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Standing in Creon's shadow : = Defining the female tragic hero.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Standing in Creon's shadow :/
其他題名:
Defining the female tragic hero.
作者:
Hinson, Pamela Denise.
面頁冊數:
1 online resource (76 pages)
附註:
Source: Masters Abstracts International, Volume: 72-03.
Contained By:
Masters Abstracts International72-03.
標題:
British & Irish literature. -
電子資源:
click for full text (PQDT)
ISBN:
9781124125848
Standing in Creon's shadow : = Defining the female tragic hero.
Hinson, Pamela Denise.
Standing in Creon's shadow :
Defining the female tragic hero. - 1 online resource (76 pages)
Source: Masters Abstracts International, Volume: 72-03.
Thesis (M.A.)--California State University, Dominguez Hills, 2010.
Includes bibliographical references
Defining the female tragic hero has been complicated by her standing as a woman in a patriarchal history. This thesis makes the case that the female tragic hero cannot be defined in the Aristotelian tradition, but rather must be defined on her own terms. Ultimately, we must overcome the engrained perceptions of the feminine and define a model of the tragic heroine using archetypes rather than social or cultural constraints. This tragic hero manifests the tension between feminine selfhood and societal expectations in a patriarchal society, and her subsequent downfall occurs because of the failure of the society that refuses to acknowledge her rather than her own hamartia. This model is then applied to several feminine characters-Antigone, Cleopatra, Hedda Gabler, Edna Pontellier and Sethe-that represent a broad sample of ancient and contemporary literature by both male and female authors.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024
Mode of access: World Wide Web
ISBN: 9781124125848Subjects--Topical Terms:
1148425
British & Irish literature.
Subjects--Index Terms:
Chopin, KateIndex Terms--Genre/Form:
554714
Electronic books.
Standing in Creon's shadow : = Defining the female tragic hero.
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Defining the female tragic hero has been complicated by her standing as a woman in a patriarchal history. This thesis makes the case that the female tragic hero cannot be defined in the Aristotelian tradition, but rather must be defined on her own terms. Ultimately, we must overcome the engrained perceptions of the feminine and define a model of the tragic heroine using archetypes rather than social or cultural constraints. This tragic hero manifests the tension between feminine selfhood and societal expectations in a patriarchal society, and her subsequent downfall occurs because of the failure of the society that refuses to acknowledge her rather than her own hamartia. This model is then applied to several feminine characters-Antigone, Cleopatra, Hedda Gabler, Edna Pontellier and Sethe-that represent a broad sample of ancient and contemporary literature by both male and female authors.
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