國立虎尾科技大學 |

Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Theatre and Archival Memory/ by Barry Houlihan.
其他題名:	Irish Drama and Marginalised Histories 1951-1977 /
作者:	Houlihan, Barry.
面頁冊數:	XIV, 275 p. 13 illus., 1 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Digital Humanities. -
電子資源:	https://doi.org/10.1007/978-3-030-74548-6
ISBN:	9783030745486

Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /
Houlihan, Barry.

Theatre and Archival Memory Irish Drama and Marginalised Histories 1951-1977 /[electronic resource] :by Barry Houlihan. - 1st ed. 2021. - XIV, 275 p. 13 illus., 1 illus. in color.online resource.

Chapter 1: The Family, Law, and the State: ‘Radical Republic’ -- Chapter 2: Performing to a New Ireland: Censorship and Radical Dramaturgies -- Chapter 3 - Performing Irish Foreign Policy: State, Nation, and the International -- Chapter 4 – Staging Modernising Ireland: Landscape(s), Class, and Communities -- Chapter 5: Cultural Exchange and Internationalising Irish Drama – Country Boys and Follies -- Chapter 6: Conclusions: A New Archival Memory: Expanding the Repertoire.

“Theatre and Archival Memory analyses a pivotal but under-explored period in Irish theatre history. Using a staggering array of archival sources – many of which have never before been written about – this book will have a transformative impact on Irish theatre history and historiography.” —Professor Patrick Lonergan, MRIA. Professor of Drama and Theatre Studies, NUI Galway. "Breathtaking in its precision and originality, Barry Houlihan's monograph offers a dynamic engagement with the archive which expands the canon of Modern Irish Drama as we know it. Productions and key figures are brought to glorious life through Houlihan's unrivalled range of source materials, interviews, artefacts and ephemera which illuminate previously unknown histories of gender, class and social conditions in Twentieth Century Irish Theatre." —Melissa Sihra, Head of Drama and Associate Professor, Trinity College Dublin. This book presents new insights into the production and reception of Irish drama, its internationalisation and political influences, within a pivotal period of Irish cultural and social change. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland’s national theatre, the Abbey. Drawing on newly released and digitised archival records, this book argues for an inclusive historiography reflective of the formative impacts upon modern Irish theatre as recorded within marginalised performance histories. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. The book, framed by the device of ‘archival memory’, serves as a means for scholars and theatre-makers to inter-contextualise existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Dr. Barry Houlihan is an Archivist at National University of Ireland, Galway. He teaches theatre history and archival studies, digital cultures, and history. Barry is the editor of Navigating Ireland’s Theatre Archive: Theory, Practice, Performance (2019) and contributes regularly to RTÉ Brainstorm on topics of theatre, literature and cultural and archival heritage. .

ISBN: 9783030745486

Standard No.: 10.1007/978-3-030-74548-6doiSubjects--Topical Terms:

1113776
Digital Humanities.

LC Class. No.: PN1560-1590

Dewey Class. No.: 790

Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /
LDR:04275nam a22003975i 4500 001 1050014
003 DE-He213
005 20210823195145.0
007 cr nn 008mamaa
008 220103s2021 sz | s |||| 0|eng d
020 $a 9783030745486 $9 978-3-030-74548-6
024 7 $a 10.1007/978-3-030-74548-6 $2 doi
035 $a 978-3-030-74548-6
050 4 $a PN1560-1590
072 7 $a AS $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 790 $2 23
100 1 $a Houlihan, Barry. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1354250
245 1 0 $a Theatre and Archival Memory $h [electronic resource] : $b Irish Drama and Marginalised Histories 1951-1977 / $c by Barry Houlihan.
250 $a 1st ed. 2021.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a XIV, 275 p. 13 illus., 1 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Chapter 1: The Family, Law, and the State: ‘Radical Republic’ -- Chapter 2: Performing to a New Ireland: Censorship and Radical Dramaturgies -- Chapter 3 - Performing Irish Foreign Policy: State, Nation, and the International -- Chapter 4 – Staging Modernising Ireland: Landscape(s), Class, and Communities -- Chapter 5: Cultural Exchange and Internationalising Irish Drama – Country Boys and Follies -- Chapter 6: Conclusions: A New Archival Memory: Expanding the Repertoire.
520 $a “Theatre and Archival Memory analyses a pivotal but under-explored period in Irish theatre history. Using a staggering array of archival sources – many of which have never before been written about – this book will have a transformative impact on Irish theatre history and historiography.” —Professor Patrick Lonergan, MRIA. Professor of Drama and Theatre Studies, NUI Galway. "Breathtaking in its precision and originality, Barry Houlihan's monograph offers a dynamic engagement with the archive which expands the canon of Modern Irish Drama as we know it. Productions and key figures are brought to glorious life through Houlihan's unrivalled range of source materials, interviews, artefacts and ephemera which illuminate previously unknown histories of gender, class and social conditions in Twentieth Century Irish Theatre." —Melissa Sihra, Head of Drama and Associate Professor, Trinity College Dublin. This book presents new insights into the production and reception of Irish drama, its internationalisation and political influences, within a pivotal period of Irish cultural and social change. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland’s national theatre, the Abbey. Drawing on newly released and digitised archival records, this book argues for an inclusive historiography reflective of the formative impacts upon modern Irish theatre as recorded within marginalised performance histories. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. The book, framed by the device of ‘archival memory’, serves as a means for scholars and theatre-makers to inter-contextualise existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Dr. Barry Houlihan is an Archivist at National University of Ireland, Galway. He teaches theatre history and archival studies, digital cultures, and history. Barry is the editor of Navigating Ireland’s Theatre Archive: Theory, Practice, Performance (2019) and contributes regularly to RTÉ Brainstorm on topics of theatre, literature and cultural and archival heritage. .
650 2 4 $a Digital Humanities. $3 1113776
650 2 4 $a Memory Studies. $3 1110464
650 2 4 $a National/Regional Theatre and Performance. $3 1172195
650 2 4 $a Theatre History. $3 1104912
650 1 4 $a Performing Arts. $3 670086
650 0 $a Humanities—Digital libraries. $3 1260681
650 0 $a Historiography. $3 567663
650 0 $a Theater. $2 swd $3 836732
650 0 $a Theater—History. $3 1253996
650 0 $a Performing arts. $3 556749
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030745479
776 0 8 $i Printed edition: $z 9783030745493
776 0 8 $i Printed edition: $z 9783030745509
856 4 0 $u https://doi.org/10.1007/978-3-030-74548-6
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)