國立虎尾科技大學 |

The Colonial Public and the Parsi Stage = The Making of the Theatre of Empire (1853-1893) /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Colonial Public and the Parsi Stage/ by Rashna Darius Nicholson.
其他題名:	The Making of the Theatre of Empire (1853-1893) /
作者:	Nicholson, Rashna Darius.
面頁冊數:	XVII, 328 p. 32 illus., 6 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Imperialism and Colonialism. -
電子資源:	https://doi.org/10.1007/978-3-030-65836-6
ISBN:	9783030658366

The Colonial Public and the Parsi Stage = The Making of the Theatre of Empire (1853-1893) /
Nicholson, Rashna Darius.

The Colonial Public and the Parsi StageThe Making of the Theatre of Empire (1853-1893) /[electronic resource] :by Rashna Darius Nicholson. - 1st ed. 2021. - XVII, 328 p. 32 illus., 6 illus. in color.online resource. - Transnational Theatre Histories. - Transnational Theatre Histories.

Chapter 1: Parsi compradors and the public sphere -- Chapter 2: Social reform, law-making and the origins of the Parsi theatre -- Chapter 3: Corporeal discipline -- Chapter 4: Science, secular mythology and the professionalization of the Parsi theatre -- Chapter 5: The expansion of the Parsi theatre -- Chapter 6: The reformers in need of reforming -- Chapter 7: Race-thinking and the parsi social drama.

“Working against the grain of the pan-Indian generalities and unproblematized pluralism of the Parsi theatre, Rashna Nicholson focuses on fiery debates in the public sphere around Parsi theatre – debates relating to Aryanism, Darwinism, communal violence, masculinity, and pure and impure blood, pan-Zoroastrianism, and conflicting positions on the critical question, ‘Are Parsis Indian?’ With historiographical rigor and an unsentimental reading of community, Nicholson has written a book that could be regarded as an eye-opener for both performance and social historians.” – Rustom Bharucha, Jawaharlal Nehru University, New Delhi “This window into colonial history combines archival detail with theoretical sophistication. The Parsis emerge from Nicholson’s account as entrepreneurs but also myth-makers, helping create a non-Western public sphere packed with enchantment, battling conflicting forms of nationalism, and English hypocrisy.” – David Wiles, University of Exeter The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre. Rashna Darius Nicholson is Assistant Professor of Theatre Studies at the University of Hong Kong. She has published works on colonial and postcolonial South Asian performance, theatre historiography, and cultural development.

ISBN: 9783030658366

Standard No.: 10.1007/978-3-030-65836-6doiSubjects--Topical Terms:

1104931
Imperialism and Colonialism.

LC Class. No.: PN2000-3307

Dewey Class. No.: 792

The Colonial Public and the Parsi Stage = The Making of the Theatre of Empire (1853-1893) /
LDR:04239nam a22004215i 4500 001 1046180
003 DE-He213
005 20211108222342.0
007 cr nn 008mamaa
008 220103s2021 sz | s |||| 0|eng d
020 $a 9783030658366 $9 978-3-030-65836-6
024 7 $a 10.1007/978-3-030-65836-6 $2 doi
035 $a 978-3-030-65836-6
050 4 $a PN2000-3307
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 792 $2 23
100 1 $a Nicholson, Rashna Darius. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1349706
245 1 4 $a The Colonial Public and the Parsi Stage $h [electronic resource] : $b The Making of the Theatre of Empire (1853-1893) / $c by Rashna Darius Nicholson.
250 $a 1st ed. 2021.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a XVII, 328 p. 32 illus., 6 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Transnational Theatre Histories
505 0 $a Chapter 1: Parsi compradors and the public sphere -- Chapter 2: Social reform, law-making and the origins of the Parsi theatre -- Chapter 3: Corporeal discipline -- Chapter 4: Science, secular mythology and the professionalization of the Parsi theatre -- Chapter 5: The expansion of the Parsi theatre -- Chapter 6: The reformers in need of reforming -- Chapter 7: Race-thinking and the parsi social drama.
520 $a “Working against the grain of the pan-Indian generalities and unproblematized pluralism of the Parsi theatre, Rashna Nicholson focuses on fiery debates in the public sphere around Parsi theatre – debates relating to Aryanism, Darwinism, communal violence, masculinity, and pure and impure blood, pan-Zoroastrianism, and conflicting positions on the critical question, ‘Are Parsis Indian?’ With historiographical rigor and an unsentimental reading of community, Nicholson has written a book that could be regarded as an eye-opener for both performance and social historians.” – Rustom Bharucha, Jawaharlal Nehru University, New Delhi “This window into colonial history combines archival detail with theoretical sophistication. The Parsis emerge from Nicholson’s account as entrepreneurs but also myth-makers, helping create a non-Western public sphere packed with enchantment, battling conflicting forms of nationalism, and English hypocrisy.” – David Wiles, University of Exeter The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre. Rashna Darius Nicholson is Assistant Professor of Theatre Studies at the University of Hong Kong. She has published works on colonial and postcolonial South Asian performance, theatre historiography, and cultural development.
650 2 4 $a Imperialism and Colonialism. $3 1104931
650 2 4 $a Theatre History. $3 1104912
650 1 4 $a Global/International Theatre and Performance. $3 1141652
650 0 $a Imperialism. $3 559183
650 0 $a Theater—History. $3 1253996
650 0 $a Theater. $2 swd $3 836732
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030658359
776 0 8 $i Printed edition: $z 9783030658373
776 0 8 $i Printed edition: $z 9783030658380
776 0 8 $i Printed edition: $z 9783030928872
830 0 $a Transnational Theatre Histories $3 1259666
856 4 0 $u https://doi.org/10.1007/978-3-030-65836-6
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)