlo Gozzi in Russland = Zur Rezeptionsgeschichte aus zwei Jahrhunderten /
by:
(Language materials, printed)
Applied Theatre and Intercultural Dialogue = Playfully Approaching Difference /
by:
(Language materials, printed)
Culture, History, and the Reception of Tennessee Williams in China
by:
(Language materials, printed)
The Metamorphoses of Commedia dell’Arte = Whatever Happened to Harlequin? /
by:
(Language materials, printed)
Maxwell Anderson and the Marriage Crisis = Challenging Tradition in the Jazz Age /
by:
(Language materials, printed)
Indigenous Methodologies, Research and Practices for Sustainable Development
by:
(Language materials, printed)
STEM, Theatre Arts, and Interdisciplinary Integrative Learning = Bridging the Cultures /
by:
(Language materials, printed)
Performative Figures of Queer Masculinity = A Media History of Film and Cinema in Germany Until 1945 /
by:
(Language materials, printed)
Gendered Identity and the Lost Female = Hybridity as a Partial Experience in the Anglophone Caribbean Performances /
by:
(Language materials, printed)
Bernard Shaw on the American Stage = A Chronicle of Premieres and Notable Revivals /
by:
(Language materials, printed)
Practice as Research in the Arts (and Beyond) = Principles, Processes, Contexts, Achievements /
by:
(Language materials, printed)
Jenseits der Vernunft = Form und Bedeutung in Wagners Musikdramen /
by:
(Language materials, printed)
Dramatizing Blindness = Disability Studies as Critical Creative Narrative /
by:
(Language materials, printed)
Ecoscenography = An Introduction to Ecological Design for Performance /
by:
(Language materials, printed)
Masculinities and Manhood in Contemporary Irish Drama = Acting the Man /
by:
(Language materials, printed)
Samuel Beckett’s Legacies in American Fiction = Problems in Postmodernism /
by:
(Language materials, printed)
Metatheatrical Dramaturgies of Violence = Staging the Role of Theatre /
by:
(Language materials, printed)
A History of East African Theatre, Volume 2 = Central East Africa /
by:
(Language materials, printed)
Theatres of Dust = Climate Gothic Analysis in Contemporary Australian Drama and Performance Landscapes /
by:
(Language materials, printed)
Four Caribbean Women Playwrights = Ina Césaire, Maryse Condé, Gerty Dambury and Suzanne Dracius /
by:
(Language materials, printed)
Performativity of Villainy and Evil in Anglophone Literature and Media
by:
(Language materials, printed)
Contemporary Theatre Education and Creative Learning = A Great British Journey /
by:
(Language materials, printed)
20 Ground-Breaking Directors of Eastern Europe = 30 Years After the Fall of the Iron Curtain /
by:
(Language materials, printed)
Live Literature = The Experience and Cultural Value of Literary Performance Events from Salons to Festivals /
by:
(Language materials, printed)
Staging History from the Shoah to Palestine = Three Plays and Essays on WWII and Its Aftermath /
by:
(Language materials, printed)
Site, Dance and Body = Movement, Materials and Corporeal Engagement /
by:
(Language materials, printed)
Understanding Im/politeness Through Translation = The English-Greek Paradigm /
by:
(Language materials, printed)
The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance
by:
(Language materials, printed)
Affects in 21st-Century British Theatre = Exploring Feeling on Page and Stage /
by:
(Language materials, printed)
Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /
by:
(Language materials, printed)
Theatre Across Oceans = Mediators of Transatlantic Exchange, 1890–1925 /
by:
(Language materials, printed)
Performance and Posthumanism = Staging Prototypes of Composite Bodies /
by:
(Language materials, printed)
Rehearsal Practices of Indigenous Women Theatre Makers = Australia, Aotearoa, and Turtle Island /
by:
(Language materials, printed)
Madness in Contemporary British Theatre = Resistances and Representations /
by:
(Language materials, printed)
Performing New German Realities = Turkish-German Scripts of Postmigration /
by:
(Language materials, printed)
Theatre from Rhodesia to Zimbabwe = Hegemony, Identity and a Contested Postcolony /
by:
(Language materials, printed)
The Colonial Public and the Parsi Stage = The Making of the Theatre of Empire (1853-1893) /
by:
(Language materials, printed)
Amateurtheaterprojekte zu Holocaust und Nationalsozialismus = Eine qualitative Studie zur Erinnerungskultur im 21. Jahrhundert /
by:
(Language materials, printed)
Black British Women's Theatre = Intersectionality, Archives, Aesthetics /
by:
(Language materials, printed)
Bernard Shaw and the Censors = Fights and Failures, Stage and Screen /
by:
(Language materials, printed)
Dementia, Narrative and Performance = Staging Reality, Reimagining Identities /
by:
(Language materials, printed)
The Applied Theatre Artist = Responsivity and Expertise in Practice /
by:
(Language materials, printed)
Performances of Authorial Presence and Absence = The Author Dies Hard /
by:
(Language materials, printed)
Labor and Aesthetics in European Contemporary Dance = Dancing Precarity /
by:
(Language materials, printed)
Performances of Suffering in Latin American Migration = Heroes, Martyrs and Saints /
by:
(Language materials, printed)
Experiential and Performative Anthropology in the Classroom = Engaging the Legacy of Edith and Victor Turner /
by:
(Language materials, printed)
Translated and Visiting Russian Theatre in Britain, 1945–2015 = A "Russia of the Theatrical Mind"? /
by:
(Language materials, printed)
Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
by:
(Language materials, printed)
Chinese Adaptations of Brecht = Appropriation and Intertextuality /
by:
(Language materials, printed)
Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
by:
(Language materials, printed)
Contemporary African Dance Theatre = Phenomenology, Whiteness, and the Gaze /
by:
(Language materials, printed)
Storytelling in Participatory Arts with Young People = The Gaps in the Story /
by:
(Language materials, printed)
Performing Southeast Asia = Performance, Politics and the Contemporary /
by:
(Language materials, printed)
Arts-Based Research, Resilience and Well-being Across the Lifespan
by:
(Language materials, printed)
Performing Welfare = Applied Theatre, Unemployment, and Economies of Participation /
by:
(Language materials, printed)
Applied Theatre and Sexual Health Communication = Apertures of Possibility /
by:
(Language materials, printed)
Heat and Alterity in Contemporary Dance = South-South Choreographies /
by:
(Language materials, printed)
Intercultural Aesthetics in Traditional Chinese Theatre = From 1978 to the Present /
by:
(Language materials, printed)
Arthur Miller for the Twenty-First Century = Contemporary Views of His Writings and Ideas /
by:
(Language materials, printed)
Digital Theatre = The Making and Meaning of Live Mediated Performance, US & UK 1990-2020 /
by:
(Language materials, printed)
The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction = Revolutionary and Evolutionary Paradoxes /
by:
(Language materials, printed)
Shakespearean neuroplay = reinvigorating the study of dramatic texts and performance through cognitive science /
by:
(Language materials, printed)
Staging age = the performance of age in theatre, dance, and film /
by:
(Language materials, printed)
Performing bodies in pain = medieval and post-modern martyrs, mystics, and artists /
by:
(Language materials, printed)
Performance and technology = practices of virtual embodiment and interactivity /
by:
(Language materials, printed)
Modern architecture in theater : = the experiments of art et action /
by:
(Language materials, printed)
The Group Theatre = passion, politics, and performance in the Depression Era /
by:
(Language materials, printed)
Theatre, performance and analogue technology : = historical interfaces and intermedialities /
by:
(Language materials, printed)
Politics and theatre in twentieth-century Europe : = imagination and resistance /
by:
(Language materials, printed)
Reframing immersive theatre = the politics and pragmatics of participatory performance /
by:
(Language materials, printed)
Costume design for the Shared MFA Thesis Concert : = Apple Falling & Triumph of Disruption.
by:
(Language materials, manuscript)
Ototheatre : = Learning to Listen and Perform in Sonically Augmented Spaces.
by:
(Language materials, manuscript)
The Mask of Eleanor : = A chamber opera in the form of a tenso : Music, libretto and staging.
by:
(Language materials, manuscript)
We Are Our Heroes : = Understanding Western Culture through Faust, Don Juan, and Joan Of Arc.
by:
(Language materials, manuscript)
Destination Freedom : = Strategies for Immersion in Narrative Soundscape Composition.
by:
(Language materials, manuscript)
Theatre in worship : = A curriculum for teaching theatre in the local church music ministry.
by:
(Language materials, manuscript)
Rhythm and Movement : = The Lighting Design for "Eurydice", a Living Poetic Metaphor.
by:
(Language materials, manuscript)
The Musician-Designer : = Integrating the Projection Medium Into Dramatic Musical Narrative.
by:
(Language materials, manuscript)
Best Places to Stay, Best Places to Work : = Best Practice for League of Resident Theatres Actor Housing as Explored Through the Total Product Concept.
by:
(Language materials, manuscript)
Subversive merit : = The revision of the classical clever slave as witty servant and social satirist in the comedies of Ben Jonson.
by:
(Language materials, manuscript)
The empty center : = Acting out theatric alliance in three texts by Sarah Kane.
by:
(Language materials, manuscript)
Infusing High Fashion Streetwear with Personal History : = Creating the Costume Design for Polaroid Stories.
by:
(Language materials, manuscript)
Collaborative Dramaturgy for Student Activism : = Engaging and Challenging Advanced 9th Grade Language Arts Students in the Age of Common Core.
by:
(Language materials, manuscript)
The Nether Worlds of Jennifer Haley --- A Case Study of Virtuality Theatre.
by:
(Language materials, manuscript)
Addressing Multiple Intelligences in Theatre Instruction : = Differentiation in the Middle School Theatre Arts Classroom.
by:
(Language materials, manuscript)
Taking Them Seriously : = A Study of the Long-Term Impact of Participation in the New Jersey Young Playwrights Festival.
by:
(Language materials, manuscript)
Infused Shakespeare : = Devising the Traditional in Shakespeare Performance.
by:
(Language materials, manuscript)
Illuminating the Eighteenth-Century British Stage : = Perfecting Performance through Education.
by:
(Language materials, manuscript)
The Phenomenon of the Acting Bug : = Interrogations of Identity Formation and Career Decision-Making Processes of Professional Actors.
by:
(Language materials, manuscript)
Texas Tech University theatre season subscription campaign : = A marketing analysis and plan.
by:
(Language materials, manuscript)
Feminist Shakespeares : = Adapting Shakespeare for a Modern Audience in the Hogarth Shakespeare Project.
by:
(Language materials, manuscript)
Transmedia knowledge for liberal arts and community engagement = a StudioLab manifesto /
by:
(Language materials, printed)
Mediating for Immediacy: Text, Performance, and Dramaturgy in Multimedia Shakespeare Editions.
by:
(Language materials, printed)
Dramaturgy and Architecture = Theatre, Utopia and the Built Environment /
by:
(Language materials, printed)
Entr'acte = Performing Publics, Pervasive Media, and Architecture /
by:
(Language materials, printed)
Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
by:
(Language materials, printed)
Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
by:
(Language materials, printed)
Performances of Capitalism, Crises and Resistance = Inside/Outside Europe /
by:
(Language materials, printed)
Performance and Identity in Irish Stand-Up Comedy = The Comic 'i' /
by:
(Language materials, printed)
Anthropology, Theatre, and Development = The Transformative Potential of Performance /
by:
(Language materials, printed)
Political Performance in Syria = From the Six-Day War to the Syrian Uprising /
by:
(Language materials, printed)
British Theatre and the Great War, 1914 - 1919 = New Perspectives /
by:
(Language materials, printed)
Choreographing Problems = Expressive Concepts in Contemporary Dance and Performance /
by:
(Language materials, printed)
Transatlantic Broadway = The Infrastructural Politics of Global Performance /
by:
(Language materials, printed)
The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
by:
(Language materials, printed)
Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
by:
(Language materials, printed)
Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
by:
(Language materials, printed)
The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
by:
(Language materials, printed)
Collaboration in Performance Practice = Premises, Workings and Failures /
by:
(Language materials, printed)
Migrating Modernist Performance = British Theatrical Travels Through Russia /
by:
(Language materials, printed)
Queer Performance and Contemporary Ireland = Dissent and Disorientation /
by:
(Language materials, printed)
Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
by:
(Language materials, printed)
Creativity and Community among Autism-Spectrum Youth = Creating Positive Social Updrafts through Play and Performance /
by:
(Language materials, printed)
Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
by:
(Language materials, printed)
Migration and Performance in Contemporary Ireland = Towards a New Interculturalism /
by:
(Language materials, printed)
History as Theatrical Metaphor = History, Myth and National Identities in Modern Scottish Drama /
by:
(Language materials, printed)
Child Labor in the British Victorian Entertainment Industry = 1875–1914 /
by:
(Language materials, printed)
Playful Memories = The Autofictional Turn in Post-Dictatorship Argentina /
by:
(Language materials, printed)
The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
by:
(Language materials, printed)
The Self in Performance = Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre /
by:
(Language materials, printed)
Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
by:
(Language materials, printed)
Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
by:
(Language materials, printed)
Intermedial Praxis and Practice as Research = 'Doing-Thinking' in Practice /
by:
(Language materials, printed)
Preispolitik für Theater = Strategische Preisgestaltung zwischen Einnahmesteigerung und öffentlichem Auftrag /
by:
(Language materials, printed)
International Theatre Olympics = The Artistic and Intercultural Power of Olympism /
by:
(Language materials, printed)
Teaching Postdramatic Theatre = Anxieties, Aporias and Disclosures /
by:
(Language materials, printed)
Shifting Corporealities in Contemporary Performance = Danger, Im/mobility and Politics /
by:
(Language materials, printed)
Racism and Early Blackface Comic Traditions = From the Old World to the New /
by:
(Language materials, printed)
The Road to Wicked = The Marketing and Consumption of Oz from L. Frank Baum to Broadway /
by:
(Language materials, printed)
Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
by:
(Language materials, printed)
Christina Reid's Theatre of Memory and Identity = Within and Beyond the Troubles /
by:
(Language materials, printed)
War as Performance = Conflicts in Iraq and Political Theatricality /
by:
(Language materials, printed)
Oscar Wilde and Contemporary Irish Drama = Learning to be Oscar's Contemporary /
by:
(Language materials, printed)
The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
by:
(Language materials, printed)
The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
by:
(Language materials, printed)
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
by:
(Language materials, printed)
Heilige Szenen = Räume und Strategien des Sakralen im Theater der Moderne /
by:
(Language materials, printed)
Kinesthetic Spectatorship in the Theatre = Phenomenology, Cognition, Movement /
by:
(Language materials, printed)
The Comic Everywoman in Irish Popular Theatre = Political Melodrama, 1890-1925 /
by:
(Language materials, printed)
The Palgrave Handbook of Contemporary Irish Theatre and Performance
by:
(Language materials, printed)
Theatre and National Identity in Colonial India = Formation of a Community through Cultural Practice /
by:
(Language materials, printed)
The Use of Asian Theatre for Modern Western Theatre = The Displaced Mirror /
by:
(Language materials, printed)
Cultural Identity in British Musical Theatre, 1890–1939 = Knowing One’s Place /
by:
(Language materials, printed)
Staging the Past in the Age of Thatcher = "The History We Haven't Had" /
by:
(Language materials, printed)
Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
by:
(Language materials, printed)
Der Anti-Stress-Trainer für Assistenzen = Mit Souveränität und Gelassenheit das Sekretariat meistern /
by:
(Language materials, printed)
Reluctant Celebrity = Affect and Privilege in Contemporary Stardom /
by:
(Language materials, printed)
Theatre for Peacebuilding = The Role of Arts in Conflict Transformation in South Asia /
by:
(Language materials, printed)
Performing Character in Modern Irish Drama = Between Art and Society /
by:
(Language materials, printed)
Bernard Shaw’s Fiction, Material Psychology, and Affect = Shaw, Freud, Simmel /
by:
(Language materials, printed)
Slam Poetry = Deutsch–US-amerikanische Studie zu den Ansichten und Handlungsweisen der Akteure /
by:
(Language materials, printed)
Posthuman Spiritualities in Contemporary Performance = Politics, Ecologies and Perceptions /
by:
(Language materials, printed)
Viral Dramaturgies = HIV and AIDS in Performance in the Twenty-First Century /
by:
(Language materials, printed)
A Theatre Laboratory Approach to Pedagogy and Creativity = Odin Teatret and Group Learning /
by:
(Language materials, printed)
Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
by:
(Language materials, printed)
Local Movie Supply in the German Motion Picture Industry = An Industrial Organization Perspective /
by:
(Language materials, printed)
Posthuman Pedagogies in Practice = Arts based Approaches for Developing Participatory Futures /
by:
(Language materials, printed)
Robert Lepage’s Scenographic Dramaturgy = The Aesthetic Signature at Work /
by:
(Language materials, printed)
The Civil Rights Theatre Movement in New York, 1939–1966 = Staging Freedom /
by:
(Language materials, printed)
Austerity and the Public Role of Drama = Performing Lives-in-Common /
by:
(Language materials, printed)
Performing Dream Homes = Theater and the Spatial Politics of the Domestic Sphere /
by:
(Language materials, printed)
Intercultural Education, Folklore, and the Pedagogical Thought of Rachel Davis DuBois
by:
(Language materials, printed)
David Greig’s Holed Theatre = Globalization, Ethics and the Spectator /
by:
(Language materials, printed)
Maternal Representations in Twenty-First Century Broadway Musicals = Stage Mothers /
by:
(Language materials, printed)
Reenacting Shakespeare in the Shakespeare Aftermath = The Intermedial Turn and Turn to Embodiment /
by:
(Language materials, printed)
Praxishandbuch Musiktheater für junges Publikum = Konzepte – Entwicklungen – Herausforderungen /
by:
(Language materials, printed)
Media Archaeology and Intermedial Performance = Deep Time of the Theatre /
by:
(Language materials, printed)
Topografie des Laiendarsteller-Diskurses = Zur Konstruktion von Laiendarstellerinnen und Laiendarstellern im Kinospielfilm /
by:
(Language materials, printed)
The Director and Directing = Craft, Process and Aesthetic in Contemporary Theatre /
by:
(Language materials, printed)
Modernism and Scottish Theatre since 1969 = A Revolution on Stage /
by:
(Language materials, printed)
Transmedia Knowledge for Liberal Arts and Community Engagement = A StudioLab Manifesto /
by:
(Language materials, printed)
Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
by:
(Language materials, printed)
Performance and the Disney Theme Park Experience = The Tourist as Actor /
by:
(Language materials, printed)
A New History of Medieval Japanese Theatre = Noh and Kyōgen from 1300 to 1600 /
by:
(Language materials, printed)
Show more
Fewer
Subjects