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Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance./
作者:	Yang, Yu-Wen.
面頁冊數:	1 online resource (100 pages)
附註:	Source: Dissertations Abstracts International, Volume: 74-02, Section: A.
Contained By:	Dissertations Abstracts International74-02A.
標題:	Performing arts. -
電子資源:	click for full text (PQDT)
ISBN:	9781267492296

Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.
Yang, Yu-Wen.

Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance. - 1 online resource (100 pages)

Source: Dissertations Abstracts International, Volume: 74-02, Section: A.

Thesis (D.M.A.)--University of Cincinnati, 2012.

Includes bibliographical references

Ambiguity in Brahms's music is often the result of discrepancies between notated and perceived meters. Music theorists have referred to these situations as metrical dissonances. The abundance of metrical dissonance in Brahms's music confuses the listener's perception of meter and creates problems for a performer in determining how to shape musical phrases. The purpose of this document is to apply Harald Krebs's analytical system to discuss metrical dissonances in Brahms's late piano pieces, including Op. 116, nos. 1, 5, and 7, Op. 117, no. 1, and Op. 118 no. 4. Krebs's analytical notation will provide a solution to the confusion arising from the many conflicts between notation and perception in these pieces. The role of tonal, motivic, and formal structures in these metrical conflicts will be addressed, and performance implications will be discussed.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9781267492296Subjects--Topical Terms:

556749
Performing arts.
Subjects--Index Terms:

5Index Terms--Genre/Form:

554714
Electronic books.

Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.
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504 $a Includes bibliographical references
520 $a Ambiguity in Brahms's music is often the result of discrepancies between notated and perceived meters. Music theorists have referred to these situations as metrical dissonances. The abundance of metrical dissonance in Brahms's music confuses the listener's perception of meter and creates problems for a performer in determining how to shape musical phrases. The purpose of this document is to apply Harald Krebs's analytical system to discuss metrical dissonances in Brahms's late piano pieces, including Op. 116, nos. 1, 5, and 7, Op. 117, no. 1, and Op. 118 no. 4. Krebs's analytical notation will provide a solution to the confusion arising from the many conflicts between notation and perception in these pieces. The role of tonal, motivic, and formal structures in these metrical conflicts will be addressed, and performance implications will be discussed.
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