Theater—History.
Overview
| Works: | 195 works in 0 publications in 0 languages | |
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Titles
Language and Metadrama in Major Barbara and Pygmalion = Shavian Sisters /
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Romantic Actors, Romantic Dramas = British Tragedy on the Regency Stage /
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The Metamorphoses of Commedia dell’Arte = Whatever Happened to Harlequin? /
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Maxwell Anderson and the Marriage Crisis = Challenging Tradition in the Jazz Age /
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Bernard Shaw on the American Stage = A Chronicle of Premieres and Notable Revivals /
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Jenseits der Vernunft = Form und Bedeutung in Wagners Musikdramen /
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Samuel Beckett’s Legacies in American Fiction = Problems in Postmodernism /
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Memorialising Shakespeare = Commemoration and Collective Identity, 1916–2016 /
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Samuel Beckett’s Legacies in American Fiction = Problems in Postmodernism /
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A History of East African Theatre, Volume 2 = Central East Africa /
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20 Ground-Breaking Directors of Eastern Europe = 30 Years After the Fall of the Iron Curtain /
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Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /
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Theatre Across Oceans = Mediators of Transatlantic Exchange, 1890–1925 /
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Theatre from Rhodesia to Zimbabwe = Hegemony, Identity and a Contested Postcolony /
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The Colonial Public and the Parsi Stage = The Making of the Theatre of Empire (1853-1893) /
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Black British Women's Theatre = Intersectionality, Archives, Aesthetics /
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Bernard Shaw and the Censors = Fights and Failures, Stage and Screen /
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Economies of Literature and Knowledge in Early Modern Europe = Change and Exchange /
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Heinrich von Kleist: Der zerbrochne Krug, ein Lustspiel = Textkritische Edition der Handschrift. Sonderband des Kleist-Jahrbuchs 2020 /
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Faust-Ikonologie = Stoff und Figur in der Bildkultur des 19. Jahrhunderts /
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Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
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Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
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Emotional Settings in Early Modern Pedagogical Culture = Hamlet, The Faerie Queene, and Arcadia /
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Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Dramaturgy and Architecture = Theatre, Utopia and the Built Environment /
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The Circulation of Power in Medieval Biblical Drama = Theaters of Authority /
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Vision and Audience in Medieval Drama = A Study of The Castle of Perseverance /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Victorian Writers and the Stage = The Plays of Dickens, Browning, Collins and Tennyson /
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Performances of Capitalism, Crises and Resistance = Inside/Outside Europe /
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Performance and Identity in Irish Stand-Up Comedy = The Comic 'i' /
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Political Performance in Syria = From the Six-Day War to the Syrian Uprising /
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British Theatre and the Great War, 1914 - 1919 = New Perspectives /
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Transatlantic Broadway = The Infrastructural Politics of Global Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication
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Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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Ben Jonson, John Marston and Early Modern Drama = Satire and the Audience /
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Collaboration in Performance Practice = Premises, Workings and Failures /
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Early Modern Diplomacy, Theatre and Soft Power = The Making of Peace /
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Shakespeare’s Italy and Italy’s Shakespeare = Place, "Race," Politics /
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Staging Science = Scientific Performance on Street, Stage and Screen /
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Queer Performance and Contemporary Ireland = Dissent and Disorientation /
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Performing Race and Erasure = Cuba, Haiti, and US Culture, 1898–1940 /
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Theatre and Residual Culture = J.M. Synge and Pre-Christian Ireland /
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Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
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Shakespeare, Revenge Tragedy and Early Modern Law = Vindictive Justice /
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Gilbert and Sullivan's 'Respectable Capers' = Class, Respectability and the Savoy Operas 1877–1909 /
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W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen = Becoming a Character Comedian /
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Anti-War Theatre After Brecht = Dialectical Aesthetics in the Twenty-First Century /
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Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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Breaking Bad and Dignity = Unity and Fragmentation in the Serial Television Drama /
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Child Labor in the British Victorian Entertainment Industry = 1875–1914 /
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The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
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Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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Democracy at Home in South Africa = Family Fictions and Transitional Culture /
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New York City and the Hollywood Musical = Dancing in the Streets /
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Revisiting Shakespeare’s Lost Play = Cardenio/Double Falsehood in the Eighteenth Century /
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Racism and Early Blackface Comic Traditions = From the Old World to the New /
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Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
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Christina Reid's Theatre of Memory and Identity = Within and Beyond the Troubles /
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Contemporary Gothic Drama = Attraction, Consummation and Consumption on the Modern British Stage /
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The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
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The Use of Asian Theatre for Modern Western Theatre = The Displaced Mirror /
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Conversion Narratives in Early Modern England = Tales of Turning /
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Staging the Past in the Age of Thatcher = "The History We Haven't Had" /
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Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
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Performing Character in Modern Irish Drama = Between Art and Society /
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Die Szene des Wunderbaren = Die Shakespeare-Elfen im Wechselspiel von Musik und Maschine /
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Personal Narratives, Peripheral Theatres: Essays on the Great War (1914–18)
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Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
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The Theatre of Imagining = A Cultural History of Imagination in the Mind and on the Stage /
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The Civil Rights Theatre Movement in New York, 1939–1966 = Staging Freedom /
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Building a Representative Theater Corpus = A Broader View of Nineteenth-Century French /
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Sounding Otherness in Early Modern Drama and Travel = Uncanny Vibrations in the English Archive /
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Modernism and Scottish Theatre since 1969 = A Revolution on Stage /
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A New History of Medieval Japanese Theatre = Noh and Kyōgen from 1300 to 1600 /
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