國立虎尾科技大學 |

The Object of Comedy = Philosophies and Performances /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Object of Comedy/ edited by Jamila M. H. Mascat, Gregor Moder.
其他題名:	Philosophies and Performances /
其他作者:	Mascat, Jamila M. H.
面頁冊數:	XIII, 300 p. 3 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Theater. -
電子資源:	https://doi.org/10.1007/978-3-030-27742-0
ISBN:	9783030277420

The Object of Comedy = Philosophies and Performances /
The Object of ComedyPhilosophies and Performances /[electronic resource] :edited by Jamila M. H. Mascat, Gregor Moder. - 1st ed. 2019. - XIII, 300 p. 3 illus.online resource. - Performance Philosophy. - Performance Philosophy.

Section 1 – Comic Philosophy -- Chapter 1. The uncanny and the comic. Freud avec Lubitsch – Mladen Dolar -- Chapter 2. How They Fought – Sandra Laugier -- Chapter 3. Hegel and the Misadventures of Consciousness. On Comedy and Revolutionary Partisanship – Jamila M. H. Mascat -- Chapter 4. The Aborted Object of Comedy & the Birth of the Subject. Socrates and Aristophanes’ Alliance – Rachel Aumiller -- Section 2 – Comic Psychoanalysis -- Chapter 5. The Three Moments of Comedy – Robert Pfaller -- Chapter 6. From Objects of Desire to Objects of Comedy in Chaplin’s Modern Times – Alfie Bown -- Chapter 7. Where Does Dirt Come From? – Alenka Zupančič -- Section 3 – Screening Comedy -- Chapter 8. Seriously Funny: Comedy and Authority in The Boss of it All – Benjamin Noys -- Chapter 9. Stoicism, Causality, Divine Providence and Comedy in Buster Keaton’s The General – Lisa Trahair -- Chapter 10. Bad Cops – Todd McGowan -- Section 4 – Performing Comedy -- Chapter 11. Richard Pryor, the Conedian – Alexi Kukuljevic -- Chapter 12. Comedy as Performance – Gregor Moder -- Chapter 13. After Death Comes Humour. On the Poetics of Alexander Vvedensky – Keti Chukhrov -- Chapter 14. Asking for It. An exchange – Cassandra Seltman and Vanessa Place -- Chapter 15. Of Organic Comedies. Interview with Romeo Castellucci – Jamila M.H. Mascat.

What is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of comedy but also its objectives – both its deliberate goals and its unintended side effects. In researching the object of comedy, the contributions gathered here encounter comedy as a philosophical object: instead of approaching comedy as a genre, the book engages with it as a language, a medium, an artifice, a weapon, a puzzle or a trouble, a vocation and a repetition. Thus philosophy meets comedy at the intersection of various fields (e.g. psychoanalysis, film studies, cultural studies, and performance studies) –regions that comical practices and theories in fact already traverse.

ISBN: 9783030277420

Standard No.: 10.1007/978-3-030-27742-0doiSubjects--Topical Terms:

836732
Theater.

LC Class. No.: PN2000-3307

Dewey Class. No.: 792

The Object of Comedy = Philosophies and Performances /
LDR:03660nam a22004095i 4500 001 1011059
003 DE-He213
005 20200704141239.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783030277420 $9 978-3-030-27742-0
024 7 $a 10.1007/978-3-030-27742-0 $2 doi
035 $a 978-3-030-27742-0
050 4 $a PN2000-3307
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 792 $2 23
245 1 4 $a The Object of Comedy $h [electronic resource] : $b Philosophies and Performances / $c edited by Jamila M. H. Mascat, Gregor Moder.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a XIII, 300 p. 3 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Performance Philosophy
505 0 $a Section 1 – Comic Philosophy -- Chapter 1. The uncanny and the comic. Freud avec Lubitsch – Mladen Dolar -- Chapter 2. How They Fought – Sandra Laugier -- Chapter 3. Hegel and the Misadventures of Consciousness. On Comedy and Revolutionary Partisanship – Jamila M. H. Mascat -- Chapter 4. The Aborted Object of Comedy & the Birth of the Subject. Socrates and Aristophanes’ Alliance – Rachel Aumiller -- Section 2 – Comic Psychoanalysis -- Chapter 5. The Three Moments of Comedy – Robert Pfaller -- Chapter 6. From Objects of Desire to Objects of Comedy in Chaplin’s Modern Times – Alfie Bown -- Chapter 7. Where Does Dirt Come From? – Alenka Zupančič -- Section 3 – Screening Comedy -- Chapter 8. Seriously Funny: Comedy and Authority in The Boss of it All – Benjamin Noys -- Chapter 9. Stoicism, Causality, Divine Providence and Comedy in Buster Keaton’s The General – Lisa Trahair -- Chapter 10. Bad Cops – Todd McGowan -- Section 4 – Performing Comedy -- Chapter 11. Richard Pryor, the Conedian – Alexi Kukuljevic -- Chapter 12. Comedy as Performance – Gregor Moder -- Chapter 13. After Death Comes Humour. On the Poetics of Alexander Vvedensky – Keti Chukhrov -- Chapter 14. Asking for It. An exchange – Cassandra Seltman and Vanessa Place -- Chapter 15. Of Organic Comedies. Interview with Romeo Castellucci – Jamila M.H. Mascat.
520 $a What is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of comedy but also its objectives – both its deliberate goals and its unintended side effects. In researching the object of comedy, the contributions gathered here encounter comedy as a philosophical object: instead of approaching comedy as a genre, the book engages with it as a language, a medium, an artifice, a weapon, a puzzle or a trouble, a vocation and a repetition. Thus philosophy meets comedy at the intersection of various fields (e.g. psychoanalysis, film studies, cultural studies, and performance studies) –regions that comical practices and theories in fact already traverse.
650 0 $a Theater. $2 swd $3 836732
650 0 $a Performing arts. $3 556749
650 0 $a Philosophy. $3 559771
650 1 4 $a Contemporary Theatre. $3 1141651
650 2 4 $a Performing Arts. $3 670086
650 2 4 $a Philosophy, general. $3 1069287
700 1 $a Mascat, Jamila M. H. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1305197
700 1 $a Moder, Gregor. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1305198
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030277413
776 0 8 $i Printed edition: $z 9783030277437
776 0 8 $i Printed edition: $z 9783030277444
830 0 $a Performance Philosophy $3 1259496
856 4 0 $u https://doi.org/10.1007/978-3-030-27742-0
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)