語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Beyond Immersive Theatre = Aesthetic...
~
Alston, Adam.
Beyond Immersive Theatre = Aesthetics, Politics and Productive Participation /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Beyond Immersive Theatre/ by Adam Alston.
其他題名:
Aesthetics, Politics and Productive Participation /
作者:
Alston, Adam.
面頁冊數:
XIII, 241 p. 7 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Performing arts. -
電子資源:
https://doi.org/10.1057/978-1-137-48044-6
ISBN:
9781137480446
Beyond Immersive Theatre = Aesthetics, Politics and Productive Participation /
Alston, Adam.
Beyond Immersive Theatre
Aesthetics, Politics and Productive Participation /[electronic resource] :by Adam Alston. - 1st ed. 2016. - XIII, 241 p. 7 illus.online resource.
Introduction -- 1.Theatre in a Box: Affect and Narcissism in Ray Lee’s Cold Storage -- 2.Theatre in the Dark: Spectatorship and Risk in Lundahl & Seitl’s Pitch-black Theatre -- 3.Theatre through the Fireplace: Punchdrunk and the Neoliberal Ethos -- 4.Frustrating Theatre: Shunt in the Experience Economy -- 5.Theatre in the Marketplace: Immaterial Production in Theatre Delicatessen’s Theatre Souks -- Conclusion.
Immersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.
ISBN: 9781137480446
Standard No.: 10.1057/978-1-137-48044-6doiSubjects--Topical Terms:
556749
Performing arts.
LC Class. No.: PN1560-1590
Dewey Class. No.: 790
Beyond Immersive Theatre = Aesthetics, Politics and Productive Participation /
LDR
:02834nam a22003975i 4500
001
973517
003
DE-He213
005
20200703043711.0
007
cr nn 008mamaa
008
201211s2016 xxk| s |||| 0|eng d
020
$a
9781137480446
$9
978-1-137-48044-6
024
7
$a
10.1057/978-1-137-48044-6
$2
doi
035
$a
978-1-137-48044-6
050
4
$a
PN1560-1590
072
7
$a
AS
$2
bicssc
072
7
$a
PER000000
$2
bisacsh
072
7
$a
AT
$2
thema
082
0 4
$a
790
$2
23
100
1
$a
Alston, Adam.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1109299
245
1 0
$a
Beyond Immersive Theatre
$h
[electronic resource] :
$b
Aesthetics, Politics and Productive Participation /
$c
by Adam Alston.
250
$a
1st ed. 2016.
264
1
$a
London :
$b
Palgrave Macmillan UK :
$b
Imprint: Palgrave Macmillan,
$c
2016.
300
$a
XIII, 241 p. 7 illus.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
Introduction -- 1.Theatre in a Box: Affect and Narcissism in Ray Lee’s Cold Storage -- 2.Theatre in the Dark: Spectatorship and Risk in Lundahl & Seitl’s Pitch-black Theatre -- 3.Theatre through the Fireplace: Punchdrunk and the Neoliberal Ethos -- 4.Frustrating Theatre: Shunt in the Experience Economy -- 5.Theatre in the Marketplace: Immaterial Production in Theatre Delicatessen’s Theatre Souks -- Conclusion.
520
$a
Immersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.
650
0
$a
Performing arts.
$3
556749
650
1 4
$a
Performing Arts.
$3
670086
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9781137480439
776
0 8
$i
Printed edition:
$z
9781349693948
776
0 8
$i
Printed edition:
$z
9781349693931
856
4 0
$u
https://doi.org/10.1057/978-1-137-48044-6
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入