國立虎尾科技大學 |

The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Reasonable Audience/ by Kirsty Sedgman.
其他題名:	Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
作者:	Sedgman, Kirsty.
面頁冊數:	XI, 174 p. 2 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Theater. -
電子資源:	https://doi.org/10.1007/978-3-319-99166-5
ISBN:	9783319991665

The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
Sedgman, Kirsty.

The Reasonable AudienceTheatre Etiquette, Behaviour Policing, and the Live Performance Experience /[electronic resource] :by Kirsty Sedgman. - 1st ed. 2018. - XI, 174 p. 2 illus.online resource.

1. Introduction -- 2. The Theatre Contract -- 3. Audience Attention & Aesthetic Experience -- 4. A Defence of Theatre Etiquette -- 5. On the Reasonable Audience -- 6. Marked/Unmarked Bodies.

Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back… The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.

ISBN: 9783319991665

Standard No.: 10.1007/978-3-319-99166-5doiSubjects--Topical Terms:

836732
Theater.

LC Class. No.: PN2000-3307

Dewey Class. No.: 792

The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
LDR:02658nam a22003855i 4500 001 988808
003 DE-He213
005 20200630122935.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319991665 $9 978-3-319-99166-5
024 7 $a 10.1007/978-3-319-99166-5 $2 doi
035 $a 978-3-319-99166-5
050 4 $a PN2000-3307
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 792 $2 23
100 1 $a Sedgman, Kirsty. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1210518
245 1 4 $a The Reasonable Audience $h [electronic resource] : $b Theatre Etiquette, Behaviour Policing, and the Live Performance Experience / $c by Kirsty Sedgman.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2018.
300 $a XI, 174 p. 2 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Introduction -- 2. The Theatre Contract -- 3. Audience Attention & Aesthetic Experience -- 4. A Defence of Theatre Etiquette -- 5. On the Reasonable Audience -- 6. Marked/Unmarked Bodies.
520 $a Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back… The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.
650 0 $a Theater. $2 swd $3 836732
650 0 $a Performing arts. $3 556749
650 1 4 $a Contemporary Theatre. $3 1141651
650 2 4 $a Performing Arts. $3 670086
650 2 4 $a Theatre Industry. $3 1140320
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319991658
776 0 8 $i Printed edition: $z 9783319991672
856 4 0 $u https://doi.org/10.1007/978-3-319-99166-5
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)