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The Early Modern Theatre of Cruelty ...
~
Di Ponio, Amanda.
The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Early Modern Theatre of Cruelty and its Doubles/ by Amanda Di Ponio.
其他題名:
Artaud and Influence /
作者:
Di Ponio, Amanda.
面頁冊數:
XII, 270 p.online resource. :
Contained By:
Springer Nature eBook
標題:
Theater—History. -
電子資源:
https://doi.org/10.1007/978-3-319-92249-2
ISBN:
9783319922492
The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
Di Ponio, Amanda.
The Early Modern Theatre of Cruelty and its Doubles
Artaud and Influence /[electronic resource] :by Amanda Di Ponio. - 1st ed. 2018. - XII, 270 p.online resource. - Avant-Gardes in Performance. - Avant-Gardes in Performance.
1. Introduction -- 2. Interpreting Antonin Artaud’s Theatre of Cruelty Foundations: Théâtre Alfred Jarry – Three Influential Events – Elizabethan Dramatic Conventions – Cruelty in the Theatre -- 3. Theatre and Plague: The Doubly Potent Spectacles of Early Modern Culture The Marseilles Plague – Physiological and Psychological Symptoms of Plague – Plague in Early Modern England – The Plague-Theatre – Filth and Infection – Theatre, Contagion, and Ritual -- 4. Bear-baiting and the Theatre of Cruelty The Pit and The Theatre – Elizabethan Receptivity – Jacobean Popularity – The Arena of Ambiguity – From Barbarity to Civility -- 5. Thyestean Savagery: Seneca, the Renaissance, and the Theatre of Cruelty Beyond Recitatio – The Sacrificial Crisis – Contagious Furor and Insatiability – Ritual and Bacchic Theatre – William Shakespeare’s Titus Andronicus directed by Yukio Ninagawa -- 6. Artaud and the ‘Elizabethans’: Revenge Tragedy as Inspiration for a Theatre of Cruelty An Emblematic Approach to Stage Language – Arden of Faversham Revisited – The True Theatre – The Revenger’s Tragedy – The White Devil and The Duchess of Malfi – ’Tis Pity She’s a Whore -- 7. Artaud’s Les Cenci From Innocence to Effluence – Les Destructeurs – The Theatre of Cruelty Test -- 8. After Artaud: Peter Brook and The Theatre of Cruelty Season Preparing for a Season of Cruelty – Marat/Sade: On Stage – Marat/Sade: On Screen – Theatre as Cure -- 9. Conclusion.
This book examines the influence of the early modern period on Antonin Artaud’s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud’s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama. .
ISBN: 9783319922492
Standard No.: 10.1007/978-3-319-92249-2doiSubjects--Topical Terms:
1253996
Theater—History.
LC Class. No.: PN2100-2193
Dewey Class. No.: 792.09
The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
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1. Introduction -- 2. Interpreting Antonin Artaud’s Theatre of Cruelty Foundations: Théâtre Alfred Jarry – Three Influential Events – Elizabethan Dramatic Conventions – Cruelty in the Theatre -- 3. Theatre and Plague: The Doubly Potent Spectacles of Early Modern Culture The Marseilles Plague – Physiological and Psychological Symptoms of Plague – Plague in Early Modern England – The Plague-Theatre – Filth and Infection – Theatre, Contagion, and Ritual -- 4. Bear-baiting and the Theatre of Cruelty The Pit and The Theatre – Elizabethan Receptivity – Jacobean Popularity – The Arena of Ambiguity – From Barbarity to Civility -- 5. Thyestean Savagery: Seneca, the Renaissance, and the Theatre of Cruelty Beyond Recitatio – The Sacrificial Crisis – Contagious Furor and Insatiability – Ritual and Bacchic Theatre – William Shakespeare’s Titus Andronicus directed by Yukio Ninagawa -- 6. Artaud and the ‘Elizabethans’: Revenge Tragedy as Inspiration for a Theatre of Cruelty An Emblematic Approach to Stage Language – Arden of Faversham Revisited – The True Theatre – The Revenger’s Tragedy – The White Devil and The Duchess of Malfi – ’Tis Pity She’s a Whore -- 7. Artaud’s Les Cenci From Innocence to Effluence – Les Destructeurs – The Theatre of Cruelty Test -- 8. After Artaud: Peter Brook and The Theatre of Cruelty Season Preparing for a Season of Cruelty – Marat/Sade: On Stage – Marat/Sade: On Screen – Theatre as Cure -- 9. Conclusion.
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