國立虎尾科技大學 |

Irish Drama, Modernity and the Passion Play

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Irish Drama, Modernity and the Passion Play/ by Alexandra Poulain.
作者:	Poulain, Alexandra.
面頁冊數:	XII, 264 p. 4 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Theater—History. -
電子資源:	https://doi.org/10.1057/978-1-349-94963-2
ISBN:	9781349949632

Irish Drama, Modernity and the Passion Play
Poulain, Alexandra.

Irish Drama, Modernity and the Passion Play[electronic resource] /by Alexandra Poulain. - 1st ed. 2016. - XII, 264 p. 4 illus.online resource.

Introduction -- Part I. Synge, Irish modernity and the Passion play -- Chapter 1. “Unseen forms of violence” -- Part II. The Passion of 1916 -- Chapter 2. Anticipating the Rising -- Chapter 3. Framing the Rising -- Chapter 4. Saint Joan’s unheard voices -- Chapter 5. Re-directing the Passion play -- Part III. After Revolution -- Chapter 6. Reclaiming Robert Emmet -- Chapter 7. Nationalism, abjection and the reinvention of Ireland in Brendan Behan’s The Hostage -- Chapter 8. Intimate Passions -- Chapter 9. Open mouths -- Part IV. The Artist’s Passion -- Chapter 10. Torture and Passion -- Chapter 11. The seduction of silence -- Conclusion. .

'Alexandra Poulain has discovered a riveting new theme which runs through twentieth century Irish drama, that of the Passion play or crucifixion of Jesus Christ, often presented ironically or parodically. By investigating the spectacle of the sacrificed male body from Synge to Friel, Kilroy and beyond, which makes visceral and visible modes of violence perpetrated by hegemonic ideologies and practices of state or colonial powers, she produces exhilarating new insights into both canonical and less familiar plays. A delight to read, this book opens up new territory in Irish theatre studies and contributes to wider debates in theatre on the gaze of the spectator and the body in performance.' - Anna McMullan, Professor of Theatre, University of Reading, UK This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.

ISBN: 9781349949632

Standard No.: 10.1057/978-1-349-94963-2doiSubjects--Topical Terms:

1253996
Theater—History.

LC Class. No.: PN2100-2193

Dewey Class. No.: 792.09

Irish Drama, Modernity and the Passion Play
LDR:03750nam a22003975i 4500 001 971767
003 DE-He213
005 20200702053330.0
007 cr nn 008mamaa
008 201211s2016 xxk| s |||| 0|eng d
020 $a 9781349949632 $9 978-1-349-94963-2
024 7 $a 10.1057/978-1-349-94963-2 $2 doi
035 $a 978-1-349-94963-2
050 4 $a PN2100-2193
072 7 $a AN $2 bicssc
072 7 $a PER011020 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 792.09 $2 23
100 1 $a Poulain, Alexandra. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1117458
245 1 0 $a Irish Drama, Modernity and the Passion Play $h [electronic resource] / $c by Alexandra Poulain.
250 $a 1st ed. 2016.
264 1 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a XII, 264 p. 4 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Introduction -- Part I. Synge, Irish modernity and the Passion play -- Chapter 1. “Unseen forms of violence” -- Part II. The Passion of 1916 -- Chapter 2. Anticipating the Rising -- Chapter 3. Framing the Rising -- Chapter 4. Saint Joan’s unheard voices -- Chapter 5. Re-directing the Passion play -- Part III. After Revolution -- Chapter 6. Reclaiming Robert Emmet -- Chapter 7. Nationalism, abjection and the reinvention of Ireland in Brendan Behan’s The Hostage -- Chapter 8. Intimate Passions -- Chapter 9. Open mouths -- Part IV. The Artist’s Passion -- Chapter 10. Torture and Passion -- Chapter 11. The seduction of silence -- Conclusion. .
520 $a 'Alexandra Poulain has discovered a riveting new theme which runs through twentieth century Irish drama, that of the Passion play or crucifixion of Jesus Christ, often presented ironically or parodically. By investigating the spectacle of the sacrificed male body from Synge to Friel, Kilroy and beyond, which makes visceral and visible modes of violence perpetrated by hegemonic ideologies and practices of state or colonial powers, she produces exhilarating new insights into both canonical and less familiar plays. A delight to read, this book opens up new territory in Irish theatre studies and contributes to wider debates in theatre on the gaze of the spectator and the body in performance.' - Anna McMullan, Professor of Theatre, University of Reading, UK This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
650 0 $a Theater—History. $3 1253996
650 0 $a Performing arts. $3 556749
650 0 $a British literature. $3 996807
650 0 $a Religion and sociology. $3 578047
650 1 4 $a Theatre History. $3 1104912
650 2 4 $a Performing Arts. $3 670086
650 2 4 $a British and Irish Literature. $3 1104874
650 2 4 $a Religion and Society. $3 1105155
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781349949625
776 0 8 $i Printed edition: $z 9781349949649
776 0 8 $i Printed edition: $z 9781349956883
856 4 0 $u https://doi.org/10.1057/978-1-349-94963-2
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)