Classical studies.
Overview
Works: | 28 works in 0 publications in 0 languages |
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Titles
Ritual, Social Organization, and Monumental Architecture : = A Case Study of Monumental Tombs in the Goksu Valley.
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Defining Politics : = On History and Political Thought in Homer's "Iliad", with a Focus on Books 1-9.
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Dedication and Display of Portrait Statues in Hellenistic Greece : = Spatial Practices and Identity Politics.
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Egypt in Empire : = Augustan Temple Art and Architecture at Karnak, Philae, Kalabsha, Dendur, and Alexandria.
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Literary Families and Ancient Hermeneutics : = Acts and Greco-Roman Contemporary Historiography.
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Athena and Herakles a Divine Couple? The Use Of Ancient Sexual Artistic Conventions In Context.
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Meaning, Exchange, and Wine Economics : = An Investigation into the Minoan Trickle Pattern Motif's Presence and Use from the Early Minoan I - Late Minoan III.
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Bishops and Books : = Literary Authenticity and Authority in Early Christianity.
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Desiring Athletes : = The Meaning of Athletic Imagery on Red-Figure Athenian Symposium Pottery.
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A tale of animals : = The changing images of animals in animal fantasy for children from Aesop's Fables through 1986.
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Iliadic and Odyssean Receptions in Tragedy and the Argonautica.
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The Trauma of Ovid's Mythic Women : = Rape, Captivity, Silence.
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Unnatural Narrative and Temporal Distortion in Vergil's Aeneid.
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Standing in Creon's shadow : = Defining the female tragic hero.
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The myth of Theseus and individuation : = An archetypal study of the labyrinthine psyche.
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Spontaneous Activity and Truthfulness in Aristotle's Theory of Perception.
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Emotion in Politics : = Envy, Jealousy, and Rulership in Archaic and Classical Greece.
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Irony and the Interpretation of Theocritus' Idylls 24, 18, and 26.
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Pergamon's Athena Parthenos : = Questions of Greek Identity and the Impact of Ancient and Modern Display.
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A Grammar of Dramatic Technique : = The Dramatic Structure of the Carpet Scene in Aeschylus' "Agamemnon" (Classics, Semiotics, Theater; Greece)
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The Roman Revolutionaries : = The Evolution of Revolution in Ancient Rome.
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Of Heroes, Kings, and Emperors : = Royal and Heroic Christology in the Apocalypse.
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Why Kṛṣṇa and Sakti Have Their Own Grammars : = The Case of Jiva Gosvamin and Balarama Pancanana.
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The Serpent's Call : = A Pursuit of the Exiled Voice of Transgressive Invitation.
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