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Ready to blow your mind : = Andy War...
~
ProQuest Information and Learning Co.
Ready to blow your mind : = Andy Warhol's exploding plastic inevitable.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Ready to blow your mind :/
其他題名:
Andy Warhol's exploding plastic inevitable.
作者:
Lentz, Alycia Faith.
面頁冊數:
1 online resource (259 pages)
附註:
Source: Dissertation Abstracts International, Volume: 77-12(E), Section: A.
標題:
Art history. -
電子資源:
click for full text (PQDT)
ISBN:
9781339983868
Ready to blow your mind : = Andy Warhol's exploding plastic inevitable.
Lentz, Alycia Faith.
Ready to blow your mind :
Andy Warhol's exploding plastic inevitable. - 1 online resource (259 pages)
Source: Dissertation Abstracts International, Volume: 77-12(E), Section: A.
Thesis (Ph.D.)--The University of Iowa, 2016.
Includes bibliographical references
Andy Warhol's Exploding Plastic Inevitable (EPI) was a drug-fueled rock concert-cum-multimedia art event where layers of mediation mixed with immediate experience: The Velvet Underground performed their innovative music in front of films of themselves performing, Factory Superstars danced and performed poetry, various Warhol films projected on the walls, flashing lights flickered on mirrored surfaces, and a crowd of spectators --- both famous and unknown --- packed in to see and be seen, to dance and trip into the early hours of the morning. The experience of the EPI was a potent combination of alienation, mediation, and commercialization.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9781339983868Subjects--Topical Terms:
1180038
Art history.
Index Terms--Genre/Form:
554714
Electronic books.
Ready to blow your mind : = Andy Warhol's exploding plastic inevitable.
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Source: Dissertation Abstracts International, Volume: 77-12(E), Section: A.
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Thesis (Ph.D.)--The University of Iowa, 2016.
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Includes bibliographical references
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Andy Warhol's Exploding Plastic Inevitable (EPI) was a drug-fueled rock concert-cum-multimedia art event where layers of mediation mixed with immediate experience: The Velvet Underground performed their innovative music in front of films of themselves performing, Factory Superstars danced and performed poetry, various Warhol films projected on the walls, flashing lights flickered on mirrored surfaces, and a crowd of spectators --- both famous and unknown --- packed in to see and be seen, to dance and trip into the early hours of the morning. The experience of the EPI was a potent combination of alienation, mediation, and commercialization.
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The EPI was a promotional vehicle for Warhol, Warhol's Factory crew, and the Velvet Underground, but is also a complex example of spectacle that has been under-analyzed in recent scholarship. The EPI's unabashed emphasis on marketing, packaging, consumer goods, and empty celebrity are all manifestations of fears of late capitalist excess, but beneath the veneer of vapidity was an undercurrent of counterculture political activism and social awareness. Original contributions include cultural analysis, interpretation of contemporary reviews and reports, examination of the event's lack of art historical presence, and incorporation of music scholarship into the Warhol historical canon.
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click for full text (PQDT)
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