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The creative and technical differenc...

Ellis, Paul.

The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	The creative and technical differences in composing an electric guitar concerto and classical guitar concerto./
Author:	Ellis, Paul.
Description:	1 online resource (93 pages)
Notes:	Source: Masters Abstracts International, Volume: 49-04, page: 2112.
Contained By:	Masters Abstracts International49-04.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9781124548463

The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
Ellis, Paul.

The creative and technical differences in composing an electric guitar concerto and classical guitar concerto. - 1 online resource (93 pages)

Source: Masters Abstracts International, Volume: 49-04, page: 2112.

Thesis (M.M.)--California State University, Long Beach, 2010.

Includes bibliographical references

The author explores the relationship between the guitar and orchestra. Two modern guitar concerti: To the Edge of Dream, by Toru Takemitsu---for classical guitar, and Tuck and Roll, by Steven Mackey---for electric guitar, are analyzed. The author compares how the guitar is used within an orchestral context in his original concerto Vs., with the Takemitsu and Mackey concerti. Vs. is unique in that it requires the use of a classical, electric hollow-body and electric solid-body guitar. Also included is a harmonic, form, and rhythmic analysis of Vs..

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781124548463Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
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005 20181203094031.5
006 m o u
007 cr mn||||a|a||
008 190606s2010 xx obm 000 0 eng d
020 $a 9781124548463
035 $a (MiAaPQ)AAI1490376
035 $a AAI1490376
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Ellis, Paul. $3 1195373
245 1 4 $a The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
264 0 $c 2010
300 $a 1 online resource (93 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 49-04, page: 2112.
500 $a Adviser: Martin Herman.
502 $a Thesis (M.M.)--California State University, Long Beach, 2010.
504 $a Includes bibliographical references
520 $a The author explores the relationship between the guitar and orchestra. Two modern guitar concerti: To the Edge of Dream, by Toru Takemitsu---for classical guitar, and Tuck and Roll, by Steven Mackey---for electric guitar, are analyzed. The author compares how the guitar is used within an orchestral context in his original concerto Vs., with the Takemitsu and Mackey concerti. Vs. is unique in that it requires the use of a classical, electric hollow-body and electric solid-body guitar. Also included is a harmonic, form, and rhythmic analysis of Vs..
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
650 4 $a Performing arts. $3 556749
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
690 $a 0641
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a California State University, Long Beach. $3 1184465
773 0 $t Masters Abstracts International $g 49-04.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1490376 $z click for full text (PQDT)

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