Theater—History.
概要
            | 作品: | 195 作品在 0 項出版品 0 種語言 | |
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書目資訊
          
                  
                    Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
                  
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                    Victorian Writers and the Stage = The Plays of Dickens, Browning, Collins and Tennyson /
                  
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                        The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
                      
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                        Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
                      
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                        ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication
                      
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                        Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
                      
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                        The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
                      
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                        Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
                      
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                        Gilbert and Sullivan's 'Respectable Capers' = Class, Respectability and the Savoy Operas 1877–1909 /
                      
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                        W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen = Becoming a Character Comedian /
                      
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                        Anti-War Theatre After Brecht = Dialectical Aesthetics in the Twenty-First Century /
                      
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                        Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
                      
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                        Breaking Bad and Dignity = Unity and Fragmentation in the Serial Television Drama /
                      
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                        Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
                      
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                        Revisiting Shakespeare’s Lost Play = Cardenio/Double Falsehood in the Eighteenth Century /
                      
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                        Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
                      
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                        Christina Reid's Theatre of Memory and Identity = Within and Beyond the Troubles /
                      
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                        Contemporary Gothic Drama = Attraction, Consummation and Consumption on the Modern British Stage /
                      
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                        Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
                      
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                        Die Szene des Wunderbaren = Die Shakespeare-Elfen im Wechselspiel von Musik und Maschine /
                      
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                        Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
                      
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                        The Theatre of Imagining = A Cultural History of Imagination in the Mind and on the Stage /
                      
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                        Building a Representative Theater Corpus = A Broader View of Nineteenth-Century French /
                      
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                        Sounding Otherness in Early Modern Drama and Travel = Uncanny Vibrations in the English Archive /
                      
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                        Die Entnazifizierung Richard Wagners  = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
                      
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                        Emotional Settings in Early Modern Pedagogical Culture = Hamlet, The Faerie Queene, and Arcadia /
                      
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                        Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
                      
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                        Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
                      
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                        Heinrich von Kleist: Der zerbrochne Krug, ein Lustspiel = Textkritische Edition der Handschrift. Sonderband des Kleist-Jahrbuchs 2020 /
                      
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                        Economies of Literature and Knowledge in Early Modern Europe = Change and Exchange /
                      
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                        The Colonial Public and the Parsi Stage = The Making of the Theatre of Empire (1853-1893) /
                      
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                        Theatre from Rhodesia to Zimbabwe = Hegemony, Identity and a Contested Postcolony /
                      
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                        20 Ground-Breaking Directors of Eastern Europe = 30 Years After the Fall of the Iron Curtain /
                      
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                        Bernard Shaw on the American Stage = A Chronicle of Premieres and Notable Revivals /
                      
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