國立虎尾科技大學 |

English Theatre and Social Abjection = A Divided Nation /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	English Theatre and Social Abjection / by Nadine Holdsworth.
其他題名:	A Divided Nation /
作者:	Holdsworth, Nadine.
面頁冊數:	XI, 237 p. 6 illus., 5 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Theatre and Performance Studies. -
電子資源:	https://doi.org/10.1057/978-1-137-59777-9
ISBN:	9781137597779

English Theatre and Social Abjection = A Divided Nation /
Holdsworth, Nadine.

English Theatre and Social Abjection A Divided Nation /[electronic resource] :by Nadine Holdsworth. - 1st ed. 2020. - XI, 237 p. 6 illus., 5 illus. in color.online resource. - Contemporary Performance InterActions,2634-5870. - Contemporary Performance InterActions,.

1. Introduction - A Divided Nation: Theatre and Social Abjection -- 2. Chapter One - ‘Anti-Northern Prejudice’: Representing the Northern Subaltern -- 3. Chapter Two - ‘You’re All the Same, Lads with Bricks’: Riots and Rioters -- 4. Chapter Three - Blighting these Green and Pleasant Lands: Gypsies and Travellers -- 5. Chapter Four - ‘The Beast that Lies Dormant in the Belly of Our Country’: Race, Nation and Belonging -- .

Focusing on contemporary English theatre, this book asks a series of questions: How has theatre contributed to understandings of the North-South divide? What have theatrical treatments of riots offered to wider debates about their causes and consequences? Has theatre been able to intervene in the social unease around Gypsy and Traveller communities? How has theatre challenged white privilege and the persistent denigration of black citizens? In approaching these questions, this book argues that the nation is blighted by a number of internal rifts that pit people against each other in ways that cast particular groups as threats to the nation, as unruly or demeaned citizens – as ‘social abjects’. It interrogates how those divisions are generated and circulated in public discourse and how theatre offers up counter-hegemonic and resistant practices that question and challenge negative stigmatization, but also how theatre can contribute to the recirculation of problematic cultural imaginaries.

ISBN: 9781137597779

Standard No.: 10.1057/978-1-137-59777-9doiSubjects--Topical Terms:

1104911
Theatre and Performance Studies.

LC Class. No.: PN1560-1590

Dewey Class. No.: 790

English Theatre and Social Abjection = A Divided Nation /
LDR:02851nam a22003975i 4500 001 1022738
003 DE-He213
005 20200930202819.0
007 cr nn 008mamaa
008 210318s2020 xxk| s |||| 0|eng d
020 $a 9781137597779 $9 978-1-137-59777-9
024 7 $a 10.1057/978-1-137-59777-9 $2 doi
035 $a 978-1-137-59777-9
050 4 $a PN1560-1590
072 7 $a AS $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 790 $2 23
100 1 $a Holdsworth, Nadine. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1210425
245 1 0 $a English Theatre and Social Abjection $h [electronic resource] : $b A Divided Nation / $c by Nadine Holdsworth.
250 $a 1st ed. 2020.
264 1 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a XI, 237 p. 6 illus., 5 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Contemporary Performance InterActions, $x 2634-5870
505 0 $a 1. Introduction - A Divided Nation: Theatre and Social Abjection -- 2. Chapter One - ‘Anti-Northern Prejudice’: Representing the Northern Subaltern -- 3. Chapter Two - ‘You’re All the Same, Lads with Bricks’: Riots and Rioters -- 4. Chapter Three - Blighting these Green and Pleasant Lands: Gypsies and Travellers -- 5. Chapter Four - ‘The Beast that Lies Dormant in the Belly of Our Country’: Race, Nation and Belonging -- .
520 $a Focusing on contemporary English theatre, this book asks a series of questions: How has theatre contributed to understandings of the North-South divide? What have theatrical treatments of riots offered to wider debates about their causes and consequences? Has theatre been able to intervene in the social unease around Gypsy and Traveller communities? How has theatre challenged white privilege and the persistent denigration of black citizens? In approaching these questions, this book argues that the nation is blighted by a number of internal rifts that pit people against each other in ways that cast particular groups as threats to the nation, as unruly or demeaned citizens – as ‘social abjects’. It interrogates how those divisions are generated and circulated in public discourse and how theatre offers up counter-hegemonic and resistant practices that question and challenge negative stigmatization, but also how theatre can contribute to the recirculation of problematic cultural imaginaries.
650 2 4 $a Theatre and Performance Studies. $3 1104911
650 2 4 $a Performers and Practitioners. $3 1172194
650 2 4 $a National/Regional Theatre and Performance. $3 1172195
650 2 4 $a Contemporary Theatre. $3 1141651
650 2 4 $a Theatre Industry. $3 1140320
650 1 4 $a Performing Arts. $3 670086
650 0 $a Actors. $2 fast $3 1006855
650 0 $a Theater. $2 swd $3 836732
650 0 $a Performing arts. $3 556749
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781137597762
776 0 8 $i Printed edition: $z 9781349998272
830 0 $a Contemporary Performance InterActions, $x 2634-5870 $3 1266937
856 4 0 $u https://doi.org/10.1057/978-1-137-59777-9
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)