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Rape on the Contemporary Stage
~
SpringerLink (Online service)
Rape on the Contemporary Stage
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Rape on the Contemporary Stage/ by Lisa Fitzpatrick.
Author:
Fitzpatrick, Lisa.
Description:
IX, 281 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Theater. -
Online resource:
https://doi.org/10.1007/978-3-319-70845-4
ISBN:
9783319708454
Rape on the Contemporary Stage
Fitzpatrick, Lisa.
Rape on the Contemporary Stage
[electronic resource] /by Lisa Fitzpatrick. - 1st ed. 2018. - IX, 281 p.online resource.
1. Introduction -- 2. Rape on the Naturalistic Stage: the example of Miss Julie -- 3. Women Playwrights: Subverting Representational Strategies -- 4. The Body of a Woman as a Battlefield: Rape and Conflict -- 5. Eroticism, Vulnerability, and Affect -- 6. In Extremis: Staging Rape in the 2010s -- 7. Conclusion.
This book investigates the representation of rape in British and Irish theatre since the second wave of the Women’s Movement. Mainly focusing on the period from the 1990s to the present, it identifies key feminist debates on rape and gender, and introduces a set of ideas about the function of rape as a form of embodied, gendered violence to the analysis of dramaturgical and performance strategies used in a range of important and/or controversial works. The chapters explore the dramatic representation of consent; feminist performance strategies that interrogate common attitudes to rape and rape survivors; the use of rape as an allegory for political oppression; the relationships of vulnerability, eroticism and affect in the understanding and representation of sexual violence; and recent work that engages with anti-rape activism to present women’s personal experiences on stage.
ISBN: 9783319708454
Standard No.: 10.1007/978-3-319-70845-4doiSubjects--Topical Terms:
836732
Theater.
LC Class. No.: PN2000-3307
Dewey Class. No.: 792
Rape on the Contemporary Stage
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1. Introduction -- 2. Rape on the Naturalistic Stage: the example of Miss Julie -- 3. Women Playwrights: Subverting Representational Strategies -- 4. The Body of a Woman as a Battlefield: Rape and Conflict -- 5. Eroticism, Vulnerability, and Affect -- 6. In Extremis: Staging Rape in the 2010s -- 7. Conclusion.
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This book investigates the representation of rape in British and Irish theatre since the second wave of the Women’s Movement. Mainly focusing on the period from the 1990s to the present, it identifies key feminist debates on rape and gender, and introduces a set of ideas about the function of rape as a form of embodied, gendered violence to the analysis of dramaturgical and performance strategies used in a range of important and/or controversial works. The chapters explore the dramatic representation of consent; feminist performance strategies that interrogate common attitudes to rape and rape survivors; the use of rape as an allegory for political oppression; the relationships of vulnerability, eroticism and affect in the understanding and representation of sexual violence; and recent work that engages with anti-rape activism to present women’s personal experiences on stage.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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