語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Touring Variety in the Asia Pacific ...
~
Bollen, Jonathan.
Touring Variety in the Asia Pacific Region, 1946–1975
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Touring Variety in the Asia Pacific Region, 1946–1975/ by Jonathan Bollen.
作者:
Bollen, Jonathan.
面頁冊數:
XVI, 250 p. 19 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Performing Arts. -
電子資源:
https://doi.org/10.1007/978-3-030-39411-0
ISBN:
9783030394110
Touring Variety in the Asia Pacific Region, 1946–1975
Bollen, Jonathan.
Touring Variety in the Asia Pacific Region, 1946–1975
[electronic resource] /by Jonathan Bollen. - 1st ed. 2020. - XVI, 250 p. 19 illus.online resource. - Transnational Theatre Histories. - Transnational Theatre Histories.
1. Chapter 1: Introduction -- 2. Chapter 2: Transporting Variety through the Nightclubs of Hong Kong -- 3. Chapter 3: Translating Repertoire between Melbourne and Manila -- 4. Chapter 4: The Tourist Trade: Flying in to Singapore, 1946–1975 -- 5. Chapter 5: Entrepreneurial Diplomacy: The Cherry Blossom Show on tour from Tokyo -- 6. Chapter 6: Encountering Internationalism on the Circuit around Sydney -- 7. Chapter 7: Containing Diversity: National Distinction and International Style -- 8. Chapter 8: Conclusion.
Aviation extended the horizon of international touring across Asia and the Pacific in the 1950s and 1960s. Nightclubs in Hong Kong, Manila, Melbourne, Singapore, Sydney, Tokyo, and Taipei presented an international array of touring acts. This book investigates how this happened. It explores the post-war formation of the Asia Pacific region through international touring and the transformation of entertainment during the ‘jet age’ of aviation. Drawing on archival research across the region, Bollen investigates how touring variety forged new relations between artists, audiences, and nations. Mapping tours and tracing networks by connecting fragments, he reveals how versatile artists translated repertoire in circulation as they toured, and how entrepreneurial endeavours harnessed the production of national distinction to government agendas. He argues that touring variety on commercial circuits diversified the repertoire in regional circulation, anticipating the diversity emerging in state-sanctioned multiculturalisms, and driving the government-construction of national theatres for cultural diplomacy. Long before the Asian-intercultural theatre wave of the 1980s, Jonathan Bollen’s deeply researched study shows how touring variety acts and cabaret shows were already remaking the political and cultural economies of the Asia-Pacific. Bollen’s socio-historical analysis explores variety in the Cold War era of popular music, accessible jet travel, live television, and the paradoxical dynamics of racialized containment policies and economic expansionism. Peter Eckersall, The Graduate Center CUNY, USA. Variety theatre, cabaret and dance flourished in the renovated industries of postwar commercial entertainment. From Melbourne to Manila and Tokyo, comics, musicians, and dancers informed popular imaginaries in nightclubs, stage spectaculars, radio, and television. These excitingly mobile cultural energies were also key agents of popular Cold War diplomacy in the region, and Bollen’s ground-breaking study shows how television, the civilian aeroplane, and the cruise liner all became cultural ‘containers’ delivering to the various peoples of the Asia Pacific region the thrills of modern cosmopolitan tourism. Veronica Kelly, FAHA, University of Queensland, Australia. Bollen provides fresh and original insights on issues of migration, exile, and place-making in music, popular entertainment, and performance. Interweaving the intricate narratives of artists from the Asia Pacific region in the 1950s and the 1960s, Bollen also directs us to reflect on how ‘touring variety’ in the mid-twentieth century reverberates in the present. … This is a must-read, not only for theatre and performance scholars, but also for historians, ethnomusicologists, and researchers in the area and cultural studies. Sir Anril Pineda Tiatco, University of the Philippines Diliman, Philippines.
ISBN: 9783030394110
Standard No.: 10.1007/978-3-030-39411-0doiSubjects--Topical Terms:
670086
Performing Arts.
LC Class. No.: PN2100-2193
Dewey Class. No.: 792.09
Touring Variety in the Asia Pacific Region, 1946–1975
LDR
:04859nam a22004095i 4500
001
1027123
003
DE-He213
005
20200703211434.0
007
cr nn 008mamaa
008
210318s2020 gw | s |||| 0|eng d
020
$a
9783030394110
$9
978-3-030-39411-0
024
7
$a
10.1007/978-3-030-39411-0
$2
doi
035
$a
978-3-030-39411-0
050
4
$a
PN2100-2193
072
7
$a
AN
$2
bicssc
072
7
$a
PER011020
$2
bisacsh
072
7
$a
ATD
$2
thema
082
0 4
$a
792.09
$2
23
100
1
$a
Bollen, Jonathan.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1266809
245
1 0
$a
Touring Variety in the Asia Pacific Region, 1946–1975
$h
[electronic resource] /
$c
by Jonathan Bollen.
250
$a
1st ed. 2020.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2020.
300
$a
XVI, 250 p. 19 illus.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Transnational Theatre Histories
505
0
$a
1. Chapter 1: Introduction -- 2. Chapter 2: Transporting Variety through the Nightclubs of Hong Kong -- 3. Chapter 3: Translating Repertoire between Melbourne and Manila -- 4. Chapter 4: The Tourist Trade: Flying in to Singapore, 1946–1975 -- 5. Chapter 5: Entrepreneurial Diplomacy: The Cherry Blossom Show on tour from Tokyo -- 6. Chapter 6: Encountering Internationalism on the Circuit around Sydney -- 7. Chapter 7: Containing Diversity: National Distinction and International Style -- 8. Chapter 8: Conclusion.
520
$a
Aviation extended the horizon of international touring across Asia and the Pacific in the 1950s and 1960s. Nightclubs in Hong Kong, Manila, Melbourne, Singapore, Sydney, Tokyo, and Taipei presented an international array of touring acts. This book investigates how this happened. It explores the post-war formation of the Asia Pacific region through international touring and the transformation of entertainment during the ‘jet age’ of aviation. Drawing on archival research across the region, Bollen investigates how touring variety forged new relations between artists, audiences, and nations. Mapping tours and tracing networks by connecting fragments, he reveals how versatile artists translated repertoire in circulation as they toured, and how entrepreneurial endeavours harnessed the production of national distinction to government agendas. He argues that touring variety on commercial circuits diversified the repertoire in regional circulation, anticipating the diversity emerging in state-sanctioned multiculturalisms, and driving the government-construction of national theatres for cultural diplomacy. Long before the Asian-intercultural theatre wave of the 1980s, Jonathan Bollen’s deeply researched study shows how touring variety acts and cabaret shows were already remaking the political and cultural economies of the Asia-Pacific. Bollen’s socio-historical analysis explores variety in the Cold War era of popular music, accessible jet travel, live television, and the paradoxical dynamics of racialized containment policies and economic expansionism. Peter Eckersall, The Graduate Center CUNY, USA. Variety theatre, cabaret and dance flourished in the renovated industries of postwar commercial entertainment. From Melbourne to Manila and Tokyo, comics, musicians, and dancers informed popular imaginaries in nightclubs, stage spectaculars, radio, and television. These excitingly mobile cultural energies were also key agents of popular Cold War diplomacy in the region, and Bollen’s ground-breaking study shows how television, the civilian aeroplane, and the cruise liner all became cultural ‘containers’ delivering to the various peoples of the Asia Pacific region the thrills of modern cosmopolitan tourism. Veronica Kelly, FAHA, University of Queensland, Australia. Bollen provides fresh and original insights on issues of migration, exile, and place-making in music, popular entertainment, and performance. Interweaving the intricate narratives of artists from the Asia Pacific region in the 1950s and the 1960s, Bollen also directs us to reflect on how ‘touring variety’ in the mid-twentieth century reverberates in the present. … This is a must-read, not only for theatre and performance scholars, but also for historians, ethnomusicologists, and researchers in the area and cultural studies. Sir Anril Pineda Tiatco, University of the Philippines Diliman, Philippines.
650
2 4
$a
Performing Arts.
$3
670086
650
2 4
$a
Global/International Theatre and Performance.
$3
1141652
650
1 4
$a
Theatre History.
$3
1104912
650
0
$a
Performing arts.
$3
556749
650
0
$a
Theater.
$2
swd
$3
836732
650
0
$a
Theater—History.
$3
1253996
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030394103
776
0 8
$i
Printed edition:
$z
9783030394127
776
0 8
$i
Printed edition:
$z
9783030394134
830
0
$a
Transnational Theatre Histories
$3
1259666
856
4 0
$u
https://doi.org/10.1007/978-3-030-39411-0
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入