國立虎尾科技大學 |

VIDEOSPHERE : = Video Surveillance of the Video Screen.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	VIDEOSPHERE :/
其他題名:	Video Surveillance of the Video Screen.
作者:	Chernoff, Michael.
面頁冊數:	1 online resource (55 pages)
附註:	Source: Masters Abstracts International, Volume: 85-03.
Contained By:	Masters Abstracts International85-03.
標題:	Technical communication. -
電子資源:	click for full text (PQDT)
ISBN:	9798380349673

VIDEOSPHERE : = Video Surveillance of the Video Screen.
Chernoff, Michael.

VIDEOSPHERE :Video Surveillance of the Video Screen. - 1 online resource (55 pages)

Source: Masters Abstracts International, Volume: 85-03.

Thesis (M.F.A.)--State University of New York at Buffalo, 2023.

Includes bibliographical references

The question "what is video" depends on a variety of contexts in the way in which video technology is used. Video surveillance has been popularly defined by the presence of CCTV systems mounted to buildings which provide a "televisual" or long-distance view. Video surveillance is a remote observation of an object or environment; with a video camera and monitor whose separate connectivity removes an individual from an event so that they can observe without being observed. Yet, as video is implemented in newer technical applications, the scope of video surveillance also expands. The embedding of cameras in mobile devices, cars, and consumer electronics has enabled surveillance to be an up-close viewing of any physical activity. Even the video screen has become a de-privatized a space due to the virtual capturing of screen activity. Consequently, the interface of the video screen is no longer about a private subject (viewer) but is instead a space for surveilling interaction the subject. The multiplicities video cameras and screens become occupiers of real space. Video forms an occupation of space that I am calling a Videosphere. The Videosphere is a surveillance space meant to observe environments around and from within the screens and the cameras attached to them. This paper examines the medium of video and surveillance through a video art installation in the form of a video archaeological lab titled Videosphere: You Are Always On A Screen Somewhere... as a way of raising awareness of video surveillance as a physical apparatus of seemingly separate video devices with individual operations of video technology. The occupation of many surveillance cameras and monitors made the exhibition a totally surveilled performance space in which monitors and individuals appear on he screens of other monitors. This Videosphere inverted video surveillance by having cameras watch screens while the screens openly displayed surveillance camera feeds contained in the exhibition space. This inversion of video surveillance created a spectacle in which surveillance is rendered as a harmless attraction and the screen is no longer about private viewing for human subjects. The video screen is instead the site for visible interactions for video surveillance systems. Thus, in any space occupied by video, a person always appears on screen somewhere.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798380349673Subjects--Topical Terms:

1179412
Technical communication.
Subjects--Index Terms:

Surveillance apparatusIndex Terms--Genre/Form:

554714
Electronic books.

VIDEOSPHERE : = Video Surveillance of the Video Screen.
LDR:03755ntm a22004097 4500 001 1143836
005 20240517105005.5
006 m o d
007 cr mn ---uuuuu
008 250605s2023 xx obm 000 0 eng d
020 $a 9798380349673
035 $a (MiAaPQ)AAI30573959
035 $a AAI30573959
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Chernoff, Michael. $3 1468637
245 1 0 $a VIDEOSPHERE : $b Video Surveillance of the Video Screen.
264 0 $c 2023
300 $a 1 online resource (55 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 85-03.
500 $a Includes supplementary digital materials.
500 $a Advisor: Shepard, Mark.
502 $a Thesis (M.F.A.)--State University of New York at Buffalo, 2023.
504 $a Includes bibliographical references
520 $a The question "what is video" depends on a variety of contexts in the way in which video technology is used. Video surveillance has been popularly defined by the presence of CCTV systems mounted to buildings which provide a "televisual" or long-distance view. Video surveillance is a remote observation of an object or environment; with a video camera and monitor whose separate connectivity removes an individual from an event so that they can observe without being observed. Yet, as video is implemented in newer technical applications, the scope of video surveillance also expands. The embedding of cameras in mobile devices, cars, and consumer electronics has enabled surveillance to be an up-close viewing of any physical activity. Even the video screen has become a de-privatized a space due to the virtual capturing of screen activity. Consequently, the interface of the video screen is no longer about a private subject (viewer) but is instead a space for surveilling interaction the subject. The multiplicities video cameras and screens become occupiers of real space. Video forms an occupation of space that I am calling a Videosphere. The Videosphere is a surveillance space meant to observe environments around and from within the screens and the cameras attached to them. This paper examines the medium of video and surveillance through a video art installation in the form of a video archaeological lab titled Videosphere: You Are Always On A Screen Somewhere... as a way of raising awareness of video surveillance as a physical apparatus of seemingly separate video devices with individual operations of video technology. The occupation of many surveillance cameras and monitors made the exhibition a totally surveilled performance space in which monitors and individuals appear on he screens of other monitors. This Videosphere inverted video surveillance by having cameras watch screens while the screens openly displayed surveillance camera feeds contained in the exhibition space. This inversion of video surveillance created a spectacle in which surveillance is rendered as a harmless attraction and the screen is no longer about private viewing for human subjects. The video screen is instead the site for visible interactions for video surveillance systems. Thus, in any space occupied by video, a person always appears on screen somewhere.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Technical communication. $3 1179412
650 4 $a Performing arts. $3 556749
650 4 $a Multimedia communications. $3 655342
653 $a Surveillance apparatus
653 $a Video art
653 $a Video interfaces
653 $a Videosphere
653 $a Virtual reality
655 7 $a Electronic books. $2 local $3 554714
690 $a 0558
690 $a 0641
690 $a 0643
710 2 $a State University of New York at Buffalo. $b Media Study. $3 1194001
710 2 $a ProQuest Information and Learning Co. $3 1178819
773 0 $t Masters Abstracts International $g 85-03.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30573959 $z click for full text (PQDT)