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Choreographing Agonism = Politics, ...
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Choreographing Agonism = Politics, Strategies and Performances of the Left /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Choreographing Agonism/ by Goran Petrović-Lotina.
其他題名:
Politics, Strategies and Performances of the Left /
作者:
Petrović-Lotina, Goran.
面頁冊數:
XII, 186 p. 2 illus., 1 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Cultural Studies. -
電子資源:
https://doi.org/10.1007/978-3-030-79446-0
ISBN:
9783030794460
Choreographing Agonism = Politics, Strategies and Performances of the Left /
Petrović-Lotina, Goran.
Choreographing Agonism
Politics, Strategies and Performances of the Left /[electronic resource] :by Goran Petrović-Lotina. - 1st ed. 2021. - XII, 186 p. 2 illus., 1 illus. in color.online resource.
Chapter 1. Introduction -- Chapter 2. Constructing the people -- Chapter 3. The choreography of articulation -- Chapter 4. Political strategies and Performance Studies -- Chapter 5. Discourse theory and artistic performances -- Chapter 6. Tension: a guiding force in performance, philosophy, and politics -- Chapter 7. Drama: an encounter between the performance and the audience -- Chapter 8. Affects and opinion formation -- Chapter 9. Identifications -- Bibliography -- Index. .
In Choreographing Agonism, author Goran Petrović Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrović Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics. Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ‘agonistic choreo-political practice,’ a powerful strategy for mobilising alternative ways of living together and invigorating democracy. Choreographing Agonism makes a bold and innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies. Born in Yugoslavia, Goran Petrović Lotina is an author, scholar, and curator who has published widely on the interplay between art, politics, and theory. Prior to obtaining his PhD at the University of Ghent, he studied at Sciences Po Paris and at the University of Belgrade. Currently, he is Research Fellow at the University of Warwick and Lecturer at Sciences Po Paris. Petrović Lotina is Founder and Co-curator of Fogo Island Film, an international film program held in Newfoundland, Canada, and is a member of l'Association internationale des critiques d'art.
ISBN: 9783030794460
Standard No.: 10.1007/978-3-030-79446-0doiSubjects--Topical Terms:
891488
Cultural Studies.
LC Class. No.: PN1560-1590
Dewey Class. No.: 790
Choreographing Agonism = Politics, Strategies and Performances of the Left /
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Chapter 1. Introduction -- Chapter 2. Constructing the people -- Chapter 3. The choreography of articulation -- Chapter 4. Political strategies and Performance Studies -- Chapter 5. Discourse theory and artistic performances -- Chapter 6. Tension: a guiding force in performance, philosophy, and politics -- Chapter 7. Drama: an encounter between the performance and the audience -- Chapter 8. Affects and opinion formation -- Chapter 9. Identifications -- Bibliography -- Index. .
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In Choreographing Agonism, author Goran Petrović Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrović Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics. Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ‘agonistic choreo-political practice,’ a powerful strategy for mobilising alternative ways of living together and invigorating democracy. Choreographing Agonism makes a bold and innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies. Born in Yugoslavia, Goran Petrović Lotina is an author, scholar, and curator who has published widely on the interplay between art, politics, and theory. Prior to obtaining his PhD at the University of Ghent, he studied at Sciences Po Paris and at the University of Belgrade. Currently, he is Research Fellow at the University of Warwick and Lecturer at Sciences Po Paris. Petrović Lotina is Founder and Co-curator of Fogo Island Film, an international film program held in Newfoundland, Canada, and is a member of l'Association internationale des critiques d'art.
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