Performing arts.
Overview
| Works: | 436 works in 9 publications in 9 languages | |
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Titles
The rise of performance studies = rethinking Richard Schechner's broad spectrum /
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Cyborg theatre = corporeal/technological intersections in multimedia performance /
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Audience engagement and the role of arts talk in the digital era /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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Kinesthetic Empathy and Color : = The Impact of Lighting Design on Audience Connection.
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Strength in numbers : = Data-driven strategic marketing in mid-sized to large performing arts organizations.
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Exploration of modeling strategies in applied piano studios in Korea.
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21st century choral performance practice : = Presenting the mash-up with practical applications.
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Humanistic Vocal Pedagogy : = Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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Ototheatre : = Learning to Listen and Perform in Sonically Augmented Spaces.
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Monstrous Erotics : = Poetics of Embodiment in Black Diasporic Women's Performance.
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Ready to blow your mind : = Andy Warhol's exploding plastic inevitable.
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Developing Popular Music Programs in Higher Education : = Exploring Possibilities.
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Motivation Strategies for Improving Consistency in Live-Entertainment Employees' Performances.
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Design as an Accompaniment to Performance Art : = Incorporating Imagery to Amplify Emotional Impact.
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Queering the Body : = Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
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Young Adults and Nonprofit Arts and Culture Organizations : = A Generational Change Analysis.
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The Nether Worlds of Jennifer Haley --- A Case Study of Virtuality Theatre.
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Dancing Bodies of Central Africa : = Spiritualities, Tradition, and Modernity.
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Writing Music and Its Role in a Conductor's Training as a Performer.
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Performance in Ones and Zeros : = No-Budget Cinema in the Digital Era.
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Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
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Financial Challenges of New Media Art in Contemporary Arts Institutions.
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Collaborative crossover : = Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
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The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
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Digital echoes = spaces for intangible and performance-based cultural heritage /
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Collaboration in performance practice = premises, workings and failures /
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Educating in the Arts = The Asian Experience: Twenty-Four Essays /
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Dramaturgy and Architecture = Theatre, Utopia and the Built Environment /
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Entr'acte = Performing Publics, Pervasive Media, and Architecture /
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Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
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Imagining Shakespeare's Original Audience, 1660-2000 = Groundlings, Gallants, Grocers /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Performances of Capitalism, Crises and Resistance = Inside/Outside Europe /
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Performance and Identity in Irish Stand-Up Comedy = The Comic 'i' /
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Anthropology, Theatre, and Development = The Transformative Potential of Performance /
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Political Performance in Syria = From the Six-Day War to the Syrian Uprising /
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British Theatre and the Great War, 1914 - 1919 = New Perspectives /
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Multiplicity, Embodiment and the Contemporary Dancer = Moving Identities /
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The Art of Public Space = Curating and Re-imagining the Ephemeral City /
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Choreographing Problems = Expressive Concepts in Contemporary Dance and Performance /
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Transatlantic Broadway = The Infrastructural Politics of Global Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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The Dancer's World, 1920 - 1945 = Modern Dancers and their Practices Reconsidered /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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Brazilian Bodies and Their Choreographies of Identification = Swing Nation /
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Defiant Itineraries = Caribbean Paradigms in American Dance and Film /
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Conjuring Science = A History of Scientific Entertainment and Stage Magic in Modern France /
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Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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Language, Music, and Computing = First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers /
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Collaboration in Performance Practice = Premises, Workings and Failures /
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Migrating Modernist Performance = British Theatrical Travels Through Russia /
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Queer Performance and Contemporary Ireland = Dissent and Disorientation /
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Ethno Identity Dance for Sex, Fun and Profit = Staging Popular Dances Around the World /
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Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
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Anti-War Theatre After Brecht = Dialectical Aesthetics in the Twenty-First Century /
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Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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Beyond Immersive Theatre = Aesthetics, Politics and Productive Participation /
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Reframing Immersive Theatre = The Politics and Pragmatics of Participatory Performance /
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History as Theatrical Metaphor = History, Myth and National Identities in Modern Scottish Drama /
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Post-Conflict Performance, Film and Visual Arts = Cities of Memory /
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Child Labor in the British Victorian Entertainment Industry = 1875–1914 /
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Die ästhetisch-narrativen Dimensionen des 3D-Films = Neue Perspektiven der Stereoskopie /
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Lasting Screen Stars = Images that Fade and Personas that Endure /
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The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
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The Theatre of Death – The Uncanny in Mimesis = Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor /
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The Self in Performance = Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre /
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Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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Adapting War Horse = Cognition, the Spectator, and a Sense of Play /
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Embodied Philosophy in Dance = Gaga and Ohad Naharin's Movement Research /
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Intermedial Praxis and Practice as Research = 'Doing-Thinking' in Practice /
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American Progress = Nerdkultur, akrobatische Komik und Commedia dell'arte /
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Improvisieren = Material, Interaktion, Haltung und Musik aus soziologischer Perspektive /
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Intersecting Cultures in Music and Dance Education = An Oceanic Perspective /
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Embodying Language in Action = The Artistry of Process Drama in Second Language Education /
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Poetry and Pedagogy across the Lifespan = Disciplines, Classrooms, Contexts /
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Shifting Corporealities in Contemporary Performance = Danger, Im/mobility and Politics /
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Economies of Collaboration in Performance = More than the Sum of the Parts /
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War as Performance = Conflicts in Iraq and Political Theatricality /
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Beckett, Deleuze and Performance = A Thousand Failures and A Thousand Inventions /
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Theatricality and Performativity = Writings on Texture from Plato’s Cave to Urban Activism /
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Experimental and Expanded Animation = New Perspectives and Practices /
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The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
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The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
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Performing Music History = Musicians Speak First-Hand about Music History and Performance /
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Kinesthetic Spectatorship in the Theatre = Phenomenology, Cognition, Movement /
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The Use of Asian Theatre for Modern Western Theatre = The Displaced Mirror /
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Staging the Past in the Age of Thatcher = "The History We Haven't Had" /
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Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
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Exploring, Experiencing, and Envisioning Integration in US Arts Education
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Creative Selves / Creative Cultures = Critical Autoethnography, Performance, and Pedagogy /
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Digital Echoes = Spaces for Intangible and Performance-based Cultural Heritage /
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Choreographing the Airport = Field Notes from the Transit Spaces of Global Mobility /
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African Youth Languages = New Media, Performing Arts and Sociolinguistic Development /
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Dance Matters in Ireland = Contemporary Dance Performance and Practice /
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Posthuman Spiritualities in Contemporary Performance = Politics, Ecologies and Perceptions /
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Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
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Große Gesellschaft in kleiner Gruppe = Zum Eigensinn bürgerschaftlichen Engagements für Oper und Theater /
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The Theatre of Imagining = A Cultural History of Imagination in the Mind and on the Stage /
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The Civil Rights Theatre Movement in New York, 1939–1966 = Staging Freedom /
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Austerity and the Public Role of Drama = Performing Lives-in-Common /
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Sustainable Tools for Precarious Times = Performance Actions in the Americas /
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Memory, Identity and Cognition: Explorations in Culture and Communication
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Performing Dream Homes = Theater and the Spatial Politics of the Domestic Sphere /
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Audience Engagement in the Performing Arts = A Critical Analysis /
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David Greig’s Holed Theatre = Globalization, Ethics and the Spectator /
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Translating across Sensory and Linguistic Borders = Intersemiotic Journeys between Media /
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Creative Measures of the Anthropocene = Art, Mobilities, and Participatory Geographies /
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Die Regeln des Spiels = Programm und Spielplan-Gestaltung im Theater /
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Media Archaeology and Intermedial Performance = Deep Time of the Theatre /
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Body and Event in Howard Barker's Drama = From Catastrophe to Anastrophe in The Castle and Other Plays /
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Modernism and Scottish Theatre since 1969 = A Revolution on Stage /
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Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
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Ökonomik der Kunst und Kultur = Kompakt – verständlich – anwendungsorientiert /
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Performance and the Disney Theme Park Experience = The Tourist as Actor /
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Seeing as Practice = Philosophical Investigations into the Relation Between Sight and Insight /
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The Future of Music = Towards a Computational Musical Theory of Everything /
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Digital Theatre = The Making and Meaning of Live Mediated Performance, US & UK 1990-2020 /
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Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Ubuntu as Dance Pedagogy in Uganda = Individuality, Community, and Inclusion in Teaching and Learning of Indigenous Dances /
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What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
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Adaptation Considered as a Collaborative Art = Process and Practice /
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Intercultural Aesthetics in Traditional Chinese Theatre = From 1978 to the Present /
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Heat and Alterity in Contemporary Dance = South-South Choreographies /
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Applied Theatre and Sexual Health Communication = Apertures of Possibility /
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Performing Welfare = Applied Theatre, Unemployment, and Economies of Participation /
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The Comedy and Legacy of Music-Hall Women 1880-1920 = Brazen Impudence and Boisterous Vulgarity /
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Performing Southeast Asia = Performance, Politics and the Contemporary /
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Storytelling in Participatory Arts with Young People = The Gaps in the Story /
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Performative Figuren queerer Männlichkeit = Eine Mediengeschichte von Film und Kino in Deutschland bis 1945 /
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Contemporary African Dance Theatre = Phenomenology, Whiteness, and the Gaze /
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Traditioneller Fortschritt = Das Stuttgarter Hoftheater, die elektrische Moderne und die Großstadt (1851-1912) /
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Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
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Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
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Translated and Visiting Russian Theatre in Britain, 1945–2015 = A "Russia of the Theatrical Mind"? /
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Performances of Suffering in Latin American Migration = Heroes, Martyrs and Saints /
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Pop with Gods, Shakespeare, and AI = Popular Film, (Musical) Theatre, and TV Drama /
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Labor and Aesthetics in European Contemporary Dance = Dancing Precarity /
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The Applied Theatre Artist = Responsivity and Expertise in Practice /
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Dementia, Narrative and Performance = Staging Reality, Reimagining Identities /
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Performing New German Realities = Turkish-German Scripts of Postmigration /
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Dramatizing Blindness = Disability Studies as Critical Creative Narrative /
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Madness in Contemporary British Theatre = Resistances and Representations /
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Performance and Posthumanism = Staging Prototypes of Composite Bodies /
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Theatre Across Oceans = Mediators of Transatlantic Exchange, 1890–1925 /
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Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /
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Affects in 21st-Century British Theatre = Exploring Feeling on Page and Stage /
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Space-Time Geometries for Motion and Perception in the Brain and the Arts
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The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance
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Shakespeare's Storytelling = An Introduction to Genre, Character, and Technique /
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Ways of Seeing in the Neoliberal State = A Controversial Play and Its Contexts /
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Contemporary Theatre Education and Creative Learning = A Great British Journey /
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Polyrhythmicity in Language, Music and Society = Complex Time Relations in the Arts, Humanities and Social Sciences /
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Choreographing Agonism = Politics, Strategies and Performances of the Left /
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Metatheatrical Dramaturgies of Violence = Staging the Role of Theatre /
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Masculinities and Manhood in Contemporary Irish Drama = Acting the Man /
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Dramatizing Blindness = Disability Studies as Critical Creative Narrative /
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Jenseits der Vernunft = Form und Bedeutung in Wagners Musikdramen /
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Practice as Research in the Arts (and Beyond) = Principles, Processes, Contexts, Achievements /
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Gendered Identity and the Lost Female = Hybridity as a Partial Experience in the Anglophone Caribbean Performances /
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Performative Figures of Queer Masculinity = A Media History of Film and Cinema in Germany Until 1945 /
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STEM, Theatre Arts, and Interdisciplinary Integrative Learning = Bridging the Cultures /
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Indigenous Methodologies, Research and Practices for Sustainable Development
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The Metamorphoses of Commedia dell’Arte = Whatever Happened to Harlequin? /
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Applied Theatre and Intercultural Dialogue = Playfully Approaching Difference /
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Carlo Gozzi in Russland = Zur Rezeptionsgeschichte aus zwei Jahrhunderten /
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Uday Shankar and His Transcultural Experimentations = Dancing Modernity /
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Language and Metadrama in Major Barbara and Pygmalion = Shavian Sisters /
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Marjorie Barstow and the Alexander Technique = Critical Thinking in Performing Arts Pedagogy /
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Restoring the Human Context to Literary and Performance Studies = Voices in Everything /
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Dancing Across the Lifespan = Negotiating Age, Place, and Purpose /
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Onscreen Allusions to Shakespeare = International Films, Television, and Theatre /
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Professing performance : = theatre in the academy from philololgy to performativity /
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HANDiMATE : = Digital Puppeteering Using a Hand Depth Sensor for Animation.
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Performance Anxiety and Human Needs : = A Transcendental Phenomenological Study.
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Listening to Music Educators in Sonora, Mexico While Challenging My Privilege : = An Autoethnographic Account.
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Collective Embodiment and Communal Feeling : = A Critical Somatics Approach to Performance for Social Change.
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Finding Messiaen's Blackbird : = An Investigative Analysis of Birdsong and Other Techniques Used in Le Merle Noir.
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Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.
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The Paradoxical Twenty-Fifth : = Performance, Race, and Conditional Belonging on the American Imperial Frontier, 1882-1918.
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Pushing theatre of the oppressed toward a Theatre of Solidarity.
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The application of contemporary double bass left hand techniques applied in the orchestra repertoire.
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They Kiss : = How Intimacy Directors Translate Intimate Stage Directions.
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Women Over 50 Club : = Age and TikTok Dancing in the COVID-19 Pandemic.
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A Novel Approach : = Exploring Novels as Text Sources in Art Song.
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Chinese Female Representation on Short Video Applications and Their Perception : = Douyin (TikTok) as a Case Study.
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Unconventional Wisdom in Resonating Echoes of the Past : = a Memoir on the Life and Music of Royal Hartigan.
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The Merrie Monarch Festival : = Hawaiian Cultural Survivance Through Hula Performance.
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Playing With Shadows : = Tools for Interactive DMX Design in Max/MSP for Musical Composition.
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Game (Over) Life : = Autoethnographic Performance of Video Games and Play.
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This Place Is a Message : = A Case Study Examining the Role of Emotion, Storytelling, and Interactive Performance Art in Climate Change Communication.
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Talking Back : = An Exploration of Negative Self-Talk in Undergraduate Voice Majors.
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Cracking the Code : = Teaching Piano Students the Art of Musical Interpretation, with Practical Applications for All Levels.
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Sounds of Dissent : = Sonic Representations of Resistance in 1960s Free Jazz.
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Kaleidoscope : = Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000.
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Getting in on the Action : = Spectatorship at the Technologized Interface of Live Performance.
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The Effect of Pilates and Strength Training on Quality of Life and Pain in Musicians.
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"New Music Ambassadors to the World" : = A Biography of the California E.A.R. Unit.
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Analytic Frameworks for Music Livestreaming : = Liveness, Joint Attention, and the Dynamics of Participation.
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Decision-Making Processes of Non-Music Major Undergraduate Students to Enroll in String Instrument and Orchestra Lessons.
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Clinical Artistry : = Creative Use of Digital Technologies in Systemic Psychotherapy Practice.
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La La Land of Reality - A Dual Spatial Concept that Combines Illusion and Reality with Theatrical Therapeutic Experience.
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Touching Light : = A Framework for the Facilitation of Music-Making in Mixed Reality.
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Designing and Composing for Interdependent Collaborative Performance with Physics-Based Virtual Instruments.
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Felt Design : = Inclusive Practices for Movement-Based Musical Instruments.
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Reading between the Lines : = Narrativity in Beethoven's Piano Sonatas.
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Theatrical Role-Play : = A Study on Its Impact on Life Skills of Secondary Education Students.
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Breathe, Dance, Sing : = Performing Arts Higher Education Through a Transdisciplinary Counter-Critical Pedagogy.
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Embodied Artistic Inquiry Through Improvisational Movement Journaling.
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The Epistemology and Ethics of Computational Science for Decision Making.
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Celebrating the Voices of Women Composers in the Selected Cello Compositions From the Nineteenth and Early Twentieth Centuries.
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Dicotomia : = Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
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Active Dramaturgy in the New Play Development Process, Or, What I Learned From Walter Mercado.
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Reinventing the Politics of Literature : = Rediscovery, Ritual, and Reference as Concepts of Repetition in the Works of Peter Handke and Lee Yangji.
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Trauma-Informed Applied Theatre : = Using Performance to Connect With Mental Dysfunction and Development for Children.
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Me, Myself, and Hedda an Analysis of How Personal Growth Opens Doors.
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Looking Back and Moving Forward : = from Baillot's L'art Du Violon to Boulez's Hyper-Violin.
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Recontextualizing Diverse Vocal Traditions Using Extended Vocal Technique Notation and Symbology : = A Case Study Using Korean Pansori Singing Style.
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Theater of Peace : = Political Performance for a World in Conflict.
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"Children Will Listen" : = An Exploration on Judaism, Motherhood, and Stereotype in Stephen Sondheim's Into the Woods.
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The Applied Theatre Artist and Youth Experiencing Incarceration : = A Look at Youth Agency.
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Selected Chinese Art Songs of Tzu Huang : = A Performance Guide.
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A Performance Guide for Eight Selected Chinese Art Songs Based on Song Ci from the Song Dynasty.
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Alternative Choreographies : = Immersive Performance as a Decolonial Pedagogical and Performance Practice.
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From East to West : = Exploration of Chinese and Western Musical Traditions in Selected Piano Solo Works by Chen Yi.
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Fit! Fitness Instructional Technology : = Interventions and Innovations for Online Fitness Classes.
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Singing While Acting : = A Mixed Methods Study of Classical Singers' Application of the Chekhov and Meisner Acting Methods.
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Performing the Self as Work : = A Mixed Methods Study of Public Intimacy.
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Indigestible Bodies - Towards a Theory of Post-socialist Performance.
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Soundpainting = collaborative creativity in conducted improvisation /
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